The Only Living Pickpocket in New York


This film is quiet and intriguing with New York city vibes written all over it. There is smooth jazz that plays at the start of the film. It is centered around stealing and making profits, while also navigating a life-challenging scenario. The film is genuine. The Only Living Pickpocket is different than what I am used to with a setting in New York. I usually expect to see something with a lot of crime and suspense—those two elements are in the film, just presented so silently. Written and directed by Noah Segan, The Only Living Pickpocket in New York is one-of-a-kind.

 

The film’s main character is Harry, played by John Turturro. He is someone that has many ways of stealing things and selling them. He does this by watching the moves of everyone around him. His motivation in doing this is to help him be able to care for his dying wife, Rosie, played by Karina Arroyave. However, he steals an item from a young punk named Dylan, played by Wil Price, and this particular theft scenario goes awry. For Harry, it becomes a life-and-death situation. If he does not retrieve the missing item to give back to Dylan, his wife will be in danger.

 

I love how the film presents negative deeds in the context of normalcy. Harry goes down to a pawnshop regularly. The man running the shop is Ben, played by Steve Buscemi. They negotiate values, worths, expenses, and many aspects of what items can be sold for. Harry needs to extract  the highest value possible from every item. At the same time though, his timing becomes limited as the life of his wife remains in balance due to one of his pickpocketing schemes.

 

As Harry runs through the streets of the city, the film is highly cinematic with New York moments. I truly value the depths of the subway systems, the moments of people watching, the hustle of a busy day–all scenes that convey times for a perfect pickpocket mission. It can be one of success or one of failure, but regardless, there is bound to be an intriguing outcome. There are moments when Harry questions his choices. They come around a lot when his wife is in peril, with the punk attitude of Dylan playing into that as well. 

 

Although truly surreal in its approach, I will say The Only Pickpocket Living in New York is a moderate classic. The writing is a bit rushed. The premise though is worthy of a masterclass that could have had more to it. Overall, I found myself in a spellbound throughout most of the film. Turturro and Buscemi deliver performances that are mind-boggling. They both convey underworld New Yorker attitudes of greed and wonders. Turturro though, steals the film. The Only Pickpocket Living in New York had me sold for a majority of the eighty-eight minuteduration. Three out of four stars.

 

Being Heumann Review


I am on the autism spectrum and admire people who fight for what they can achieve. I also adore true stories. Being Heumann is a vivid one about the days of fighting for disability rights. The director Sian Heder is bound to be recognized for creating a moving realistic portrait. Ruth Madeley plays Judy Heumann, and she is a force of nature. The film is astonishing on all fronts.

The year is 1977 and Judy Heumann is a disability rights activist. Her journey involves an occupation that goes on over three weeks in the San Francisco Federal Building. She rallies protesters with different types of disabilities, ranging from physical to mental, as she fights for accessibility laws and equal rights.

The bill she is struggling to get signed sparks the rollercoaster. The issue is with the funding and the big boss is scared about the buzz the bill could attract. The issues she is fighting for matter, but the stalling is an obstacle that adds fuel to the fire. For individuals who have difficulty walking, need wheelchairs, or other tools to help them navigate their daily lives, Being Heumann displays the challenges for those with disabilities. The film also highlights how these same individuals can shine brightly.

The level of sacrifice makes Being Heumann so astonishing. Judy and her gang huddle and fight with passion. Some governmental entities assist, but others on the frontline are not as cooperative. The common ground is struggle. Despite the tough moments, the film is a revelation. Through times of change and misdirection, Judy does not stop fighting.

As someone on the spectrum, I fully believe in accessibility and providing all the resources possible. Whatever can be offered to help those who are limited to thrive should be available. Being Heumann showcases the element of sacrifice in a realistic way. Madeley’s performance is  a tour-de-force. In spite of many obstacles, she fights on.  

Mark Ruffalo plays Joseph Califano, the United States Secretary of Health and Human Services. He is a disgruntled man who is part of the governmental hierarchy. However, aspects of his character come to light as the story progresses and he deals with the issues related to people with disabilities. The reporter covering the process is Evan White, played by Dylan O’Brien. I once had the opportunity to do a brief interview with Dylan O’Brien. Through that experience, I learned that he is showing increased interest in taking on more serious roles.

The era in which the fight for disabilities rights was in full swing required resilience. Those in the fights needed a drive to never give up. For Judy, her wheelchair was her weapon. She was dedicated to having accessibility everywhere, including ramps and accessible doors. Fighting for these fundamental building blocks is what I appreciated most in Being Heumann. It takes a strong voice to inspire others  to have faith. It takes a strong voice to speak out about what we need. Even those who have limitations can thrive in life when there are opportunities available to them. As an advocate for those with disabilities, I believe everyone should see Being Heumann. There is that message delivered about what sacrifice can lead to. This vibrant film promotes equality to the fullest extent. Being Heumannreminds audiences to never let other people or hard situations keep us down. Thanks to Judy Heumann who demonstrates that when there is a will, there is a way. Four out of four stars.

 

I Play Rocky Review


There are a lot of poetic moments woven in from the early days of Sylvester Stallone. This film goes way back to his time as a struggling actor who became a rising celebrity and eventually a legend. I Play Rocky is a journey where audiences feel like they are a part of Sylvester’s world, following him on the streets where success didn’t come easily. His will to become an actor allowed him to slowly build a following. Directed by Peter Farrelly, this is I Play Rocky, a  true story that shows how making one of the best movie franchises in history was not an easy process. The challenging interactions with studios, producers, and directors all paint a portrait of the difficult obstacles Sylvester faced along the way. When audiences see young Sylvester skipping work to get acting gigs and then facing rejection, they will grow to understand the creative mind that was bound for a surreal destiny. Along the way, the film offers a bountiful ride through the streets of the east coast and along the roads of California.

Anthony Ippolito plays Sylvester Stallone/Rocky. He is trying to put a roof over his head. He works different jobs, goes on various auditions, and does not get the answer he wants. He meets a girl named Sasha, played by AnnaSophia Robb. She slowly gets Sylvester to put his mind to the task at hand.  Sylvester also receives some inspiration from his father Frank Stallone-Sr., played by Matt Dillon. Frank believes that his son should take whatever money comes his direction.

Ippolito plays the role of Sylvester well. His athleticism, persona, and hardships all combine in his pursuit of something bigger. I adore the movie because of the way it portrays his struggles.  Show business is not a walk in the park. It involves dealing with all types of people with complicated personalities. I Play Rocky is about conquering all of these clashing dynamics just for the main character to be in front of the camera.

Even the relationships Sylvester has with his peers are part of the boxing match required to win life. From his relationship with his love Sasha to complex issues with his father Frank, he battles through their tough love approaches towards him. The writing and characterizations display that being a star is what matters the most to him.

During segments of the film, the trials and errors he encounters are frustrating, yet inspiring. There is plenty of empathy and encouragement for Sylvester in the film. He builds a relationship with two producers, Irwin Winkler and Robert Chartoff (P.J. Byrne and Toby Kebbell). They are sold on the script written by Sylvester, called Rocky. They get a limited budget for the movie and offer all kinds of royalties, but Sylvester is determined to be the star of the film. That is where the tremendous hurdles really come in.  The film goes down a rabbit hole showing Sylvester in a real bind—not paying the bills, feeling lost, being dishonest with Sasha. What matters most to him is starring in the movie. Spoiler alert: his dream does come true. 

The film looks closely at a historic era in the movie industry. It was a time when competition between studios and directors was tight and there was very little diversity. The concept of boxing was viewed in a particular way by studios in those days. Interestingly, they talked about how films should feature more character analysis. What I admire most about I Play Rocky is not only about the importance of the plot, but what other elements it takes to sell a movie. Risking rejection through pure determination is a high point in I Play Rocky. There are times when Sylvester almost beats himself to death and there are moments when lucrative royalties are turned down, but deep-down his dream is to be the knockout champion in the ring and in the movie. The film is a dazzling story about the rise of the movie star, Sylvester Stallone, the world knows. It is a championship film that was written with Oscar-worthy intentions. Three out of four stars for I Play Rocky.

Treating cinema in many forms of art!