All posts by Tarek Fayoumi…The Paterson of his Craft!

I am someone who strives to become a professional critic. I watch and review many movies. I view the eyes of movies as something as an art form. I have followed many critics over the years, but once I was thirteen I knew writing film reviews was going to be my passion. I learned from watching multiple episodes of Ebert And Roeper in my teen years, and then in middle school I began writing film reviews for a newspaper club. I am also an avid fan of the arts of Chicago including Theatre, Comedy, and music. Films, however, are my primary focus.

The Watchers Review


From the mind of M. Night Shyamalan’s daughter Ishana Shyamalan, The Watchers has promising value. It displays a layout for terror where audiences would have to use their minds. It has a setting where the direction is unique. It has an area where terror may lead the audience to shiver. Sadly, it is not that amazing. Ishana’s dad produced the film. It feels like a film that was in her father’s direction. It is a tail of lacking components that lack surreal emotions.

Ishana’s father knows how to tie connections into his films. He does so in contrast to what is lost and found. There is that element tied into The Watchers. My conflict is how detrimental the film feels. There is confusion that begins at the top of the film.

The film focuses on Mina (played by Dakota Fanning). She is an artist trying to find her roots. She finds herself in Western Ireland. A car crash puts her in a forest that is in great danger. Mina is not alone. She finds shelter in a mysterious bunker with three other survivors. Those three characters are Madeline (played by Olwen Fouere), Ciara (played by Georgina Campbell), and Daniel (played by Oliver Finnegan). The bunker has a glass wall and an electronic light used for the night hours. Mina realizes that she is an additional one hiding from the creatures in the forest. They are called The Watchers. They rise above the ground. The bunker is the only place of shelter. How long can Mina, Madeline, Ciara, and Daniel hide though?

There is that element where noises bring the creatures to have powers. The Watchers feel repetitive, especially with a franchise already going along these lines with A Quiet Place. The Watchers take this direction with grains of salt to create a more euphoric atmosphere. It does not work well. It is a dynamic of four survivors putting together a puzzle as to why they are all stuck in the bunker.

I did not feel scared of The Watchers. I had a few moments where I jumped and was surprised. Even the tactics of the film,trying to be unsettling, did not feel that way either. The only moment where I was scared was by the creatures being seen as wendigos. That is what made me think the film is going in a fairytale aspect of scares. Its presentation was still lacking.

It is a thriller about continued boredom. The Watchers try to bring in all the evil for suspense with little explanation. It tries to blindside its audience in characterizations with misdirection of trust. There is that idea that one of the survivors may have a demonic side to what is going on. The logic is a mess surrounding the puzzle of The Watchers.

The idea is promising, but the quality is the problem. The Watchers feels like a blend of previous ideas from previous projects thrown into a film of just over ninety minutes. Some may enjoy its plot, some may be confused, and some may find it hit or miss. Two out of four stars for The Watchers.

 

Ezra Review


The autism spectrum is the focus of the film. Ezra is a film that touched me deeply because I am on the spectrum. I choose to be an advocate for individuals who are on the spectrum as well. There is curiosity about what the future holds. A film with a sensitive subject such as Ezra dives deep into that matter. Directed by Tony Goldwyn, it is a direction with a touching ensemble that brings light to the film itself.

With “light,” there are more rewarding moments than some may feel with Ezra. Many have different traits of how they are with being part of the spectrum. Some may be more hyper, some may be more focused, some may be more organized, and some may have pet peeves (this is me). Parents and support systems may find challenges in how to help navigate these patterns. Ezra proves that the spectrum can be a growth of learning for both parties.

The film gears on parents who are bound to be divorced. They are Max (played by Bobby Cannavale) and Jenna (played by Rose Byrne). They have their son Ezra (played by William A. Fitzgerald), and he is autistic. Max is a comedian. Max is living with his father, Stan (played by Robert De Niro). An incident with Ezra sparks Max to make a detrimental choice. He takes Ezra on an unexpected road trip. Throughout their journey, Max finds his son’s senses evolve in the extended time spent with him.

Max’s career as a comic is the artistic path of connection. Max finds the light of his life in his storytelling and crafts on stage. His son sits in on his father’s seats. The father and son bonding are from the viewpoint of Max’s material. Max feels that nature should take its course. He believes that the people around Ezra should learn to tolerate his patterns and accept him. The moving parts of patterns, therapies, and unexpected conflicts are where finding common ground is the conflict.

Goldwyn also stars in the film (on top of being the director) as Bill. He places himself as Jenna’s boyfriend and an attorney. The dynamics of grown-ups with different understandings is the boiling point of stress for Ezra’s well-being. Ezra does not understand the reality of his situation. The presentation of feeling love and loss grapples in a revolving door momentum. I know these patterns can be sufficed.  There can be persistence and empathy (when it comes to autism).

The sensory conflicts and patterns are some of the most authentic traits presented in Ezra’s character. He is an over-thinker. He cannot tolerate metal and does not like certain foods. Words and sounds also tend to impact Ezra heavily. Ezra’s thinking is in a blur. The traits of this are authentic and realistic. I have seen these patterns with many on the spectrum.

Of all the traits of the patterns of autism in the film, it creates a place of appreciation. Max figures out more about himself as a grown-up. Max realizes he is not alone. Max realizes that he must figure out obstacles that are present for him. “Obstacles” with Jenna, his father, and how to navigate his life as a comic. Is it all enough to be a fulfilling parent for his son? Is there a bright future? Are there new doors that can open in finding meaning for Ezra?

The spectrum is with the layer of parents. They are grappling with the concept of shifting patterns. Ezra is a journey of life, love, and acceptance. How far will Max go to feel that connection to his son? Find out in Ezra. Three out of four stars.

Bad Boys: Ride or Die Review


The continued franchise made me wonder how many slaps there would be. Enough for a killer ride? Bad Boys: Ride or Die feels a bit repetitive. Fortunately, the chemistry between Will Smith and Martin Lawrence is thrilling and humorous. Both are in their fifties now and still delivering non-stop action with some of the funniest lines of dialogue. It is hard to believe that the previous film, Bad Boys for Life, was one of the highest-grossing films of 2020 before the COVID lockdowns. This time the duo is back with dazzling stunts, witty humor, and all kinds of antics that go flying off the rails.

The film again takes place in Miami, Florida. Officers Mike Lowrey (Smith) and Marcus Burnett (Lawrence) are still in their cop and buddy vibe. They are under the assumption that their lives have found the peace they’ve been looking for. Then they receive evidence that their previous boss, Captain Conrad Howard (played by Joe Pantoliano), has been set up. With databases of falsehoods and fabricated theories, Lowrey and Burnett will not stop until they can find the truth. Their new boss, Captain Rita Secada (played by Paola Nunez), puts all her faith in Lowrey and Burnett. The enemy behind most of the dangerous operations is Banker (played by Eric Dane). The story is all about the curiosities behind who is working from within. Only this time the stakes are higher, the mission is obscure, and Lowrey and Burnett may have their lives on the line. Was Captain Conrad Howard a criminal? Was he involved in any other crimes? The faith and loyalty of Lowrey and Burnett fuel their search for redemption.

The elite team adds to the fun in this film. With Kelly (played by Vanessa Hudgens), Dorn (played by Alexander Ludwig), and Armando (played by Jacob Scipio), the teamwork is enthralling. If one goes down, they all go down. If one fights to dangerous heights, they all elevate their fight to that level. Can everyone be trusted? In Bad Boys: Ride or Die team dynamics are put to the test.

What lingered in my mind while watching this movie was Michael Bay who directed the first two films in the franchise. Even though he did not direct Bad Boys for Life, or the newest one, this film feels like Bay’s world of destruction. The technical factors keep growing in this franchise. There are drones, many monitors, and all kinds of accessories in Bad Boys: Ride or Die which showcases a classy use of modern technology. However, if Bay was still directing, I imagine the explosions and action being twice as gnarly as they are in this film. Directors Adil El Arbi and Bilall Fallah know when and how to display explosivity and stylized action. They don’t overdo it like Bay would.

The mission improves on many levels in this fourth installment. Smith and Lawrence deliver that classy attitude of being BAD BOYS! This franchise keeps finding new routes to create a memorable grandeur of cops and destruction for the masses. How much damage will there be? Find out in Bad Boys: Ride or Die. Three-and-a-half out of four stars.