Category Archives: Film reviews

Ezra Review


The autism spectrum is the focus of the film. Ezra is a film that touched me deeply because I am on the spectrum. I choose to be an advocate for individuals who are on the spectrum as well. There is curiosity about what the future holds. A film with a sensitive subject such as Ezra dives deep into that matter. Directed by Tony Goldwyn, it is a direction with a touching ensemble that brings light to the film itself.

With “light,” there are more rewarding moments than some may feel with Ezra. Many have different traits of how they are with being part of the spectrum. Some may be more hyper, some may be more focused, some may be more organized, and some may have pet peeves (this is me). Parents and support systems may find challenges in how to help navigate these patterns. Ezra proves that the spectrum can be a growth of learning for both parties.

The film gears on parents who are bound to be divorced. They are Max (played by Bobby Cannavale) and Jenna (played by Rose Byrne). They have their son Ezra (played by William A. Fitzgerald), and he is autistic. Max is a comedian. Max is living with his father, Stan (played by Robert De Niro). An incident with Ezra sparks Max to make a detrimental choice. He takes Ezra on an unexpected road trip. Throughout their journey, Max finds his son’s senses evolve in the extended time spent with him.

Max’s career as a comic is the artistic path of connection. Max finds the light of his life in his storytelling and crafts on stage. His son sits in on his father’s seats. The father and son bonding are from the viewpoint of Max’s material. Max feels that nature should take its course. He believes that the people around Ezra should learn to tolerate his patterns and accept him. The moving parts of patterns, therapies, and unexpected conflicts are where finding common ground is the conflict.

Goldwyn also stars in the film (on top of being the director) as Bill. He places himself as Jenna’s boyfriend and an attorney. The dynamics of grown-ups with different understandings is the boiling point of stress for Ezra’s well-being. Ezra does not understand the reality of his situation. The presentation of feeling love and loss grapples in a revolving door momentum. I know these patterns can be sufficed.  There can be persistence and empathy (when it comes to autism).

The sensory conflicts and patterns are some of the most authentic traits presented in Ezra’s character. He is an over-thinker. He cannot tolerate metal and does not like certain foods. Words and sounds also tend to impact Ezra heavily. Ezra’s thinking is in a blur. The traits of this are authentic and realistic. I have seen these patterns with many on the spectrum.

Of all the traits of the patterns of autism in the film, it creates a place of appreciation. Max figures out more about himself as a grown-up. Max realizes he is not alone. Max realizes that he must figure out obstacles that are present for him. “Obstacles” with Jenna, his father, and how to navigate his life as a comic. Is it all enough to be a fulfilling parent for his son? Is there a bright future? Are there new doors that can open in finding meaning for Ezra?

The spectrum is with the layer of parents. They are grappling with the concept of shifting patterns. Ezra is a journey of life, love, and acceptance. How far will Max go to feel that connection to his son? Find out in Ezra. Three out of four stars.

Bad Boys: Ride or Die Review


The continued franchise made me wonder how many slaps there would be. Enough for a killer ride? Bad Boys: Ride or Die feels a bit repetitive. Fortunately, the chemistry between Will Smith and Martin Lawrence is thrilling and humorous. Both are in their fifties now and still delivering non-stop action with some of the funniest lines of dialogue. It is hard to believe that the previous film, Bad Boys for Life, was one of the highest-grossing films of 2020 before the COVID lockdowns. This time the duo is back with dazzling stunts, witty humor, and all kinds of antics that go flying off the rails.

The film again takes place in Miami, Florida. Officers Mike Lowrey (Smith) and Marcus Burnett (Lawrence) are still in their cop and buddy vibe. They are under the assumption that their lives have found the peace they’ve been looking for. Then they receive evidence that their previous boss, Captain Conrad Howard (played by Joe Pantoliano), has been set up. With databases of falsehoods and fabricated theories, Lowrey and Burnett will not stop until they can find the truth. Their new boss, Captain Rita Secada (played by Paola Nunez), puts all her faith in Lowrey and Burnett. The enemy behind most of the dangerous operations is Banker (played by Eric Dane). The story is all about the curiosities behind who is working from within. Only this time the stakes are higher, the mission is obscure, and Lowrey and Burnett may have their lives on the line. Was Captain Conrad Howard a criminal? Was he involved in any other crimes? The faith and loyalty of Lowrey and Burnett fuel their search for redemption.

The elite team adds to the fun in this film. With Kelly (played by Vanessa Hudgens), Dorn (played by Alexander Ludwig), and Armando (played by Jacob Scipio), the teamwork is enthralling. If one goes down, they all go down. If one fights to dangerous heights, they all elevate their fight to that level. Can everyone be trusted? In Bad Boys: Ride or Die team dynamics are put to the test.

What lingered in my mind while watching this movie was Michael Bay who directed the first two films in the franchise. Even though he did not direct Bad Boys for Life, or the newest one, this film feels like Bay’s world of destruction. The technical factors keep growing in this franchise. There are drones, many monitors, and all kinds of accessories in Bad Boys: Ride or Die which showcases a classy use of modern technology. However, if Bay was still directing, I imagine the explosions and action being twice as gnarly as they are in this film. Directors Adil El Arbi and Bilall Fallah know when and how to display explosivity and stylized action. They don’t overdo it like Bay would.

The mission improves on many levels in this fourth installment. Smith and Lawrence deliver that classy attitude of being BAD BOYS! This franchise keeps finding new routes to create a memorable grandeur of cops and destruction for the masses. How much damage will there be? Find out in Bad Boys: Ride or Die. Three-and-a-half out of four stars.

The Young Woman and the Sea Review


The art of swimming is an important life skill. It requires agility, muscle strength, and persistence. Daisy Ridley possesses all these skills in The Young Woman and the Sea. Directed by Joachim Ronning, the film is presented with the message of never backing down. The true story of Trudy Ederle, played by Ridley, has a compelling momentum. The era of the 1924 Olympics creates a galore of amazement. However, in some ways, the film is only slightly above average. Challenges with the depth of the story and associated obstacles cause it to drag at times.

I had to take swimming lessons as a child, and I forgot how much effort it takes to learn this life skill. Becoming a skilled swimmer who can handle deep water and currents has life-changing benefits. The film begins with Trudy and her sister Margaret Ederle, played by Tilda Cobham-Hervey. They are the daughters of a German butcher, Henry Ederle, played by Kim Bodnia. Women as athletes in this era were frowned upon. Trudy sets a significant goal which is to swim across the English Channel. She believes this test of her endurance will give her life meaning.

The dynamics of the film make it a bit shaky. At times, it becomes more about the political issues and the use of computer-generated imagery (CGI) for dramatic effect. The acting is superb. The scenes where Trudy is dealing with what is given to her for her impossible task are particularly strong. Her first coach is Charlotte played by Sian Clifford, but she is not able to use her. The coach assigned to her is Jabez Wolffe,played by Christopher Eccleston. James Sullivan, played by Glenn Fleshler, oversees her contracts and sponsorship. Finally, there is Stephen Graham, played by Bill Burgess, the sailor who follows the progress of Trudy’s swimming. These characters and their issues result in mixed dynamics involving politics as well as how to handle an array of trials and errors.

The Young Woman and the Sea dives into surreal moments of peril. With water conditions and obstacles along the way, the story sometimes feels like a version of The Perfect Storm. The waves and the currents are too Hollywood-like. Overall, the film captures the imagination with the human element and persistent pursuit of a life accomplishments.

Even though I found the technical aspects lacking, this is Ridley’s most authentic role yet. She plays an icon whose story’s poke to the world. Her experience proves that it is not easy to achieve success the first time around. The inspiration of never quitting is where I found the film to be most invigorating. Ridley’s performance is an important reminder that being fearless is a key aspect of becoming a winner.

I left the movie with bodies of water on my mind due to the unpredictable obstacles Trudy was up against. The mist, the cold, and the currents added to her dangerous journey in The Young Woman and the Sea. Three out of four stars.