Roses of Nevada-Beyond Chicago 2026-Movies with Tarek


Written and directed by Mark Jenkin, Roses of Nevada is a workof art that channels anxiety. It also has an intricate theme that weaves in hidden terror with a voyage of a mystery. With spiraling and poetic direction, it is almost is brilliant. The continuity and writing though, tend to still feel sloppy and stale.Most of the film just keeps reminding its audience that the film is intended to feel like a nightmare. It does so by relying on frequent still shots and a weird context of audio. While the cinematography and storyline are captivating at times, the technology behind it does not sync up to amaze.

The film treats itself like a Back to the Future film in that its characters get lost with their own names and who they are. The film keeps looping back to environments and people, and the main characters keep reminding themselves that their reality may be in error. While this approach is solid, the executions continue to need more fulfillment. I was intrigued frequently, yet kept feeling like this movie almost has it if it didn’t feel so rushed.

The film has that mystic and eerie lighting that audiences knowmeans the elements are not right. It works well here as an element to heighten the concern for the plot and the characters. The main players are Nick (George Mackay) and Liam (Callum Turner). They join a boat crew that has returned after not being present for three decades. Once they start work on that boat, they begin to see changes around them. They realize they have been sent back in time. This leads to the people around them assuming they are part of the previous crew. They are not at all. The film begins to heighten its nightmare aspects by looping in more terrorizing and flashback moments,  which correlate to Nick and Liam. At the same time though, Nick and Liam begin to feel confused about their own identity.

Jenkin has a mind that creates games in his projects. He did this with his previous film, Enys Men. Primarily by utilizing still shots and dark angles, he creates suspense for his audience. While the characters are important elements, his artistic approach to darkness prevails as his strong point. While Enys Men was more on land around lighthouses, this one is a ship taking two men to a universe they are no part of. The purpose has more meaning in Roses of Nevada, but remains tainted in its flawed technology.

The voyage is suspenseful. The frustrations between Nick and Liam get heated. The audiences will have mixed feelings. Some will love this film, some will hate it, and some will feel neutral. Regardless, it is not brilliant, but it is a breathtaking work of art that is just shy of the mark. The experimental sides needed better development. Two-and-a-half stars for Roses of Nevada.

 

Obsession-Beyond Chicago 2026-Movies with Tarek


Bizarre and one-of-a-kind—Obsession makes one wonder if a relationship may need some restructuring or a makeover. It presents a unique approach with many comedic vibes which also have the intentions of being creepy or eerie. The film executes it with spellbinding direction. Obsession is one of the most creative and crazy flicks I have seen this year. The concept of relationship struggles is a subject that has always made me curious. Questions spiraled through my mind with a lot of who, why, and where. Those three W’s felt like a melody throughout this wild ride. Written and directed by Curry Barker, he creates a wish concept with nightmares that unravel in kooky ways.  

The film’s main character is Bear, and he is played by Michael Johnston. He seeks relief from his loneliness and attempts to break it by making a wish under a secret strategy called, “One Wish Willow.” Once he does that his wishes do come true, but in a way he was not anticipating. He meets Nikki, plated by Inde Navarrette. She has a cute and caring vibe, but the sinister side rumbles underneath it all.

Nikki starts out as a girl that is quiet and reserved. As socializing between Bear and Nikki moves forward, it becomes a bit of a nightmare for Bear. Nikki becomes more aggressive with her voice. There are also elements of dishonesty. She does everything to get attention. The direction of Barker looping in addictive personality adds a surreal light that is a treat of overwhelming suspense.

Can Bear handle Nikki? That question came up in my mind repeatedly with Obsession. Especially when there is a lovely lady like Nikki banging her head for attention. The bipolar sides of Obsession are unmistakable. There is a component of a tragedy that works hard to feel the reality of love under the circumstances. Obsession knows how to make wishes become a true nightmare. It does so in a fanciful light.

There are many ways to describe this movie. I am going to say that it is melancholy with a stirring pot to make its audience laugh and be shocked with the recipe of a wish going wrong.  It is utterly brilliant in portraying this concept. Bear wants to feel like there is someone to love him, and he gets it. He cannot get away from the dangerous Nikki. There is a lot to say about Obsession, as it takes the audience on a trip of non-stop ups and downs. It is mesmerizing though. A most vivid portrait of comedy and terror. Three-and-a-half out of four stars.

 

The Drama Review


A title that speaks for itself. There is a level of melancholy that is disturbing enough to speak to a wide range of audiences. There are moments where a variety of strange topics reach audacity. The ultimate turmoil, however, is the relationship clashing. It is purely dramatic. Written and directed by Kristoffer Borgli, this is The Drama. After directing a film in which one man is showing up in anyone’s dreams in Dream Scenario, this time he creates dreams that become a negative reality. In The Drama, barriers and boundaries get crossed, and inappropriate gestures swirl. The primary setting for this entertaining disaster is a wedding.

The film’s main couple are Emma (Zendaya) and Charlie (Robert Pattinson). Their wedding weekend is upon them and slowly disasters begin to arise, many of which come from social components. Emma starts talking about evil fascinations as a child as well as breaking up friendships based on loyalty and disgust. The couple’s friends are Rachel (Alana Haim) and Mike (Mamoudou Athie). They begin to see the red flags, but the red flag scenario is just a fantasy. One that gets uglier every step of the way. 

Borgli’s direction of this dark comedy is created to showcase deceit yet be spellbinding and funny. It is quirky, but also silly in fragments. The daring chemistry between the characters solidifies the moving parts of the invigorating disasters in The Drama. The context behind the disasters makes the movie even more captivating, especially since it keeps audiences wondering if Emma and Charlie or happy or not. In addition, what is truly going on with their past and their careers? Ultimately, who is the bigger person with fewer red flags? Are many of them simply created?

One question from the film that kept spinning in my mind was, “What’s the worst thing you’ve ever done?” That question turns the ignition at the wedding that veers into a hard place to return from. Then there is a scene where Emma tells everyone around her, “I planned to bring a weapon to school.” That backstory brings out vivid and vindictive chemistry surrounding The Drama and makes the film even more dramatic. There is plenty of context behind what is going wrong and the negative elements negativity spiral in various directions. Charlie’s nervousness escalates until he finds himself at a boiling point. Bridges are burned like crazy in The Drama thanks to the vivid and enduring direction of the film.

With everything going on in the story, it gives viewers the feeling of a burning sensation, The Drama is a portrait of sadness and depression, both of which result in bipolar motion that progresses throughout the film. There is lots of hatred, resentment, and evil fantasy moments. It is filled with turmoil as part of a tragic competition. There is a boxing match of egos between Zendaya and Pattinson that continues to rumble. The movie is stressful and enticing, but also cinematically engaging. It is a clever, yet satirical watch. Three-and-a-half out of four stars for The Drama.

Treating cinema in many forms of art!