This film is like a fantasy where the lines between talent and reality are blurred. The artistic side seems universally magnificent. However, the pacing and characterizations are out of tune. Directed by David Lowery, he creates places of power and love and adds layers of a Kingsman era. Only Mother Mary is strictly female. There are moments of openness which express artistic talent, yet the meaning behind it is tainted. The film combines a mixture of various moments in which nothing gets accomplished. Cinematically wonderful, but the writing side…a flop!
The main characters are Mother Mary (Anne Hathaway) and Sam Anselm (Michaela Coel). The film follows suffering iconic pop star, Mother Mary. She finds herself getting together with her costume designer Sam. Mother Mary is on the verge of regaining her fame by performing. Her costumes and her appearance have elements that she questions. The film becomes an odd and bizarre journey of self-discovery. Unfortunately, I found continuity and creativity lacking.
The film has some imaginative dynamics. In Hathaway’s performance, she portrays a character who is pursuing her destiny by pushing above and beyond. In Coel’s performance, she demonstrates a persistent desire to compete. At the same time, they are both females with interesting creative narratives, and they adequately fit their roles. The dynamics of the film have potential which are not fully harnessed. Specifically, the cinematography and choreography are impressive in parts. The rest of the film…trash! It starts by using wonderful elements and then throws them down the drain.
I am trying to be positive about this film, but it is not easy. I thought the pop and dance stuff would lead to a Black Swan or Moulin Rouge type of experience, but it didn’t. What I got was a film where imagination and a comeback fail to see eye-to-eye. Hathaway’s performance of struggle speaks, but the rest of the film fails to comply. Mother Mary is a pop concert filled with confusion, silliness, and wasted creativity which never delivers. The film does have some scenes with very cool red lighting. In the end, they’re also a waste since this rest is so lacking.
Mother Mary should have built on the cinematography. But the artistry in the characterizations is some of the worst I have seen. I came prepared to appreciate the performances. It is a pity that they fall apart. Two out of four stars for Mother Mary.
Movies with Tarek 