Tag Archives: Anne Hathaway

Verity Review


Based on the best-selling novel written by Colleen Hoover, Verity is an adaptation directed by Michael Showalter. I found the film compelling, especially given the performance of Anne Hathaway. She plays Verity Crawford, and starred in Showalter’s previous film The Idea of You. In that film, Hathaway’s performance was vibrant and positive, but this time her character has dark secrets. It is a vivid film about an author piecing together a story. What she figures out about actual events blindsides her. Verity is not an easy viewing experience, however, the realism is thought-provoking.

The film’s main character is Lowen Ashleigh, played by Dakota Johnson. She is a writer who is hired to do ghostwriting for Verity since she appears to be in a catatonic state following a tragic accident.  Verity’s husband is Jeremy Crawford  played by Josh Hartnett. Lowen is invited to stay at their huge home in the mountains of Vermont. She has access to the  manuscripts, autobiographical evidence, and the writings of Verity herself. Jeremy cares for his son Crew, played by Brady Wagner. As Lowen spends time pulling information together to begin writing, she discovers devastating evidence in her research. 

One of the fascinating story lines involves Lowen becoming envious of the type of life Verity had. Since Lowen has some personal history of  making mistakes, experiencing  career success, and having regrets, she reminisces about those moments as she reads the manuscripts she uncovers. Verity feels like the audience is diving into the mind of an author living through another author. Verity is now on the sidelines—but is she truly incapacitated? Is she faking it? What made Verity have so much hatred? The questions linger as revelations spiral in Verity.

The angle of misbelief makes Verity attention-grabbing. Verity appears to have hated many components of her seemingly charmed life. As she narrates her story during moments in the film, she talks about her  unhappiness and what elements of her life she finds exhausting. Lowen finds Verity’s story hard to believe. At the same time, she sees how Jeremy and Crew are suffering as slaves in their home. In spite of their luxurious life, no one is thriving since Verity’s condition keeps them trapped..

Lowen and Jeremy start falling for each other. This complicates matters and makes getting to the truth even more important. The dynamics are daring, and Johnson’s and Hartnett’s performances  are spellbinding due to their intense chemistry. While Hathaway’s character is bedridden, there is plenty of action in Verity’s home and revealed via flashbacks. 

As the story evolves, Verity follows the tracks of more lies unearthed through Lowen’s digging. She realizes that some incidents may have not been accidental and others may have been staged. The horrific findings create the psychological vibes. Verity is disturbing yet decent. For those who love to see how a book plays out on film, this film offers an adequate dose of  suspense. Three out of four stars for Verity.

The Devil Wears Prada 2 Review


Twenty years later, and the competitive fashion world is still bringing the heat. The Devil Wears Prada 2 has class. It is an enticing sequel in which themes from the first film are woven into something bigger. The dynamics between the mean boss, Miranda Priestly (Meryl Streep), and awesome assistant, Andy Sachs (Anne Hathaway), are a knockout. I was compelled by The Devil Wears Prada 2 because the direction is original and the message has a purpose. The A-team of actors still glimmer with  glamour and success.

Andy has been working in the journalism industry and chasing stories. She finds her way back to a job with the fictional high-fashion magazine, Runway, under the supervision of Miranda. The compelling aspect to this storyline is that Andy is focused on finding stories. However, her stories may get ugly due to the rivalry with Emily Charlton (Emily Blunt). The two women were competitive co-workers under Miranda back in the original Devil Wears Prada. The fashion industry may be in shambles, and the luxurious world they live in may be inturmoil. Overall, the new film maintains its unique glory by creating a sequel based on many of the same accomplishmentsthat made the first film so popular.

From stylized dresses to clingy egos, The Devil Wears Prada 2 pours like an expensive bottle of champagne full of delights. Watching Andy navigate the complicated game of fashion and journalism under Miranda again is a treat. Thankfully she still has Nigel (Stanley Tucci) by her side. The amazing clothing and last-minute travels still speak to audiences. When the conflict between Andy and Emily gets going, the heat is on. The two characters continue to struggle with a love/hate relationship that viewers enjoyed from the first film. At the same time though, there are several reminders throughout the movie of how industries have changed channels over the past twenty years. This natural evolution was handled creatively in the narrative. Still, there are scenes that feel overwritten, yet the setup is still stellar. I was fascinated throughout The Devil Wears Prada 2because the film has so much to offer. I was sold on many fronts.

Audiences will find themselves curious about Andy primarily because her new priorities put her in places to pitch more stories. In the first film, she was dealing with Miranda and her wardrobe, this time she is trying to play a major role in the story about wardrobes. While Andy deals with her writing, she also must deal with Miranda (as her boss) and Emily (as her rival). The film is a glorious sequel. The personal connections and incredible fashion still manage to rise and shine. Three out of four stars for The Devil Wears Prada 2.

 

Mother Mary Review


This film is like a fantasy where the lines between talent and reality are blurred. The artistic side seems universally magnificent. However, the pacing and characterizations are out of tune. Directed by David Lowery, he creates places of power and love and adds layers of a Kingsman era. Only Mother Mary is strictly female. There are moments of openness which express artistic talent, yet the meaning behind it is tainted. The film combines a mixture of various moments in which nothing gets accomplished. Cinematically wonderful, but the writing side…a flop!

The main characters are Mother Mary (Anne Hathaway) and Sam Anselm (Michaela Coel). The film follows suffering iconic pop star, Mother Mary. She finds herself getting together with her costume designer Sam. Mother Mary is on the verge of regaining her fame by performing. Her costumes and her appearance have elements that she questions. The film becomes an odd and bizarre journey of self-discovery. Unfortunately, I found continuity and creativity lacking.

The film has some imaginative dynamics. In Hathaway’s performance, she portrays a character who is pursuing her destiny by pushing above and beyond. In Coel’s performance, she demonstrates a persistent desire to compete. At the same time, they are both females with interesting creative narratives, and they adequately fit their roles. The dynamics of the film have potential which are not fully harnessed. Specifically, the cinematography and choreography are impressive in parts. The rest of the film…trash! It starts by using wonderful elements and then throws them down the drain.

I am trying to be positive about this film, but it is not easy. I thought the pop and dance stuff would lead to a Black Swan or Moulin Rouge type of experience, but it didn’t. What I got was a film where imagination and a comeback fail to see eye-to-eye. Hathaway’s performance of struggle speaks, but the rest of the film fails to comply. Mother Mary is a pop concert filled with confusion, silliness, and wasted creativity which never delivers. The film does have some scenes with very cool red lighting. In the end, they’re also a waste since this rest is so lacking.

Mother Mary should have built on the cinematography. But the artistry in the characterizations is some of the worst I have seen. I came prepared to appreciate the performances. It is a pity that they fall apart. Two out of four stars for Mother Mary.