Tag Archives: Neon

Hokum Review


For the first time in my life I felt really scared while watching a movie. The haunting experience of is still vibrating in my brain. Hokum is a journey where surreal terror reigns. Written and directed by Damian McCarthy, this story delivers scenes where mental health and creativity clash. McCarthy has a vision for showcasing stress and life scenarios that take a continued toll. Adam Scott plays the lead role. I am grateful that I got to see him speak and promote Hokum at CinemaCon this year during the Neon presentations. Hokum is an audacious film full of unexpected delights.

Adam Scott plays Ohm Bauman, a book author with a mixed reputation. He spends his lonely hours writing and utilizing his deep thoughts to add layers to his writing. As he consumes glasses of whiskey, his search for a story is always on the horizon. For Ohm, however, finding the keys to his story puts him in a bind. After the loss of his parents, he decides to visit an Irish Inn. He does this so he can go and scatter their ashes. He also wants to dedicate more time to his writing in the solitude of the Inn. The whole experience takes a considerable toll on his mental health because the Inn apparently has strange, disturbing things happening in it. With a closed Honeymoon Suite and other weird circumstances, Ohm finds himself in the center of danger.

For Ohm, the terrors of his childhood rumble. His stay at the Inn continues to alter his mind to a point where his mental condition is seriously impacted. He develops a friendship with a staff member named Fiona (Florence Ordesh) and with an outsider named Jerry (David Wilmost). The sketchy employee of the Inn is named Mal (Peter Coonan). When Ohm begins to realize that different elements are shifting, Mal is always trying to cover his tracks. What did Ohm walk into? Was going to Ireland the right choice? What is he trying to get with his story? Is the trip even about his story? Did he walk into a new nightmare? The doors of terror open and slam shut in the most gut-wrenching and spellbinding ways. Hokum involves deep searches for answers and survival.

Hokum blew my mind. I was invigorated by the mazes presented throughout the movie and the weird angles of the Inn. Scott also kills it. His attitude as a struggling writer adds depth to the terror especially since he is playing someone unaware in the beginning. But then as evidence evolves, he finds himself trying to put the various pieces together. It is somewhat like his performance in Severance, but this time the things he is encountering are really happening and leading to inevitable nightmares. He cannot escape his unforgettable and negative past. However, his new mission is to find what he walked into and deal with it. He can still be a good person and a good writer if he can escape what he’s lurking in this nightmare of a location. Three out of four stars for Hokum.

The State of the Industry and Neon Presentation-CinemaCon 2026-Movies with Tarek


On April 14, 2026, in the Dolby Colosseum, President of G Kids, Dave Jesteadt, announced new features. The director of Godzilla Minus Zero Takasha Yamazaki came to the stage to share thoughts on the success of Godzilla Minus One. There were reminders about how technological, sound, and support brought innovation which led to the success of Godzilla Minus One. Yamazaki mentioned how he believes that cinemas are the only way to experience films. 1954 is the year that Godzilla first found popularity in Japan. Godzilla Minus One was filmed for IMAX.

Godzilla Minus Zero is a direct sequel from Godzilla Minus One. Yamazaki mentioned that he is excited for Godzilla Minus Zero to keep audiences returning to cinemas. Yamazaki showedfootage and clips of Godzilla Minus Zero. He then shared clips of production and then the Teaser World Premiere trailer. The film starts November 6, 2026.

There was also a presentation on the MPA Film rating system. The issues covered included standards, ratings, and safety in movie content. This topic is interesting to me, because I have loved movies since I was a young boy and still do today. There are various opinions on the subject. Innovation and copyrights play a role, yet it is essential that ratings be taken seriously.Charles H. Rivkin, the CEO of the Motion Picture Association, shared his opinions on the matter.

There were also discussions about the Belcourt Theatre in Nashville, Tennessee. It is a cinema that goes way back inhistory. This topic spoke to me, because reinforces how important movie theatres are to vibrant communities. Stephanie Silverman is the director of the Belcourt Theatre. She introduced Michael O’Leary, the president and CEO of Cinema United. My favorite quote in O’Leary’s presentation was, “Movies are how the world talks to each other.” He showcased examples of how cinemas often create their own themes to bring more rewarding moments for guests.

Neon wrapped up the presentation with their slate of upcoming films which include The Young People and I Love Boosters. Elissa Federoff is the Chief Distribution Officer at Neon, and she came to the stage to mention their many accomplishments.Sumyi Khong Antonson is the executive vice president of Neon, and she mentioned the box office success many Neon films. There was lots of inspiration from both speakers. Hokum opens May 1 of this year. Adam Scott came to the stage and talked about how he wanted to do movies all his life. Lots of other announcements from Neon combined with other cultural elements created a memorable start to CinemaCon 2026. For me, the feeling was surreal as I was immersed in the uniquewonders of new imaginations.

EPiC: Elvis Presley in Concert Review


When there is a film to be made where the music shines and memories are spellbinding, director Baz Luhrmann does it right. After directing Elvis in 2022, he takes on another film in that same vein, only this time it contains archived footage of the real Elvis Presley. It is filled with moments of conversations, concerts, and the deep personality of the Elvis the world knows. EPiC: Elvis Presley in Concert is surreal in its purpose, like a time-machine of moving and musical memories. With the IMAX experience, the gritty aspects of fame feel both circular and angular—the musical moments radiate out loud in the context tomake one feel present.

Audiences can immerse themselves in this film. Especially those who grew up with Elvis. The archived footage moves in a chronological mode jumping frequently from interviews to concerts. This felt like Moulin Rouge but with real footage, as the spellbinding aspects are on the same level in both films. Luhrmann knows how to transition from heartache and shining. Vividly emotional, EPiC: Elvis Presley in Concert is a journey through time that keeps rocking with the very well-done concert footage.

There is a sense of appreciation that keeps moving through Luhrmann’s direction, especially in the frequent moments where the facial expression of Elvis is captured. Even though the audience will find themselves jamming a lot with the film, they will also see the realization that money and fame do not always buy happiness. The appreciative form of an artist is how real the experience feels. It is unstoppable.

The archived images of the tours in Las Vegas are where I felt the sparks of magnificence in the visions Luhrmann brings forth. There is a certain magic in all of his projects. Much of which had me thinking back to Elvis and Moulin Rouge. He weaves elements of hidden sadness with the attention of impacting the world with the charms of music and showmanship. Like Moulin Rouge, EPiC: Elvis Presley creates a vision of connections while hiding the sorrow below the fame—a humanistic value that speaks to many from the mind of Luhrman.

This is documentary- driven, and at times feels slow, but that is what the film is about. Appreciating Elvis Presley is what EPiC: Elvis Presley in Concert is all about, because much of the footage has never been seen.  The era of when the footage was recorded gives it a time machine feeling that felt more immersive to me in IMAX. I felt like I was transported to a world of concerts I never got to experience. It takes us back toan era where it was all about ticket stands and phone lines to acquire concert seats. The days before the internet shine with thrills in Epic: Elvis Presley in Concert.

Despite the sad moments, the concert does not stop going. Luhrmann continuously pushes on with the true shots of the concerts—every moment matters.  EPiC: Elvis Presley in Concert continues to relive the importance of one man that changed the world with not only his music, but his persona alone. Deep down the shots and continuity with fame and the concerts is what makes Epic: Elvis Presley in Concert an unstoppable force of a vivid musical sensation. I was hooked, and the IMAX technology continued to blow my mind in its and hour-and-a-half running time.

This is one that I feel must be seen on the big screen, and IMAX if available. To experience a film of this nature, it should definitely be seen in a way to feel as real as it can possibly be. Without that, the presence will not shine as big as it should in order to be fully appreciated.  An overall unforgettableexperience.   Four out of four stars for Epic: Elvis Presley in Concert.