Mother Mary Review


This film is like a fantasy where the lines between talent and reality are blurred. The artistic side seems universally magnificent. However, the pacing and characterizations are out of tune. Directed by David Lowery, he creates places of power and love and adds layers of a Kingsman era. Only Mother Mary is strictly female. There are moments of openness which express artistic talent, yet the meaning behind it is tainted. The film combines a mixture of various moments in which nothing gets accomplished. Cinematically wonderful, but the writing side…a flop!

The main characters are Mother Mary (Anne Hathaway) and Sam Anselm (Michaela Coel). The film follows suffering iconic pop star, Mother Mary. She finds herself getting together with her costume designer Sam. Mother Mary is on the verge of regaining her fame by performing. Her costumes and her appearance have elements that she questions. The film becomes an odd and bizarre journey of self-discovery. Unfortunately, I found continuity and creativity lacking.

The film has some imaginative dynamics. In Hathaway’s performance, she portrays a character who is pursuing her destiny by pushing above and beyond. In Coel’s performance, she demonstrates a persistent desire to compete. At the same time, they are both females with interesting creative narratives, and they adequately fit their roles. The dynamics of the film have potential which are not fully harnessed. Specifically, the cinematography and choreography are impressive in parts. The rest of the film…trash! It starts by using wonderful elements and then throws them down the drain.

I am trying to be positive about this film, but it is not easy. I thought the pop and dance stuff would lead to a Black Swan or Moulin Rouge type of experience, but it didn’t. What I got was a film where imagination and a comeback fail to see eye-to-eye. Hathaway’s performance of struggle speaks, but the rest of the film fails to comply. Mother Mary is a pop concert filled with confusion, silliness, and wasted creativity which never delivers. The film does have some scenes with very cool red lighting. In the end, they’re also a waste since this rest is so lacking.

Mother Mary should have built on the cinematography. But the artistry in the characterizations is some of the worst I have seen. I came prepared to appreciate the performances. It is a pity that they fall apart. Two out of four stars for Mother Mary.

Becoming Vera-42nd Chicago Latino Film Festival-Movies with Tarek


This is a film where all may feel lost, but deep-down hope prevails. There is audacious and grand desperation to seek a new light in this story which is one of the best films in the 42nd Chicago Latino Film Festival. The composition is strong and the persistence is mesmerizing. The film captures someone whorelies upon resources to survive. Despite the mattersencountered, the film is about pushing past hurdles. This is Becoming Vera, written and directed by Sergio Vizuete. He is stellar at capturing rare talent in this one-of-a-kind drama centered on fascination with the piano.

The film’s main character is Vera, and she is played by Raquel Lebish. She has been in and out of the system since she aged out of the foster care program and now finds herself jumping between jobs and homes. Vera has a talent for piano, because her former foster mom had a piano in her life. However, Vera has been self-taught. She lands a job painting someone’s studio. The studio is under a man named Hector, and he is played by Gabriel Dehl. He is teaching a pianist named Ellen Rivera, and she is played by Mikaela Monet. Once Vera touches Gabriel’s instruments, he decides to give her a shot.

The film explores multiple angles of competition that Vera faces. The film is vivid at showcasing persistence. While Vera continues to juggle her life as an orphan, she is also prepping in the piano studio with Hector. She has an opportunity to work her way up in the Latin music scene. Her nemesis, however, is Helen. Both musicians possess different styles. While Vera is self-taught, Helen has been taught how to play through structured lessons. Helen has the upper hand because of her musical education and the fact that she is more connected with those in the music industry. Vera’s only connection is Hector, and he can be two-faced.

The film does a great job of exploring this journey of someone who must work their way to the top. I appreciate the value of the message in this film focused on never giving up. The craftsmanship of the writing is so pure and beautiful. It is a moving picture of someone trying to thrive with love for a craft while also grappling with the uncharted territory she continues to encounter.

The devotion from the performance of Lebish is gold. She repeatedly shows up to do the impossible. Despite being an orphan, she keeps taking the chance to prove her piano playing has purpose. She goes above and beyond. She pushes herself to the limit. She disregards the hardship that circles around her. The film reinforces how important it is to live life in the present.As she says in the film, “I’m a fast learner.” She means it. Orphan life is an obstacle, but becoming an accomplished artist is an opportunity. Vera is unwilling to throw in the towel. Four out of four stars for Becoming Vera.

 

I Swear Review


A mesmerizing true story that is very powerful. A film that reminds audiences not to feel they are alone. There is a sense of urgency to learn more. This film is called I Swear which was written and directed by Kirk Jones. It is the unforgettable real-life story of John Davidson, an icon that inspired the world with efforts to navigate his life with Tourette syndrome. It is riveting and emotional. The docudrama format brings many important aspects which add to the seriousness of the film. I Swear may be one of the best films I have ever seen. I was especially moved by the story because I also grew up dealing with learning challenges. I Swear reminded me that having others around that share similar patterns helps us grow stronger.

The film’s main character is John Davidson, played by Robert Aramayo. John has grown up having difficulties in school and struggles fitting in. Tourette Syndrome is not well known during his upbringing. John cannot help what he does or says. His family tends to dismiss him, but then the Achenbach family takes him in. Dottie Achenbach, played by Maxine Peake, has worked in the healthcare industry with people who have mental health issues. She feels a connection and appreciates having John around. Despite his tics, she finds him to have a loving heart. John does not receive much love and support from his own family. John perseveres as he copes with his disability while also trying to find a path to becoming a better person.

There are moments when John finds himself in turmoil or peril. Much of that is because he is desperate to find a way to fit in. The film’s writing demonstrates how mistakes can happen quite frequently in John’s life. At the same time, however, audiences will pick up on the fact that his heart is still good. With the various resources available and important steps Dottie teaches him, I Swear transitions to a brighter portrait. More doors begin to open for him, and promising possibilities present themselves, not only for John, but others who may be in the same boat, dealing with Tourette syndrome.

I appreciate the message of helping those who are in need. I relate to feeling disconnected which can also lead to revelations. I love the true story and how it shows that family and friends can also reach plateaus when trying to be supportive. Deep down, we know that John cannot help how he responds to things. We understand that he does not intend for his own life to be in a state of disarray. He just requires more resources to succeed. The film’s brilliance is reinforced by the encouragement he receives.

I Swear reminds people not to be afraid. Despite our disabilities, our struggles, and our conflicts, we are all only human. There is something authentically good inside each of us that can be used to create and to inspire. The life story of John Davidson serves as a shining example and speaks to the world. Four out of four stars for I Swear.

 

Treating cinema in many forms of art!