Category Archives: Film reviews

Cult Killer Review


This film revolves around a young detective finding purpose in a misdirected life. It starts out with the story of a rough upbringing and finding a mentor that helps. Cult Killer begins with a vibe that feels like an extended episode of Cold Case and then moves in an eerie direction where silence and hidden secrets have a purpose. It is a special brand of thriller. Sadly, it does not take the cake.

The film focuses on the characters of Cassie Holt (played by Alice Eve) and Mikhail Tellini (played by Antonio Banderas). Tellini is a private detective that helps Cassie get back to her roots in life. He helps her to get past her alcoholism stages and to see the brighter sides of her existence. Cassie is a woman who has hustled and done all kinds of shady activities to make ends meet. Mikhail though, helps her climb out of that pattern and then shockingly is murdered. With Cassie saddened and dealing with grief, she is assigned by Rory McMahon to solve Mikhail’s murder. She finds herself discovering a world of evidence she did not know existed. She also realizes the corruption of law-enforcement surrounding Mikhail’s case. With shady executives Victor Harrison (played by Matthew Tompkins) and Wallace (played by Kim DeLonghi) working against Cassie solving the puzzles to Victor’s murder, a trail of questions and answers slowly come along in Cult Killer, yet the story remains lacking.

Cassie finds herself experiencing many flashback moments with Mikhail. She remembers times when he encouraged her to explain things and helped her find resolutions to problems. These moments come up in Cassie’s mind as she moves through her investigation into Mikhail’s murder. He had been stabbed repeatedly and as Cassie deals with grief and the inquiry into her mentor’s death, she also remembers to have her guard up.

In the shadows of Cult Killer, fascinating evidence hides throughout the anxiety-provoking writing of the film. Politics and people from within the case remain prejudicial with the exception of one person named Jamie Douglas (played by Shelley Hennig). Jamie guides Cassie into the deep alleys throughout the film. She explains shady places and situations to Cassie, yet she does it so sporadically and with an ego that leaves her suspect as to whether she can be trusted or not. There is uncertainty about her possible involvement in Mikhail’s murder.

The murder case of Mikhail grows to become a conspiracy theory involving those who are connected to gain success from being deceitful. Jamie begins a cat-and-mouse game which is likely to lead to a trap. It should be thrilling, but ends up more of a boring experience as time begins to run out in Cult Killer. The obstacle here is continuity in that it crams so many other confusing dynamics into the case in the film. It ends up a hot mess of details which are unclear in their accuracy and relevance to the plot of Mikhail’s murder. There is not much of a “cult” feel in Cult Killer. The writing hits a plateau and then simply quits.

The action moments of violence create a picture of a predictable outcome. The rabbit hole does get deeper and darker in Cult Killer, however the revelations are not so invigorating as I anticipated. There are too many moving parts of two-sided hierarchies that keep getting thrown into the mix. They take away from the aspects of the film that the audience anticipatesand desires. The characterizations of the main players get lost along with the storyline. It starts off well, but then becomes a trail of misdirection in the form of mediocre writing. Cult Killer has got a slick idea with a promising premise, but it does not execute well in its continued suspense.

The film disregards the murder case and goes down the road of personal deceitfulness instead. It just does not work here. I will say the cleverness is bold, but the premise of Cult Killer deteriorates quickly. The feeling that no one to be trusted unfolds in ways that make no sense. This should be a straight shot experience, yet it misses in its mark in its of direction of triumph. Two out of four stars for Cult Killer.

Tarek’s Top Ten Films of 2023


2023 has been one wild ride of diverse movie experiences. I have seen countless movies, attended festivals, and expanded my horizons. While the biggest movie weekend of the summer was titled Barbenheimer (because of Barbie and Oppenheimeropening), 2023 was filled with many films that gave viewers moments to remember. The wide array of interesting movies required me to think quite hard before compiling my annual list. By analyzing the options from my role as a critic, those that made my list combined realism and unforgettable messages.

Film number one is Oppenheimer. Directed by Christopher Nolan, Oppenheimer is one of the most influential and stunning experiences of 2023. Nolan’s technological and cinematic abilities are on full display in Oppenheimer. The performance of Cillian Murphy as J. Robert Oppenheimer is superb. Nolan’s use of 70 MM projection in Oppenheimer is invigorating and astonishing. The audience is made to feel like they are in Oppenheimer’s mind facing the many frustrations in his world. Oppenheimer is invigorating and it goes deep. The film’s pace is in tune with its cinematography which leads to a dramatic and spellbinding effect. The creation of the atomic bomb and the other struggles of Oppenheimer left me breathless.

Film number two is Past Lives. Directed by Celine Song, Past Lives is a humanistic experience of disconnection and finding connection again. Past Lives is one of the best films on friendship I have seen. It shows how keeping the friends we have known for a long time reminds us of what to be grateful for in life. It is a monumental achievement. The film is strong in portraying connections and memories, but also demonstrates how the past can play a positive part in the present. The story is riveting, the goal is moving, and the film itself is a revelation.

Film number three is BlackBerry. Directed by Matt Johnson, the evolution of phone technology is the focus of this true story about business and success. The development of the BlackBerry provides a riveting and stressful rollercoaster ride. The turmoil caused by marketing and sales is where the film has anxiety-provoking moments. Since the leaders cared most about profit and margins, they didn’t think enough about the risks. Therevelations in this in-depth story are intriguing.

Film number four is Anatomy of a Fall. Directed by Justine Triet, this film’s many moving parts requires audiences to think. Anatomy of a Fall is an emotionally realistic experience with an enticing vibe of disconnect. The story includes family dynamics and conflicts. These two elements create an experience of sadness, empathy, and hope while investigating a death case.The film paints a portrait of how far people go to help the ones who are most important to them.

Film number five is Maestro. Bradley Cooper is the star and the director of the film, and his performance shines with brilliance. The film will take viewers deep into thought as the film captures many captivating moments in the life of conductor-composer Leonard Bernstein (played by Bradley Cooper) and his relationship with his wife Felicia Montealegre Cohn Bernstein (played by Carey Mulligan). Bernstein had a lot to live for, buthis life came with many struggles. Maestro is simply majestic in its stellar experience of grandeur and music galore.

Film number six is Saltburn. Directed by Emerald Fennell, Saltburn is one of the most unexpected visual experiences I have had in ages. The performance by Barry Keoghan is haunting and exhilarating. The story goes down a dark rabbit hole in a sinister direction which leads to many surprises. The director of Promising Young Woman, Emerald Fennell, strikes again with a thriller filled with shocks and awes. Saltburn is one of the most thought-provoking and daring films of the year.

Film number seven is Still: A Michael J. Fox Movie. Directed byDavis Guggenheim, this is one of the most touching and inspiring documentaries I have ever seen. The story of Michael J. Fox and his challenges with Parkinson’s disease come to life in a touching narrative. An unforgettable journey that dives into the joys of Michael’s life before and during the many years of struggling with Parkinson’s. The message in the film reminds viewers to never give up. As an advocate for those with disabilities, I found the film mesmerizing thanks to the beautiful direction of this well-known actor. It is a riveting real-life story that speaks to many and will stand the test of time.

Film number eight is Killers of the Flower Moon. Directed by Martin Scorsese, he is back with a masterpiece starring Leonardo DiCaprio and Robert De Niro. The film is unique and authentic after many years in the making. The murder-thriller brought mixed feelings and a load of suspense. The chemistry that DiCaprio has with De Niro is almost like the chemistry DiCaprio had with Jack Nicholson in Scorsese’s The Departed. This movie has a similar vibe, but the intensity is more mentally invigorating than the extreme violence in The Departed. Killers of the Flower Moon is relentless, thought-provoking, and truly dazzling on a psychological level.

Film number nine is The Holdovers. Directed by Alexander Payne, it is a comedy where a teacher must deal with helping students cope with turmoil at a boarding school. Paul Giamatti is the lead, and he delivers an impressive performance as the instructor. The movie is funny, touching, and clever. It is true toPayne’s style with meaning and empathy coming from some of the best narrative and most hysterical writing this year. The Holdovers has many scenes which will make audiences laugh,but the meaning of unexpected connections will leave a lasting impression.

Film number ten is Priscilla. Directed by Sofia Coppola, Priscilla is a true story based on the 1985 novel Elvis and Mewritten by Priscilla Beaulieu Presley. The film takes its audience through a vast landscape of happiness, sadness, and confusion through the eyes of Priscilla as she endures her relationship with Elvis Presley. Cailee Spaeny plays Priscilla, Jacob Elordi plays Elvis, and both of their performances are superb portrayals of the heights of young love and the lows of dealing with the insanity that becomes their life. The movie is a dramatic ride at the finest level.

2023 was a strong year for movies with meaning. There weremany unforgettable moments and extremely emotional experiences based on a inspiring line-up of films. Finally, the quality and quantity of movies jumped up many levels after theaftermath of the Covid-19 pandemic. It was definitely a year that made it worth going back to see movies in the cinema. I look forward to seeing what 2024 has to offer!

The Beekeeper Review


The title seems self-explanatory, yet this is a film layered withconnections to bees and one who deals with them daily. A hidden element is that there can be mass destruction that awaits when bees get angry. Jason Statham brings on that fury in The Beekeeper. With an opening introduction of archived science reels related to bees, the film may feel like it is a scientific experiment at first. The story unfolds though in a direction of violence and fatalities. The Beekeeper is bee extermination with a twist. The bees do not get exterminated, the bad guys do as The Beekeeper goes on a hunt that is relentless and lethal leading to absolute mayhem.

In the film, Statham is Adam Clay. He is a man that is a beekeeper for a woman named Eloise Parker (played by Phylicia Rashad). Adam does bee projects on Eloise’s property. Eloise becomes the victim of hackers and all of her bank accounts are drained. This leads Eloise to commit suicide. Her death puts Adam on a journey of vengeance. He hunts down the company that scammed Eloise. The daughter of Eloise is Agent Verona Parker (played by Emmy Raver-Lampman), and she is a detective. She is on the case along with her partner Agent Matt Wiley (played by Bobby Naderi). They try to hunt down the hackers, however Adam is ahead of the game. He burns down the building where the call was made which led to Eloise’s death. The man who runs the whole hacking game is a wealthy entrepreneur named Derek Danforth. He is one of the heads of Danforth Enterprises. Derek is a punk, rich boy and money has always been his way out of his problems. His ego is out of control, but is it enough to stop Adam from coming to kill him and put a deadly halt to his hacking operations?

Adam states, “I take care of bees,” and he sure does. His words declare his faith to Eloise because she meant a lot to him. The film’s writing is true to the revenge genre. Derek has an assistant with him at all times. That assistant is Wallace Westwyld(played by Jeremy Irons). Wallace is like an Alfred to a young Bruce Wayne, but for the wrong reasons here in his relationship with Derek. He tries to talk sense into Derek however, Derek’s ego is still too ahead of him. Wallace tells Derek that Adam’s goal is “To kill his way to the top of the hive.” His lethal huntwill not come to an end until the ones who caused others to suffer will suffer themselves.

The Beekeeper kills rapidly and leaves a minimal trail of destruction. That is because the pieces come together quickly. It mimics the fascination of a bee hive, yet takes a turn into a killing spree. The premise of evil lurking is the main vein of the writing in The Beekeeper. It is an unstoppable and mind-boggling thriller that is different and pure Statham.

Statham is The Beekeeper, and he will not stop until everyone that is an enemy suffers. Irons is the one who knows the layers of meaning of a beekeeper—he knows the philosophies, sayings, actions, and how bad the dangers will get for Derek. This is a journey where the action is non-stop and it invites you along for the ride. There were moments where my mind felt that it was kind of predictable however, there was a revolving door of unexpected outcomes that managed to blow my mind. This is a different experience for a Statham thriller. The layer of having a fascination for bees created a platform for the damaging aspects and a rollercoaster ride of craziness. Three out of four stars for The Beekeeper.