Category Archives: Film reviews

After The Hunt Review


Boundaries are crossed in After the Hunt, a film in which lies come back into play with disciplinary matters at hand. Directed by Luca Guadagnino, this film’s writing is disturbing yetrealistic in a fictional #Metoomovement scenario. This story paints a vivid portrait in a college setting. The film has moments which provide context around egotistical matters some of which get dismissed based upon harsh choices.

After the Hunt reminded me of the characteristics of individuals who think they are untouchable. The film involves two professors, and a student. The student has been assaulted by one of the professors, and the other professor hears the story from the student. The fictional plot takes place at Yale University. The main character is Alma (Julia Roberts), one of the professors. The professor in the assault scenario is Hank (Andrew Garfield), and the student is Maggie (Ayo Edebiri). Initially, all of them are close, but that ends when Maggie discloses her story to Alma. This begins to make the film a moving portrait of politics and mixed decisions. This leads to stress and anxiety for the audience as the accusations spread through various red flag channels.

The storyline is logical and transparent. Colleagues get involved and the pressure of tenure plays a role in the controversy as does maintaining personal integrity. However, Guadagnino displays that status does not protect a hundred percent in After the Hunt. However, he also demonstrates that there are consequences for the survivor as well. At this point in the movie, I began to feel disturbed. As someone who has dealt with many stressors in my life, After the Hunt reminded me of how important it is to think things through before jumping to conclusions or seeking help from authorities. In Maggie’s case, she starts building an audience, but that serves to barricade Alma. The pressure grows as the search for justice continues. 

It is important to see After the Hunt with an open mind. Thereal-world issues explored in the film may be hard for some to watch, especially those involving assault. After the Hunt is vivid as it poetically weaves back-and-forth between the witnesses, the victim, and the survivor. At the same time, however, it becomes clear that there are potential irreparable consequences for everyone involved.

The impact of information is highlighted in a bold, cinematic way in After the Hunt. The performances of Roberts, Garfield, and Edebiri all serve a purpose in supporting the storyline through their unique voices in the controversial matter. The college campus provides the vital background into uncharted territory which creates an impactful landscape. Guadagnino’s continued presence around the campus spirals in moments that are anxiety-provoking. It makes audiences ponder how someone could go to work every day in the face of such intense stress.

Two of the supporting characters deliver purpose in this film as well. There is Kim (Chloe Sevigny), a doctor and colleague of Alma. There is also Frederik (Michael Stuhlbarg), Alma’s husband. Both are distractors in Alma’s life. Roberts’ performance transcends into a downward spiral of anxiety where both characters serve as outlets for her. At the same time though, there is a looming question about how much they can tolerate. Despite the chaos in the film, it is an intriguing story about how detrimental reality can be. Three out of four stars for After the Hunt.

 

Roofman Review


Directed by Derek Cianfrance and based on a true story, Roofman may be one of the best films of 2025. Based on actual events with realistic components that touch the heart, it maintains its writing and characterizations with realism. This film is just stellar with wide ranges of tour-de-force performances by Channing Tatum, Kirsten Dunst, and Peter Dinklage. A lot of nostalgic feelings came to me, especially since the film takes place in a Toys “R” Us store. A criminal runs from the law, but also attempts to start over, but the common ground has misconceptions with a solid purpose. No one does it better than Cianfrance.

Tatum is Jeffrey Manchester, a criminal known for breaking into places via the roofs. This is how he makes most of his profits. Then there comes a point where he gets caught and spends many years in prison. Once that happens, he escapes and finds himself in a Toys “R” Us store. He utilizes the store as his base to hide from the law. He creates a living space and messes with the security systems. What can go wrong?

As he spends his days throughout the store he finds meaning, with moments of him doing  narration about what he is learning from his solitude. It is a representation of wanting to start over. Even though this takes place in the quirkiest of places, it is a true story that thrives on it’s realism to captivate. Tatum knocks it out of the park. Especially with his witty personality among learning the people who work in the Toys “R” Us. He learns about Mitch (Dinklage), a not-so-understanding store manager, who is oblivious to the fact that Jeffrey is hiding in his store. Then there is also Leigh (Dunst), a store employee, who Jeffrey finds a way to form a relationship with. To get the many positives of his life, the store becomes his vehicle and works to his advantage.

The realistic consequences await on the other side in Roofman. The shadiness of what is going on is writing on the wall. Cianfrance creates this pattern that shows that Leigh loves Jeffrey, but that she also feels there is something fishy about him. Jeffrey is on the run from the law, and the Toys “R” Us is out there. One wrong move can mean his life is over. The direction of Cianfrance is one that has audiences wondering how heavy the consequences can be in Roofman. At the same time though, he dazzles the characterization of Jeffrey wanting redemption more than anything. He also provides perspective that Jeffrey’s intention may be good, but his choices are just flawed.

This is such a fascinating true story that feels like audiences are playing along within the film. I felt like I was strolling through an empty Toys “R” Us repeatedly. I also wondered when Dinklage was going to go into panic mode. It came around alright, and he nailed it well. A championship true story of laughs, seriousness, and honesty. Three-and-a-half out of four stars for Roofman.

 

 

Spider-Man 2.1 (2004) Fathom Entertainment


Spider-Man 2.1, First time with the Extended Cut in Theatres:

From Sony Pictures and Fathom Entertainment, the Spider-Man trilogy continues in cinemas for a limited run. Spider-Man 2.1 brings audiences in for a treat. 2.1 offers an extended cut of the film, which is fourteen minutes longer than the original theatrical release. The 14 additional minutes add meaning to the sequel and the franchise offering a few more webs of nostalgia. With Tobey Maguire (Spider-Man, Seabiscuit) as Peter Parker, Kirsten Dunst (Spider-Man, Eternal Sunshine of the Spotless Mind) as Mary Jane, and Alfred Molina (Coffee and Cigarettes, Luther) as Dr. Otto Octavius, the extended cut has a lot more humor and cleverness of added layers in the 2004 classic sequel. But there are also more moments of darkness among the vengeful side of Harry Osborne, as he is played by James Franco (Spider-Man, The Company). Fans can expect a lot more confrontational tracks for a more invigorating ride of uncharted webs with Spider-Man 2.1.

Fathom Entertainment Features:

Before the film begins, audiences will have a chance to listen to the words of Alfred Molina as he discusses some of the details pertaining to his preparation for his role as evil scientist Dr. Otto Octavius. Molina goes deep into explaining his love for the comic book character, and  how he felt that the layers of the humor of the comic books helped fuel his personality with the role. The pre-show feature also includes discussion  of the technological outlines for working out Doc Ock’s  many electronic arms. The production design,  layout, and character development  feel like a grand entry into the classical (and extended and never-before-seen) sequel on the big screen. The dynamic of Molina and Maguire tango rapidly in this sequel, and audiences will have a glimpse at how Sam Raimi’s film still lives on twenty-plus years later. The revisited fun continues, and the enemies of Spider-Man always have their classical trials and errors. That is because Spider-Man always gets back up, and he even (tries) to encourage his enemies to find the good in themselves.

Worth the time?

The continued fun of Spider-Man with Sony and Fathom Entertainment is an opportunity not to be missed. Especially with Spider-Man 2.1 offering  moments that were never before seen in cinemas.  The extended sequel highlights the revenge of Harry, Peter trying to navigate his life as Spider-Man, and a new villain swarming New York. Spider-Man 2.1 is a sequel with additional layers that cannot be missed. For more special events with revisited classics visitwww.fathomentertainment.com 

Review also available on MovieArcher

https://www.moviearcher.com/movie-archer/classic-targets-in-4k/spider-man-2-1-2004