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Film reviews

The Killer’s Game Review

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It is a thriller with a cat-and-mouse dynamic. There is a sense that the film will be funny which is fueled by unexpected combativeness. The Killer’s Game is like a mediocre version of a Bourne movie. The combination of sad elements with the finale of a mission do not mix cohesively. It is a film that focuses on the personalities of its characters. The direction sets vast expectations with spy operations, but don’t expect to grasp the plot if you decide to see The Killer’s Game.

The main character is Joe Flood (played by Dave Bautista). Joebelieves he is fighting a life-threatening illness. Due to this serious health concern, he requests someone to detonate him. However, Joe is then informed that his disease is the wrong diagnosis. This means he must stop the operation that he has planted for himself. With the help of a friend named Maize (played by Sofia Boutella), time is of the essence as Joe needs torun or fight his enemies.  Joe’s boss Zvi (played by Ben Kingsley) also comes into the mix. Joe needs all the help he can get given that he authorized his own assassination request.

It is a thriller with a steady build-up. It brings lots of fun, gadgets, and international intrigue to the table. The Killer’sGame unfortunately does not know how to find enoughinvigorating aspects. Instead, it is a blur of action and mayhem which sadly does not sell.

There are a vast number of interesting characters though. The questionable ones range from Lovedahl (played by Terry Crews)to Radovan (played by Daniel Bernhardt) to Goyang (played by Lee Hoon). While they are interesting, they don’t add much quality or purpose because of their obviousness. For example, Crews’ absurd character name is too much. The movie is a retro-spy adventure where even the humorous lines fail to find their points of connection.

The international vibe of the film tends to be all over the place as well. The criminal operations and Joe’s missions jumpy as are most of the conflicts in the film which frequently seem to spiral out-of-control. I wish the rushed mayhem had more layers of value. Bautista is too light hearted to effectively play such a sad role. Luckily, his big heart does help play into the charming factor of The Killer’s Game.

Of course, this film is much too predictable. The writing seems overly anxious for to induce moments of pleasure. Sadly, the pleasure does not fit the spy format very well at all. The story ultimately comes down to the error and attempt at redemption. I wish the mission could have proven to be more enthralling.

What will Joe do? Will he find a different outcome? Why are there so many people in the mix? What international triumph is possible in The Killer’s Game? Barely any! Nevertheless, the film still has a few captivating moments featuring Joe and his desire for one last chance. Two out of four stars for The Killer’s Game.

Film reviews

Never Let Go Review

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Halle Berry as Momma in Never Let Go

What crosses the minds of its audience are the terms minimalists and survivalists. Directed by Alexandra Aja, Never Let Go brings its viewers to a universe of a questioning quarantine scenario. They are happening for reasons with no clarification. Around the setting is a mother with her two sons. They have a cabin in a forest. They are all brainwashed.

The main characters are the mother and her twin boys. The mother in the film is Halle Berry, and her two sons are Samuel and Nolan (played by Anthony B. Jenkins and Percy Daggs IV). For the boys, their mother keeps them quarantined because of her beliefs in evil spirits lurking around them. She always has them tie themselves on a rope whenever they leave home. The family is always fighting for survival. Their supplies are limited.

The pressure of the boys is a lot to bear. The writing is drastic in terms of doom. Never Let Gois fueled by the anxiety factors coming from the mother. It gets to a point where one of her sons’ questions are accurate and inaccurate about their lifestyle. As the days of feelings of nourishment take a toll, the bigger picture comes out with Never Let Go. It is audacious and overwhelming. Loyalty and love are certified. Also, seeing what is on the outside is on the line.

The grappling of the dynamics continually tries not to go out of its elements. There are shocking moments of what can be treacherous in Never Let Go. It delivers the moments for its audience to think of the two words, “Stay inside.” It does that repeatedly. With that, there are layers of boredom that do not suffice. The sacred aspect of remaining alive has a continuity that is lacking. Where is the evidence of the terror? Why is the mother so brainwashed? Is the mother trying to protect her children? Is she able to protect them? Are there discrepancies that the boys are not aware of? Never Let Go brings in the thoughts of what would come around if anyone (in the family) decided to let go.

The dynamic between Samuel and Nolan finds itself at the center of conflict. One thrives to see what is on the outside. And the other is destined to remain in quarantine. However, remaining in quarantine leads to a lack of nourishment. The chance of living a longer life is likely if there is a means to escape their environment. Even with this clashing factor, its approach is muddy. It is overly dramatic, has rushed suspense, and whatever caused the problem remains a mystery.

The mode of peril remains deep. The premise has chilling factors. Regardless, it remains in disarray. The evolution of finding the answers to what is right and wrong continues in shambles. It goes from a heavy influence of protection to many brainwashed catastrophes. “Brainwashed catastrophes” that make the brothers go into hysterics compulsively.

As the film relies on ropes tied to its characters, there is hope for more personification. There are small amounts of it, but only in the context of life or death. That is even improper in the flow of Never Let Go. Never Let Go is a terrorized boredom with a lack of sophistication. Two out of four stars.

Film reviews

Speak No Evil Review

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This is a clever remake. It paces itself and builds on the aspects of kindness. All in all, though, it is just average. Speak No Evil is a remake of the 2022 Danish film with the same title. The Danish version was more realistic. This version has some intriguing parts, but not enough to sell its building curiosities which keep the audience asking what and why are the events in the film happening. It is written and directed by James Watkins. This is his most recent feature-length film as a director since The Take (2016). Watkins’ direction of Speak No Evil is subtle, yet passable as a psychological and horrific picture.

The film focuses on a family. The family consists of a set of parents, Ben and Louise Dalton (played by Scoot McNairy and Mackenzie Davis). Ben and Louise have a daughter named Agnes (played by Alix West Lefler). They are invited to spend a weekend getaway at a home offering solitude in the countryside. They are hosted by another family whose parents are Paddy and Clara (played by James McAvoy and Aisling Franciosi). Their son is Ant (played by Dan Hough). Both the kids have struggles, and both sets of parents feel the getaway will be a great escape for everyone. However, unusual episodes begin to arise. 

The film has set of dynamics in which parenting plays into the disturbing suspense. Normalcy is part of the context in Speak No Evil, but there is not much in this film. Questioning conflicts and concerning patterns of behavior are looped into the storyline especially in the scenes where Ben and Louise realize that Paddy’s parenting towards Ant is belittling and abusive. They also find themselves clashing as parents. The egos and expectations hit points of conflict that are intense enough to boil into a mental and physical rampage.

The question being asked by viewers throughout Speak No Evil is, “Are these families safe?” Is there a reason for episodes of weirdness and bizarre behavior to continue? The fact that the family is overseas ends up being beside the point as more shocking discoveries are made. It turns out that there is evidence below the surface that Ben, Louise, and Agnes are not aware of. 

The focus of concern becomes the actions of Paddy, in an effective performance by McAvoy. He goes on an angry tirade over even the most minor actions in various scenarios. Paddy also takes many issues extremely personally. This happens frequently in the parts when Ben and Louise express concern. When they do that, he dismisses it. The flow of the characterizations is looped into misdirection which results in increased chances of peril.

Speak No Evil is one of those remakes that rapidly delivers disturbing suspense. In the end, it is quite predictable. However, it provides an escape for some entertaining action at the movies because it’s a fun thriller to kick off the Halloween season. Overall, I rate Speak No Evil three out of four stars.