Digger Review


There is that full-throttle mode that everyone expects from Tom Cruise. The tycoon characteristics, the buffoonery, and all the money in the world. Those elements are all present in Digger, but this time his character is not jumping out of airplanes and buildings like he does in the Mission Impossible franchise. He is still frantic with power, only now he is oblivious to his disasters. Of course, in true Cruise style, there are party-going ways and political views in his characterization. Digger delves into political mode in a mixed way.

From the director of Amores Perros, Babel, and The Revenant, this is Digger, another project in which Alejandro G. Inarritu goes deep with his characters. The film is very focused and chock full of disasters. At times the approach seems like Babel, but in this film audiences can laugh at particular moments whereas Babel was a surreal rollercoaster ride of vivid sadness.

Inarritu always does well with one-point perception because of the way he hones in on the kings or the enemies with his camera angles. I appreciated this in both Babel and The Revenant. This element is utilized at times in Digger, though there are more crazy transitions between various actions. Much of the film is dominated by the repeated wild takes of Cruise and his ego modality. I find it surprising that Inarritu and Cruise were able to work together on Digger.

Before going into the plot, it is important to outline the key characters in the film. Tom Cruise plays Digger Rockwell, a wealthy oil tycoon. Riz Ahmed plays Ganish, a scientist and an assistant to the U.S. President. John Goodman plays President Compson, the dictatorial President of the United States. Sandra Huller plays Emma Rockwell, Digger’s half-sister and business partner. Michael Stuhlbarg plays the Vice President. Finally, Jesse Plemmons plays Kenny. Each of the characters play a vital role in fueling the dynamics with  Digger. Even though the film is uneven in the way it evolves, audiences can expect to have their minds twisted by the array of  surprises in Digger.

Digger controls oil fields throughout the world, and he is given news that a disaster has sparked attention. Apparently, there is a pending disaster where an iceberg could hit Europe and put many lives at risk. Digger is free-spirited and believes his ways are always how it goes. Ganish is the one with the scientific facts. President Compson and Digger have some commonalities—both are hierarchical and confident that they have the answers. While Tom Cruise looks old and gray in this film, he still rules like a hungry emperor. His character puts jobs on the line. No matter the consequences, shifts caused by global warming are at the epicenter of the film.

Even though the film is creative and has mind-boggling characterization, there is a twist to it. The film breaks the fourth wall in a dimension that is unexpected. Still, it was not enough to make this a spectacular movie. Yes, there are a lot of interesting issues related to science, politics, and egos. The twist, however, comes from a hidden element beneath the surface. In the end, I rate Digger two out of four stars.

Your Mother Your Mother Your Mother Review


The film had its world premiere at the Toronto International Film Festival this year. The film also landed screenings at CineFest Sudbury International Film Festival, Calgary International Film Festival, and is coming to the BFI London Film Festival in October. The film is written and directed by Bassam Tariq. Six years after his title Mogul Mowgli, he presents a new form of artistic direction in Your Mother Your Mother Your Mother Your Mother. Vibrant aspects of sorrow are presented with empathetic wonder in a landscape where there is vengeance beneath the surface. The story is seen through the eyes of Mahershala Ali, an actor who chooses his projects carefully. His serious, faithful performance broadened my horizons because of the way he makes devotion light up the screen in Your Mother Your Mother Your Mother.

I researched the title of the film to understand the context. The term comes from a well-known Islamic Hadith. The Prophet Muhammad, PBUH (“Peace Be Upon Him”), would say “your mother” three times in a row to symbolize delicate hardships. These are hardships that a mother goes through and a father does not and include pregnancy, childbirth, and breastfeeding. This theme lingers through the performance and the circumstances in Your Mother Your Mother Your Mother. Mahershala Ali’s character is the one who struggles, and he handles it in an immersive manner. He dives as deep as he did in previous performances such as Moonlight, Green Book, and True Detective. He delivers a powerful performance where his responsibilities are put to the test – bound by faith and violence.

The characters all have vital roles. Mahershala Ali plays Latif, a father who is religious, and a hitman. These two elements of his lifestyle and choices inhabit the screen. His wife dies. This sets him off on a journey with his children throughout the Houston area. His three children are Fatiha (Adia), Qadir (Jahleel Kamara), and an infant named Aziza. Latif is a devoted Muslim. The presence of faith matters to him and his family. At the same time, he has been able to hide his harsh actions. After his wife dies, the tone changes. His enemy is Pastor Hwan Yoon, played by John Cho in one of his most daring, artistic roles to date.. He plays a pastor who is a former veteran who is also driven to wrongful deeds. The negative criminality in the film involves  Pastor Hwan Yoon. 

With the fueling personalities with intriguing backgrounds, Your Mother Your Mother Your Mother is unbelievably astounding. The performance of Ali is surreal. He navigates the complex  dynamics of fatherhood, religion and criminality. On the outside he is more powerful than anyone can imagine. For self-defense, he has a sword with religious writing on it which has significance in Your Mother Your Mother Your Mother. The film is a cinematic exercise in  endurance.

What I appreciate the most about this film is the portrayal of a hero-father. I say this because the director was supposed to make a Blade film with Ali. After many failures, that did not happen. Your Mother Your Mother Your Mother happened instead. While it is not Blade, Ali still has the sword of vengeance and redemption. Will he survive as a single father? Will his faith save him? Will his kids find faith?  There are a myriad of hurdles and betrayals along the way which lead to a spellbinding experience. Four out of four stars for Your Mother Your Mother Your Mother.

 

 

 

Too Many Beasts Review-Fantastic Fest 2026


Too Many Beasts earned a lot of attention at the Cannes Film Festival this year. It was even selected to be in the Directors Fortnight selection of the festival. This French film directed by Sarah Arnold is a dark comedy where the forest of northeastern France contains many elements of surprise. Too Many Beasts is the type of title that fits with Fantastic Fest. Corruption and animal chaos is what makes the film “fantastic” in a unique way.

 

There is a form of humility here that gets ravaged with revenge.  Too Many Beasts closes in on that theme, but in a way where seriousness and dark comedy combine with one another. It has French citizens, crimes with killing wild boars, and an angry officer trying to keep himself together. Conflicts spiral to brilliant heights in Too Many Beasts.

 

The film’s main character is Fulda, played by Alexis Manenti. He is an officer that has been demoted for a variety of reasons. His partner is Victor, played by Vincent Dedienne. They both work together to solve cases. For Fulda though, he is required to check in with a station psychologist named Stephane, played by Ella Rumpf. This requirement comes from his past behaviors while on the police force. The issue at hand is that there arebankrupt farmers and wild boars getting killed. Also, rights with licensing over lands come into play. All of this combines tocreate an uncharted territory of many unhappy folks. Fulda is the one trying to piece together the crimes while also navigating his own personal conflicts. Soon though, the issues begin to spiral out of control.

 

The one man that the town keeps on blaming for everything is Raoul Brun, played by Jean-Louis Coulloc’h. He has done things to hurt people or their property in the past, however, there are other binds associated. These are primarily among those who are hunting throughout the region. The film is a cat-and-mouse game with the police force, hunters, and wild boars. It is insane,vivid, and dark in a funny context. So much goes on that audiences will feel their head spin. The direction of the film has a context for its audience to not know what to believe—this blurred angle of writing is highly entertaining. From twists and turns to dead animals, there are new revelations around every corner in Too Many Beasts.

 

Even in the film, a character does say, “The problem is there are too many beasts!” That saying portrays a deeper meaning, because throughout the film the wild boars are not the only “beasts” in the town.  The ruthlessness is endless, especially with Fulda losing his mind and seeking redemption as an officer. To get the answers he wants, he has to dive deeper no matter what the cost. Three-and-a-half out of four stars for Too Many Beasts. A Fantastic Fest sensation.

 

Treating cinema in many forms of art!