Film reviews

Star Wars: The Mandalorian and Grogu Review

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The film continues after the events of Season 3 of The Mandalorian. With mixed expectations, the Force maintains its strong suit in Star Wars: The Mandalorian and Grogu. There are moments of flaws and scenes that feel a bit redundant. Regardless, the galaxy and characterizations still thrive well in this franchise. Directed by Jon Favreau, the adventures of The Mandalorian carry the weight of the franchise as an assigned mission is accomplished. I appreciate the honorable tone of someone keeping their word while utilizing powers for the better with cinematic vengeance in Star Wars: The Mandalorian and Grogu.

After the collapse of the Galactic Empire, the galaxy is still devastated. Pedro Pascal is Din Djarin aka The Mandalorian. He reports to the New Republic. After trying to maintain peace and do the right missions, he cannot keep up with the fallen sections around him. He has a new mission which is to rescue Rotta the Hutt, played by Jeremy Allen-White. White is the voice of the alien character. Then there is Ward, played by Sigourney Weaver. She assigns Din to this task. Din’s small alien creature is Grogu, basically a baby Yoda who does not speak. With the rebels clashing, and much evil resurfacing, Din and Grogu are in for one wild ride.

What I found joyful was how there were many moments whenDin wanted to keep his helmet primarily because The Mandalorian has the desire to hide his identity. At the same time, the helmet protects him. The film goes on an adventure of teamwork and competitions, many of which have deadly consequences, especially when they involve creatures and monsters. There is not so much lightsaber action, but more strategic attacks, which provides lots of fun in Star Wars: The Mandalorian and Grogu. Overall, I found inspiration because of the buddy dynamic between the film’s two main characters, Din and Grogu. This is a film that is continued from a series and follows the right steps to reach its conclusion. It loops in plenty of Star Wars elements and focuses on the most important. It is witty and inconsistent at times, but mostly spot-on.

The galaxies full of adventures leading to conclusions is where the film excels. The performance of Pascal as the king of destruction for a better cause is strong. His loyalty to the New Republic as The Mandalorian provides the “presence of importance” because without him, there is no mission. There is no one to hunt, but all around him there is a galaxy of keys to leaders, threats, and adventures. The moving parts are attention- grabbing in Star Wars: The Mandalorian and Grogu.  I walked out feeling entertained but not blown away. Three out of four stars.

Film reviews

The Wizard of the Kremlin Review

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Director Olivier Assayas always brings in politics to create intriguing projects which feel either compelling or overwhelming. I have seen this the most in Personal Shopper and Clouds of Sils Maria. He is good at creating a narrative where the focus is on an individual becoming a bigger human. However, the outside world is where the layers of conflict interfere. Many moments in his films are bold and daring. The Wizard of the Kremlin brings in falling from power over success. The film takes place in Russia with a backstory that starts with revolutionary dynamics.

The film begins with Rowland, played by Jeffrey Wright. He is a journalist visiting Russia. The narration begins with him primarily covering the landscape in Russia where the dangerous territory is. The story expands when Rowland meets Vadim Baranov, played by Paul Dano. Vadim has had much success in the arts and producing movies in Russia. However, things get tainted when he partners with Vladimir Putin (Jude Law). As the film moves forward, the scenes in Russia travel back to the past. It goes through the times when Vadim had success, and he explains all of this to Rowland. Assayas’ direction is faithful regarding how politics operate and often collapse instead of delivering anything positive. The politics in Russia continue to evolve and lead to nail-biting. The Wizard of the Kremlin pushes the narrative, yet I felt that the storyline kept sinking from superb to the point where things simply fell out of focus.

This is not Assayas’ best or his worst project. The artistic value and realism simply do not see eye-to-eye. There was phenomenal acting, but the misconstrued ends are too bold. Overall, it is still cinematically enticing given his tight grasp of complicated subject matter. Still, many aspects could have been improved upon. I felt there should have been more historical background provided instead of focusing on the abuse of power to fulfill the narrative. Overall, two out of four stars for The Wizard of the Kremlin.

Film reviews

Hokum Review

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For the first time in my life I felt really scared while watching a movie. The haunting experience of is still vibrating in my brain. Hokum is a journey where surreal terror reigns. Written and directed by Damian McCarthy, this story delivers scenes where mental health and creativity clash. McCarthy has a vision for showcasing stress and life scenarios that take a continued toll. Adam Scott plays the lead role. I am grateful that I got to see him speak and promote Hokum at CinemaCon this year during the Neon presentations. Hokum is an audacious film full of unexpected delights.

Adam Scott plays Ohm Bauman, a book author with a mixed reputation. He spends his lonely hours writing and utilizing his deep thoughts to add layers to his writing. As he consumes glasses of whiskey, his search for a story is always on the horizon. For Ohm, however, finding the keys to his story puts him in a bind. After the loss of his parents, he decides to visit an Irish Inn. He does this so he can go and scatter their ashes. He also wants to dedicate more time to his writing in the solitude of the Inn. The whole experience takes a considerable toll on his mental health because the Inn apparently has strange, disturbing things happening in it. With a closed Honeymoon Suite and other weird circumstances, Ohm finds himself in the center of danger.

For Ohm, the terrors of his childhood rumble. His stay at the Inn continues to alter his mind to a point where his mental condition is seriously impacted. He develops a friendship with a staff member named Fiona (Florence Ordesh) and with an outsider named Jerry (David Wilmost). The sketchy employee of the Inn is named Mal (Peter Coonan). When Ohm begins to realize that different elements are shifting, Mal is always trying to cover his tracks. What did Ohm walk into? Was going to Ireland the right choice? What is he trying to get with his story? Is the trip even about his story? Did he walk into a new nightmare? The doors of terror open and slam shut in the most gut-wrenching and spellbinding ways. Hokum involves deep searches for answers and survival.

Hokum blew my mind. I was invigorated by the mazes presented throughout the movie and the weird angles of the Inn. Scott also kills it. His attitude as a struggling writer adds depth to the terror especially since he is playing someone unaware in the beginning. But then as evidence evolves, he finds himself trying to put the various pieces together. It is somewhat like his performance in Severance, but this time the things he is encountering are really happening and leading to inevitable nightmares. He cannot escape his unforgettable and negative past. However, his new mission is to find what he walked into and deal with it. He can still be a good person and a good writer if he can escape what he’s lurking in this nightmare of a location. Three out of four stars for Hokum.

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