I Play Rocky Review


There are a lot of poetic moments woven in from the early days of Sylvester Stallone. This film goes way back to his time as a struggling actor who became a rising celebrity and eventually a legend. I Play Rocky is a journey where audiences feel like they are a part of Sylvester’s world, following him on the streets where success didn’t come easily. His will to become an actor allowed him to slowly build a following. Directed by Peter Farrelly, this is I Play Rocky, a  true story that shows how making one of the best movie franchises in history was not an easy process. The challenging interactions with studios, producers, and directors all paint a portrait of the difficult obstacles Sylvester faced along the way. When audiences see young Sylvester skipping work to get acting gigs and then facing rejection, they will grow to understand the creative mind that was bound for a surreal destiny. Along the way, the film offers a bountiful ride through the streets of the east coast and along the roads of California.

Anthony Ippolito plays Sylvester Stallone/Rocky. He is trying to put a roof over his head. He works different jobs, goes on various auditions, and does not get the answer he wants. He meets a girl named Sasha, played by AnnaSophia Robb. She slowly gets Sylvester to put his mind to the task at hand.  Sylvester also receives some inspiration from his father Frank Stallone-Sr., played by Matt Dillon. Frank believes that his son should take whatever money comes his direction.

Ippolito plays the role of Sylvester well. His athleticism, persona, and hardships all combine in his pursuit of something bigger. I adore the movie because of the way it portrays his struggles.  Show business is not a walk in the park. It involves dealing with all types of people with complicated personalities. I Play Rocky is about conquering all of these clashing dynamics just for the main character to be in front of the camera.

Even the relationships Sylvester has with his peers are part of the boxing match required to win life. From his relationship with his love Sasha to complex issues with his father Frank, he battles through their tough love approaches towards him. The writing and characterizations display that being a star is what matters the most to him.

During segments of the film, the trials and errors he encounters are frustrating, yet inspiring. There is plenty of empathy and encouragement for Sylvester in the film. He builds a relationship with two producers, Irwin Winkler and Robert Chartoff (P.J. Byrne and Toby Kebbell). They are sold on the script written by Sylvester, called Rocky. They get a limited budget for the movie and offer all kinds of royalties, but Sylvester is determined to be the star of the film. That is where the tremendous hurdles really come in.  The film goes down a rabbit hole showing Sylvester in a real bind—not paying the bills, feeling lost, being dishonest with Sasha. What matters most to him is starring in the movie. Spoiler alert: his dream does come true. 

The film looks closely at a historic era in the movie industry. It was a time when competition between studios and directors was tight and there was very little diversity. The concept of boxing was viewed in a particular way by studios in those days. Interestingly, they talked about how films should feature more character analysis. What I admire most about I Play Rocky is not only about the importance of the plot, but what other elements it takes to sell a movie. Risking rejection through pure determination is a high point in I Play Rocky. There are times when Sylvester almost beats himself to death and there are moments when lucrative royalties are turned down, but deep-down his dream is to be the knockout champion in the ring and in the movie. The film is a dazzling story about the rise of the movie star, Sylvester Stallone, the world knows. It is a championship film that was written with Oscar-worthy intentions. Three out of four stars for I Play Rocky.

The Devils Review


For the first time in ages, a film with an NC-17 rating is getting a decent amount of distribution in numerous cinemas. It is probably because it is being distributed under Warner Bros. Seeing a film that is NC-17 feels historic because it only happens once every few years. Each NC-17 film I have seen has had this rating primarily due to sexual scenarios. The NC-17 films I have seen in a cinema range from Blue is the Warmest Color to Killer Joe to Lust & Caution to Blonde. The Devilsopened back in 1971, and I am not surprised that it took this film just over five decades to get any release. Be ready for a sexualized ride filled with issues of betrayal and religion. Do not expect it to calm down as the vividness abounds in strange ways in The Devils.

The film gathered much controversy over the years, both before and after the release. Warner Bros was reluctant to release it on DVD due to all of the negative buzz. However, an online petition managed to get the British Film Institute (BFI) to release the 1971 X-rated cut of the movie in DVD format. The stories of conflicts and problems related to the release continue. 

However, I must get to the plot, so my readers understand what kind of ride they are in for. I recommend true cinema enthusiasts go see this movie to experience its audacity. However, go with an open mind, because you may be mortified in an amazing or disturbing way. It all depends on how your brain processes The Devils.

The year is 1634 in France. The era is during the aftermath of the Huguenot rebellions, and the French Catholic Statesman, Cardinal Richelieu (Christopher Logue) encourages King Louis XIII (Graham Armitage) to gain more control. The country and government are in shambles. There are lots of political tides and escapades. Then there is Loudon, France. Chaos is more intense there and the government has lost complete control. The one who oversees that city is Father Urban Grandier (Oliver Reed). He is a popular priest, but engages in an affair. He utilizes his religious practice to help him not feel as guilty about his wrongdoings. While he is dismissive of his choices, there is a lady in trouble. She is Sister Jeanne des Anges (Vanessa Redgrave), and she is sexually obsessed with Grandier. Grandier continues to have inappropriate relationships while still being a priest and his choices lead to destruction.

Sister Jeanne des Anges accuses Father Urban Grandier of witchcraft. That is when the movie begins to erupt with chaos. It gets erotic, violent, and chaotic. There are scenes showing a trial yet Father Urban Grandier is determined to never lose his power. The rebelliousness shown in his battle to save his reputation makes The Devils haunting. 

The film is one that is daring given the era and setting. During this time, scandalous choices were viewed as massive sins. The punishments are brutal in The Devils. At the same time, the film is artfully presented in a way that makes it unforgettable. I did not love The Devils, but I found it poetic in the way it handles the subjects of religion and faith. The sexual component, in my opinion, is way over the top. Three out of four stars for The Devils.

Victorian Psycho Review-62nd Chicago International Film Festival


The year is 1858 and the director is Zachary Wigon. For some delightful, psychological laughs, he brings us Victorian Psycho. This film is a crowd pleaser at the 62nd Chicago International Film Festival. Maika Monroe will twist audiences’ minds with her performance. I found myself laughing and wishing it wouldn’t end. Victorian Psycho is one-of-a-kind.

Monroe plays Winifred Notty. She is hired as a governess for a wealthy family and reports to Mr. and Mrs. Pounds (Jason Isaacs and Ruth Wilson). Winifred does what she can to please the family, but possesses evil elements within herself. From sarcastic remarks to rude innuendos, Monroe is the master of inappropriate behavior throughout the film. There are moments when she acts out of jealousy and others when her actions are based on hatred. The wealth of the family is sickening, yet deep-down the real monster is Winifred Notty.

Zachary Wigon goes down a notch after his direction of Sanctuary. While I adore Sanctuary, I felt that Wigon expanded the overwhelming scenes into a new era that made the film more of a period piece. Victorian Psycho is festival material because of its class dynamics. The theme of envy fuels the suspense in Victorian Psycho. 

The film is not easy to explain, but the behaviors make the clock start ticking with rage. Victorian Psycho has been steady on the film festival circuit throughout the year. It has earned praise at the Cannes Film Festival, The Melbourne International Film Festival (Miff), Beyond Fest, Fantastic Fest, and is even slated to be the opener of Popcorn Frights’ Wicked Weekend in November. The mind-twisting grandeur is in trick or treat mode throughout the year. Zachary Wigon’s round of terror will make heads roll. Three-and-a-half out of four stars.

Treating cinema in many forms of art!