
Technologically brilliant is how I define The Death of Robin Hood. The rest of the film is hampered by a blurred storyline dominated by vengeance beneath the surface. The continuity of the film felt flat in spite of the grandeur of cinematography in a setting centuries ago. The acting is stunning, but I had issues with the pacing. Written and directed by Michael Sarnoski, this film is about a battle of grief past and present seen through the eyes of Robin (Hugh Jackman).
The plot involves Robin dealing with his dark history of murder and crime. He seeks redemption. However, at the same time he cannot put his past behind him. Jackman displays seriousness well in The Death of Robin Hood as he finds himself reeling from an injury. With the help of a lady named Sister Brigid (Jodie Comer), he sees some light ahead. Also, with a man named Edward (Bill Skarsgard), there is a theme of teamwork and redemption, yet the storytelling is confusing.
Jackman’s performance delivers a haunting message that his character is not to be messed with. Moments from his present and past spiral in ways that feel unpredictable. I struggled with what the director chose to emphasize in the film primarily because the backstory felt drawn out. Overall, it was very subtle and quiet. Unfortunately, the establishment of an understandable landscape was not truly there. I just felt there could have been more context established to explain why Robin Hood is facing so many perils. The film relies too much on technology and darkness for its selling points.
Sarnoski incorporates some effective storytelling, but it felt removed from the central conflict. He relies on cinematography and Jackman’s performance to create suspense. These scenes take on more importance than the dynamics between the characters played by Comer and Skarsgard. I felt they deserved more. I felt the film kept spiraling around an angry man looking back at his past with moments of brutal violence. In the end, the revolution fails to be supported by a compelling narrative. The movie starts off OK, but then slides down to flatness leading to a steady slew of disappointment.
Overall, there are some meaningful moments showing how grief and revenge take their toll. Sarnoski knows how to portray humanistic values. Still, the film failed to satisfy me. The historical components do not have the wonders I anticipated. Therefore, I only give it two out of four stars.

