Your Mother Your Mother Your Mother Review


The film had its world premiere at the Toronto International Film Festival this year. The film also landed screenings at CineFest Sudbury International Film Festival, Calgary International Film Festival, and is coming to the BFI London Film Festival in October. The film is written and directed by Bassam Tariq. Six years after his title Mogul Mowgli, he presents a new form of artistic direction in Your Mother Your Mother Your Mother Your Mother. Vibrant aspects of sorrow are presented with empathetic wonder in a landscape where there is vengeance beneath the surface. The story is seen through the eyes of Mahershala Ali, an actor who chooses his projects carefully. His serious, faithful performance broadened my horizons because of the way he makes devotion light up the screen in Your Mother Your Mother Your Mother.

I researched the title of the film to understand the context. The term comes from a well-known Islamic Hadith. The Prophet Muhammad, PBUH (“Peace Be Upon Him”), would say “your mother” three times in a row to symbolize delicate hardships. These are hardships that a mother goes through and a father does not and include pregnancy, childbirth, and breastfeeding. This theme lingers through the performance and the circumstances in Your Mother Your Mother Your Mother. Mahershala Ali’s character is the one who struggles, and he handles it in an immersive manner. He dives as deep as he did in previous performances such as Moonlight, Green Book, and True Detective. He delivers a powerful performance where his responsibilities are put to the test – bound by faith and violence.

The characters all have vital roles. Mahershala Ali plays Latif, a father who is religious, and a hitman. These two elements of his lifestyle and choices inhabit the screen. His wife dies. This sets him off on a journey with his children throughout the Houston area. His three children are Fatiha (Adia), Qadir (Jahleel Kamara), and an infant named Aziza. Latif is a devoted Muslim. The presence of faith matters to him and his family. At the same time, he has been able to hide his harsh actions. After his wife dies, the tone changes. His enemy is Pastor Hwan Yoon, played by John Cho in one of his most daring, artistic roles to date.. He plays a pastor who is a former veteran who is also driven to wrongful deeds. The negative criminality in the film involves  Pastor Hwan Yoon. 

With the fueling personalities with intriguing backgrounds, Your Mother Your Mother Your Mother is unbelievably astounding. The performance of Ali is surreal. He navigates the complex  dynamics of fatherhood, religion and criminality. On the outside he is more powerful than anyone can imagine. For self-defense, he has a sword with religious writing on it which has significance in Your Mother Your Mother Your Mother. The film is a cinematic exercise in  endurance.

What I appreciate the most about this film is the portrayal of a hero-father. I say this because the director was supposed to make a Blade film with Ali. After many failures, that did not happen. Your Mother Your Mother Your Mother happened instead. While it is not Blade, Ali still has the sword of vengeance and redemption. Will he survive as a single father? Will his faith save him? Will his kids find faith?  There are a myriad of hurdles and betrayals along the way which lead to a spellbinding experience. Four out of four stars for Your Mother Your Mother Your Mother.

 

 

 

Too Many Beasts Review-Fantastic Fest 2026


Too Many Beasts earned a lot of attention at the Cannes Film Festival this year. It was even selected to be in the Directors Fortnight selection of the festival. This French film directed by Sarah Arnold is a dark comedy where the forest of northeastern France contains many elements of surprise. Too Many Beasts is the type of title that fits with Fantastic Fest. Corruption and animal chaos is what makes the film “fantastic” in a unique way.

 

There is a form of humility here that gets ravaged with revenge.  Too Many Beasts closes in on that theme, but in a way where seriousness and dark comedy combine with one another. It has French citizens, crimes with killing wild boars, and an angry officer trying to keep himself together. Conflicts spiral to brilliant heights in Too Many Beasts.

 

The film’s main character is Fulda, played by Alexis Manenti. He is an officer that has been demoted for a variety of reasons. His partner is Victor, played by Vincent Dedienne. They both work together to solve cases. For Fulda though, he is required to check in with a station psychologist named Stephane, played by Ella Rumpf. This requirement comes from his past behaviors while on the police force. The issue at hand is that there arebankrupt farmers and wild boars getting killed. Also, rights with licensing over lands come into play. All of this combines tocreate an uncharted territory of many unhappy folks. Fulda is the one trying to piece together the crimes while also navigating his own personal conflicts. Soon though, the issues begin to spiral out of control.

 

The one man that the town keeps on blaming for everything is Raoul Brun, played by Jean-Louis Coulloc’h. He has done things to hurt people or their property in the past, however, there are other binds associated. These are primarily among those who are hunting throughout the region. The film is a cat-and-mouse game with the police force, hunters, and wild boars. It is insane,vivid, and dark in a funny context. So much goes on that audiences will feel their head spin. The direction of the film has a context for its audience to not know what to believe—this blurred angle of writing is highly entertaining. From twists and turns to dead animals, there are new revelations around every corner in Too Many Beasts.

 

Even in the film, a character does say, “The problem is there are too many beasts!” That saying portrays a deeper meaning, because throughout the film the wild boars are not the only “beasts” in the town.  The ruthlessness is endless, especially with Fulda losing his mind and seeking redemption as an officer. To get the answers he wants, he has to dive deeper no matter what the cost. Three-and-a-half out of four stars for Too Many Beasts. A Fantastic Fest sensation.

 

Tenzing Review


Written by Luke Davies and directed by Jennifer Peedom, this is a film where the summit of Mount Everest has a surreal presence. Genden Phuntsok plays Tenzing Norgay, Willem Dafoe plays Colonel Hunt, and Tom Hiddleston plays Edmund Hillary in this adventure tale of those who want to climb Mount Everest come to life. Tenzing showcases the world’s most breathtaking cinematography and mountain views I have ever seen. The concept of accomplishments flow with many spellbinding effects. A portrayal of an era where the precautions are limited creates an atmosphere that reminds its audience to never give up. 

 

Tenzing has earned a lot of praise and rewarding achievements in many film festivals this year. It was featured in the 53rdTelluride Film Festival, the 2026 Toronto International Film Festival (TIFF), The 22nd Zurich Film Festival, and is coming up in the 2026 Nashville Film Festival. With its many festival appearances in the month of September, Tenzing is bound to find its spot in award season categories. The era of sacrifice and accomplishments has a heartfelt meaning. It dazzles with mountain scenery and wonderous shots of Mt. Everest. There is also the depictions of courage with others. Deep down though, Tenzing just reminds its audience that anything is possible when one puts their minds to a task. 

 

Tenzing is the hero of the film with the plot revolving mainly around him. The story of the 1953 mission to embark on the British Everest Expedition shines. Tenzing teams up with Colonel Hunt and Edmund Hillary. There are others as well, but all three of them are the heroes behind the mountain expedition.Their dynamic trio is where Tenzing is a masterpiece on a surreal level. Climbing mountains is not easy—but Tenzing is the one that delivers much of the hope for the world around him.

 

What I admire most about Tenzing is how it captures his younger days in the village and then jumps back to his Everest adventure. The reminder that he started in this one place brings a lot of positive emotions and the thought that every hero has a story. Tenzing’s is brutal and persistent one. The smile on his face is his trademark for the world. The accomplishments of his life and mountain expeditions will live for generations. Tenzing is also an influence—he encourages his teammates to not quit abandonplans as the continuation of the climb gets steeper. There are moments where parts of the mountain can break—the message to keep going continues to glow in Tenzing.

 

The most essential aspect though, is how it brings in the moments of global warming impacting the climb. There are moments where the team finds themselves trying to think of new plans, move things around, or even give up. Tenzing is not about giving up, but he is also about safety. The writing of the film is created to have a literal landscape containing paths with thoughts of quitting, but also ones leading to encouragement to climb to the top. Once they accomplish that, they will remember their achievement forever.

 

Astonishing in the storyline, the photography, and the continuity. This is an experience that feels like a National Geographic sensation. One of the best films from the mind of Jennifer Peedom. Her epic filmmaking here will captivate audiences around the world with Tenzing. Four out of four stars for Tenzing.

 

Treating cinema in many forms of art!