Category Archives: Film reviews

Nirvanna the Band the Show the Movie Review


Matt Johnson is not afraid to bring his creative visions to lifeand bring realism to the table. He brought his audience on a visually real adventure with BlackBerry in 2023. He was successful at showcasing the stress and suspense of actual events. Some of Johnson’s writing is sketchy and all over the place, but he is a master at tying his characters and their quotes together in a way that brings misdirection to the highest level. His new film, Nirvana the Band the Show the Movie, is like a lengthy sketch comedy show, but with the right number of jokes and continuity which works.

Nirvanna the Band the Show the Movie has seven individuals with writing credits, but the two main writers are also the stars themselves. Matt Johnson and Jay McCarrol are what makes the film a treasure. It is a mockumentary that has a lot of dazzling features. Matt and Jay are a duo that combine for a masterclass in comedy that will bring laughs around the world. Think about Back to the Future with writing that feels scribbled, because the comedy moves in a direction that makes even scribbled elements brilliant.

The setting is Toronto, Canada. The friends have a time machineand plan to perform at a venue called The Rivoli. They repeatedly think of acts or stunts to attract an audience that will allow their dream to come true. The dynamics between Matt and Jay make Nirvanna the Band the Show the Movie so irresistible. The Canadian adventures lead to successful 3-ring circus thanks to the creative genius of Matt Johnson and Jay McCarrol.

One of their plans is to do a high dive into a dome. Their idea has risks, but building a fanbase is most important. Their dreams hit plateaus in their time machine that blow audiences out of the water. The duo ends up in the year 2008. The two friends/collaborators bring in innovative aspects that areexhilarating and keep audiences laughing from head to toe. The Rivoli is their calling but ending up in different time zones back in the future leads to the most meaning.

The film is quirky and resilient because the gags are endless. The time machine leads to many moments of trial and error that offer new and exciting situations throughout Nirvanna the Band the Show the Movie. The saying, “If you build it, they will come,” does not come around easily in Nirvanna the Band the Show the Movie. Without the two-man sketch components this movie would not be nearly so wonderful.  The film loops in so many moments from 2008 which is brought me so much joy during this comedy. At times, it felt like a twisted Back to the Future. I will not spoil it, but Johnson knows realism, and how to make it purposeful, serious, and yet hysterical. There are stereotypes, movie references, hidden jokes—and they all work in a structured context with syrupy entertainment. Four out of four stars for Nirvanna the Band the Show the Movie.

Crime 101 Review


There are crimes with purpose and there are crimes that are connected. When moving parts come together, the truth can be complicated. Accuracy is what counts! From the mind of director Bart Layton, come his newest feature Crime 101. In this film, the conflict is a revolving landscape of purposeful doorswhich open to a ride that does not stop. With the setting in California, there are many truths to unfold and a conspiracy to piece together. Overall, the story is based upon how the characters approach the scenarios. The clock starts ticking thesecond the movie starts in Crime 101.

It is an all-star cast that is just above average when it comes to pacing and flow. The film begins with a slew of meditation and mindfulness and then jumps into blindsided crimes. The invigoration caused by the conspiracy and conflict in authority turns matters into a boxing match. Layton is not afraid to throw the complex conflicts on the table and keep the tables spinning with curiosity. When one event is still in motion, others continue to arise.

The main character is a master criminal, Davis (Chris Hemsworth). He flies below the radar and maintains the lowest profile to settle the biggest scores possible. Despite turmoil, he continues to do the deeds to get the pay. There is also a real estate broker named Sharon (Halle Berry). She is pushing herself to go above and beyond to make her clientele happy until she realizes the answers she gets are shady. In addition, there is a detective that is in a bind, Lou (Mark Ruffalo). The trail of Davis and the odds of Sharon are tied together. This causes a more stressful situation for Lou because he is completely burned out and consistently on thin ice.

The film maintains its angles through strategic timing. That is where the joy is. At times, it may feel like a bore, but it is effective. When another criminal comes around it becomes instantly bonkers. The other criminal is Ormon (Barry Keoghan), a motorcyclist eager to land heists to prove he is worthy. There is another heist in the making, but how dangerous is it for all these characters to be interconnected? The question of trust is what the Tetris tactic of surprises masters in Crime 101.

Do not expect explosions but instead more in-depth trails, especially through the performances of Hemsworth and Berry. Their characters have incredible stressors hovering over them. Their feelings of immense frustration, while they’re also trying to score big, lead to a landscape that is mentally compelling. Layton creates an interesting portrait in which his characters are dealing with so much. This part of their portrayal does not come around easily, yet I felt the film was successful in making the dynamics all make sense. This was possible because the persona of scoring is based upon hiding the criminal-side and being able to handle an array of unexpected conflicts that are life-threatening and enticing. A stellar crime with thrilling aspects that keep the central conflict intact. Three out of four stars for Crime 101.

Good Luck, Have Fun, Don’t Die Review


When it comes to having concerns about how much technology is impacting our daily lives, director Gore Verbinski knows how to bring on that concept with many punches to the gut.  Good Luck, Have Fun, Don’t Die is one-of-a-kind. It’s a story where the world is seeing its end, and it all falls back onto reliance on technology, a terror that is a fear in daily life. The level of distraction is one that I am even concerned about every day when I wake up in the morning, but Good Luck, Have Fun, Don’t Die twists that and moves it forward with consequences that are well-written. With class and humor, the dangers of Good Luck, Have Fun, Don’t Die do not go unpunished.

The film begins with a dinner interrupted with a man wrapped in all kinds of foil and trash. He is The Man from The Future, played by Sam Rockwell. He goes into a diner in LA and does what he can to recruit a team to fight against AI crashing down the planet Earth. The film begins with a lot of moments where it seems like a joke, but with the right continuity it all comes together to be highly calculated and witty form of genius. What fuels this is that many of the characters have a backstory before the man’s arrival upon the diner—a comedy where peril is questioned but also provides some shocking introductions.

The events have an order, and I will elaborate on a few. My mind was floating with many words of how to describe the how much of my attention was drawn on Good Luck, Have Fun, Don’t Die. I was thoroughly invigorated while also curious as to what was creating the phenomenon to come around. Verbinski’s directing has a chronological following with Good Luck, Have Fun, Don’t Die.

The first scenario involves a man named Mark (Michael Pena) and Janet (Zazie Beetz). They are a couple working at the same school, and Mark finds himself trying to deal with students who are possessed by their phones. This leads them seeming as ifthey are becoming angry robots with resentment. Also, the main issue is that the school has many teachers on sabbaticals. Verbinski’s creation of strange dynamics has a narrative to form an uprising. After that there is a scenario where a woman named Susan (Juno Temple) loses her son and decides to go to a facility and have him cloned, however this leads her to realizing her cloned son is more like a robot. The third scenario is a woman named Ingrid (Haley Lu Richardson) who finds herself allergic to phones and Wi-fi. Most of that is because a failed relationship of hers where her partner paid more attention to video games than to her.  AI getting the attention is at the core of the clever mystery in Good Luck, Have Fun, Don’t Die. Distraction among prioritizing technology creates the build-up surrounding The Man from The Future and the people in the diner creating a vivid portrait where survival and logistics is reaching its ending point. It also leads to the characters being scared to utilize technology for help, as people’s obsession is what had led them to the end of the world scenario in the first place.

A masterful and creative flow of distractions coming back with more to throw out each time. This film does so with hard hits that make it a comedy fueled by ambition. Verbinski brings out the flaws of how people’s behaviors have karma to them. Their lives were devoted to devices with no human connection, but in the end their technology destroys them in immersive light.  The truth of the amount of destruction is like an airplane ride that is a first-class ticket to a mind-blowing location of laughs, realizations, and theories. 

One quote that speaks the most with this unexpected masterpiece goes, “I feel emotionally targeted!” That quote has a meaning resembling many of the perils that thrive in thisadventure. While some characterizations are flawed and overrated, it works for the comedy aspect and the genius continuity. Reality and AI are the obstacles and are the moving parts for a surreal adventure unlike no other–one with comedy, suspense, laughing moments, and screen-time with vengeance. Four out of for stars for Good Luck, Have Fun, Don’t Die.