Tuner Review-Chicago Critics Film Festival 2026-Movies with Tarek


There is a crime heist with a tune that resonates in the Chicago Critics Film Festival. It is a film that involves a piano tuner, safety deposit boxes, and family hardship. Given all these components, it comes down to the tuner making hard choices to help those he loves. Since the tuner has struggles with hearing, he feels connected to reality and those who matter to him the most. Directed by Daniel Roher, this is Tuner. Audiences will have their minds blown and the outcomes will turn their worlds around. So many questions are at play as different operations come around in this story.

The main character fixes pianos. His name is Niki, played by Leo Woodall. He tries to help his family members with their finances. The family member with health issues is Henry, played by Dustin Hoffman. Niki wants to help and has found an easy way. With his talent cracking safes by listening closely, he falls in with criminals. Niki ends up doing all kinds of robbery jobs, many of which are discreet. Soon though, his life falls on the line. He may be making the dough, but the heists get riskier as the criminals utilize his hearing challenges to take advantage of him. He also finds himself in a relationship with a piano player named Ruthie, played by Havana Rose Liu. While Niki tries to get his life together to help those who matter and build a livelihood through crime, he does not know his limits.

The film is a crazy, daring ride where I was jumping out of my seat every time there was a moment when Niki had to deal with his sound barriers. I also was sold on how he can fix the pianos while at the same time navigating constant frustrations. Woodall’s performance playing a character with a disabilityprovides motivation for viewers to persevere. Despite the wrong path he pursues, there is a cinematic twist that will leave audiences breathless. Three-and-a-half out of four stars for Tuner.

The Invite Review-Chicago Critics Film Festival 2026-Movies with Tarek


The opening night of The Chicago Critics Film Festival soared with laughter. Olivia Wilde’s The Invite received acclaim for its comedic impact and resonated strongly with audiences. Obscure, prolific, and creatively enticing. Wilde’s vision has clever insanity written all over The Invite. An all-star cast in a dynamic where a dinner evening goes awry. With multiple marital issues and messy disagreements, the story is written in a way that gets fun right. The Invite is so inviting due to frequent quirks which are not overly serious. A genius approach from Wilde. 

The film begins with a couple, Angela (Olivia Wilde) and Joe (Seth Rogen). They feel compelled to have their neighbors over for dinner. However, their dysfunction is written all over the initial scenes of the film. Annoyances abound with arguments related to issues from chores to wine. There is much more on the table than just dinner. The couple who joins them are Pina (Penelope Cruz) and Hawke (Edward Norton). They can sense that Angela and Joe are having issues. Therefore, they try to involve themselves in lifestyle conversations. During the course of events as the evening goes awry, desire and pleasure come into play as well.

Pina and Hawke try to compare themselves to Angela and Joeprimarily by helping them to explore what makes them angry. To be honest, their issues are common first-world problems. Wilde’s direction effectively creates volcanic eruptions based on the impulsive characteristics of each character. This is what makes The Invite so great. Tensions are created yet there is plenty of joy and quirk to be had while navigating the variousegos. The couples may be out of their league, but the actingresults in a satirical grandeur of entertainment that is unforgettable. Couples collide and happiness is a lie. The Invite shines with glory. Four out of four stars for The Invite.

Deep Water Review


A film that is surrounded by airplanes and turbulence usually sets the tone for a suspenseful ride. Many in this genre tend to be predictable where some survive, and some do not, with it just being a matter of who will meet their fate and when. They can also drag down the torturous moments of danger. Not so withDeep Water though. This one is different and unique in its own sense. Directed by Renny Harlin, he has a moment where hippos are compared to airplanes. With that type of humor, there is a lot more that floats in the waters of Deep Water. Deep Water is an intense dive that more than just a plane crash movie, as it rocks the world of its audience with shaky waters and lots of sharks. Silly in moments, but monumental to the extent of heroism hitting it right.

The film’s main characters are Ben (Aaron Eckhart) and Rich (Sir Ben Kingsley). They are both pilots aboard a flight heading to Japan. Ben has some problems in his life and he hopes to make it home to his own family to deal with personal matters. Before he can do that though, he must deal with the next adventure aboard the plane he is flying. On the plane, a power port causes a malfunction, and the plane starts on fire inside. After that, the safety features fail, and the plane hits water. There are fragments of the plane floating around. There are also passengers that end up dead and some that end up surviving. Many of the survivors are injured. On top of that, there are sharks. The Tetris game of making it out alive and getting past the sharks is a rocking ride where the currents of the waters do not lie.

 

The words of Ben Kingsley, “BRACE FOR IMPACT,” rocked my ears throughout the film. His performance is limited, but his mentality plays that role in being the voice of never giving up. Lots of heroism falls onto Eckhart’s monumental performance. He has played many characters of authority in previous projects. One of which he also portrayed a pilot in the classic Clint Eastwood film, Sully. This time however, he is the pilot having to do more than just navigate the plane. He must ensure the passengers can work together with him. The writing is tight here in dealing with passengers, safety, and uncertainty is where my head was throbbing and aching—with wonders of excitement.

The film instantly felt like Snakes on a Plane meets Cast Away, only there is no dry land, and the animals are the sharks in the water. This comparison is because of how there are more dangers than just the aircraft going into a dive of awry. Deep Water tangles its components to keep survival as a tactic for its audiences to keep their helmets on for the ride. Yes, the film is that rocky.

Throughout the moments of Eckhart’s performance, he is the ultimate stud. His performance is one that includes moments of sacrifice in Deep Water. The writing is strong with tension of characters thinking of giving their own lives to save others. It is a surface that is shaky and then takes the audiences underneath itto unknown depths.  Deep Water lays out its uncharted territory to new and cinematic moments below the sea. I give this wild and suspenseful adventure three-and-a-half out of four stars.

 

 

 

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