The life of a Greek family who takes tradition seriously feels repetitive. In My Big Fat Greek Wedding 3, there are no weddings but there is an abundance of family. This time the director is Nia Vardalos who the audience knows as Toula. Her direction of the 3rd installment of this franchise takes a more cultural approach. This time around, however, there is less laughter. Overall, the film still has a lovely charm which comes from strong family values.
In My Big Fat Greek Wedding 3, the family is still focused on their Greek traditions. There is Toula and her husband Ian (played by John Corbett), and their daughter Paris (played by Elena Kampouris). Then there is the mother Maria (Lainie Kazan). Maria’s husband has passed, and she is having memory issues. Then there is the rest of the family including Nick (played by Louis Mandylor), Aunt Voula (played by Andrea Martin), Nikki (played by Gia Carides), and Angelo (played by Joey Fatone). With the father passing, the family decides to take a vacation to Greece to attend a family reunion. While they’re there, Toula tries to rediscover the memories from her father’s life while also enjoying a getaway from life stressors. As usual, the Greek traditions and a loving storyline play a big part in this version of My Big Fat Greek Wedding.
The traditional Greek way of life still drives the daughter Paris crazy. Everywhere they go, the traditions and holidays are endless. It is like a set of rituals that are not meant to be broken.Paris even asks, “Why can’t this family respect my boundaries?” For Paris, it seems as though her boundaries and personal privacy are a low priority in her family, especially if they don’t fit with Greek traditions.
The combination of frustrations and humor are plentiful throughout the film. It is a dramatic continuation of the earlier films, but still focused on cultural values. With the family’s travels, there are lots of challenges that must be coped with. I thought Andrea Martin’s role as Aunt Voula was especially positive. She has an inspirational attitude and is classy. While the family is on the road to Greece, Aunt Voula has a lot to sayand a lot of advice to give. She is one tough cookie. I love the seriousness of the Greek attitude in the family. In this franchise, Aunt Voula keeps growing as the authority on Greek traditions and steals the glory in the film. She helps provide the spirit of hope throughout My Big Fat Greek Wedding 3.
Throughout the film, the family learns to have their boundaries violated, which leads to some hilarious fun. It is a film where the quality lacks in fragments. Still, it is an enjoyable movie with a cast of characters who have charming personalities. The viewers get a clear realization of what family means in My Big Fat Greek Wedding 3, but unfortunately the presentation seems repetitive. Two out of four stars.
The black and white cinematography in Fremont is beautiful and immersive. And although loneliness is a major theme, it is not a depressing or negative film at all. To the contrary, Fremont is one of those experiences that is heartfelt and uplifting.
Directed by Babak Jalali, Fremont gears on Donya (played by Anaita Wali Zada). Donya lives in Fremont, California. She previously worked as a translator for the United States government in Afghanistan, but somehow ended up working at a fortune cookie factory in Fremont, where she lives in an apartment with other Afghan immigrants. Donya’s life is in a complicated holding pattern, but Donya still feels that she can have a purpose to her life. Promoted to the job of creating fortunes at the fortune cookie factory, Donya sends out a special message in a cookie. She hopes people will find the fortune inspiring, and she believes the world will hear her. But how long will it take for good things to come Donya’s way? Fremont is about being persistence for positive change, and it is a wonderful and grandeur experience.
The film goes deep into the life of immigrants in America. Donya didn’t plan to end up in California. But due to her VISA status and other factors, she ended up there. She works with Dr. Anthony (played by Gregg Turkington) to help her understand her purpose and to understand and deal with her situation. Through her positive relationship with Dr. Anthony and her job of creating fortunes, Donya begins to find joy coming into her life.
As her life begins to improve Donya meets someone, Daniel (played by Jeremy Allen White). White played Lip in the hit series Shameless (2011-2021) and he’s currently in The Bear (2022-present). His natural shyness, kind personality, and friendliness are on full display in Fremont. Both Donya and Daniel are introverts, but Donya has some hidden conflicts she is dealing with. Despite this, though, Daniel finds Donya inspiring, and that is the key to Fremont. Donya has the power and the strength to inspire others, and she brings empathy and positive vibes.
Fremont is an encouraging film whose message is that if we keep putting in the efforts to do what is right, even in the face of very difficult circumstances, the efforts will pay off. The beautiful tone of Fremont’s black and white also brings a sense of calmness that surrounds the film. Three and a half out of four stars for Fremont.
Starting September 13 through September 17, The Chicago Underground Film Festival will be running. The festival’s opening night film will be shown at the Gene Siskel Film Center and the rest of the festival will take place at the Harper Theater. The Chicago Underground Film Festival is one-of-a-kind. It is a fest that celebrates culture and diversity. Films of artistic value are what makes this fest a strong presence for many cinema lovers (both in and out of Chicago). There are full-length featurefilms, short films, experimental films, and all kinds of visually brilliant projects by talented filmmakers. The people, the films, and the atmosphere are all essential to the fest. I have already seen a few of the films that will be featured at the festival this year. These films are different, poetic, and have dazzled me. Audiences can see these films as well, and they just might blow viewers away.
The first film is Hello Dankness. Written and directed by Soda Jerk, this is a film of reality and creativity with many accurate depictions and truths. The film is compiled with footage from commercials, classic films, music segments, and it all comes together in chronological order. The events and clips are in tune with the world we lived in during the presidency of Donald Trump. Now without getting too political, the film does an exhilarating job featuring moments from films and scenarios related to the big events we experienced during and post-Covid. From a Pepsi commercial to Fred Rogers to Wayne’s World to social media, Hello Dankness is a representation that is mind-boggling. It proves that everyone’s personality continues to shift. It proves that reality is far from perfect. I love how the film honestly displays how distracted we are by technology and our political views. The film makes it clear that many would benefit if they just disregarded all the media they allow inside their heads. Hello Dankness is a monumental opening to The Chicago Underground Film Festival. The film is showing at the Gene Siskel Film center on Wednesday September 13th at 7:30 pm.
The Second film is Even Hell has its Heroes which is written and directed by Clyde Petersen. The film is set in the 1980s and explores the musical success of the band Earth. The band’s backstory includes lots of trial and error, but also tons of success. Even Hell has its Heroes is shows interviews with Dylan Carlson, Slim Moon, Jonathan Poneman, and other artists as they discuss struggles with drugs and hardship in their days in the music industry. The film is deep in how it shows how the group provided encouragement for its members. Carlson states, “When I’m playing with other people, their shapes are involved and it’s flowing together.” The 1980s was a time when playing harsh songs had negative consequences. The interviews with the artists explaining their challenges getting gigs and writing music are the key to the film’s realism. The difficult era of artist Kurt Cobain before his death sparks the film’s portrayal of the how difficult it was for artists to move forward. The film’s title speaks for itself. The real-life examples demonstrate that success can come without being able to get past negative patterns. However, many of the artists have had to overcome their drug addictions s to make it farther with their musical careers. Even Hell has its Heroes is one of the most deep, emotional, yet encouraging projects in the festival this year. This film’sarchived footage offers surreal continuity which brings the audience into one of the dark eras of the music industry. The film is showing on Saturday September 16th at 4:30 pm, and Sunday September 17th at 4 pm. Both showings will be at the Harper Theater.
The third film is one that I truly believe belongs to The Chicago Underground Film Festival. Within the realm of surrealism and realism, this was an experience that haunted me. It also made me have a big heart for those who go out of their way to helpthose in need. That film is Sweetheart Deal directed by Elisa Levine and Gabriel Miller and written by Karen Sim. Sweetheart Deal dives into the life of four sex workers in Seattle, Washington whose lives are in a halting pattern. They are provided some courage when an individual chooses to be a healer and offers them shelter. The ladies go to the healer for shelter, advice, and food, but also just to feel some empathy. Thewomen have more challenges than just being sex workers as they struggle with addictions to drugs and are always fighting for survival. In spite of their issues, they are all seeking some sense of normalcy. The film’s emotional subject matter keeps finding meaning as the film’s healer goes out of his way to ensure the ladies have a chance to regain good in their life. It is a documentary that will haunt its audience, but also provide empathy and encouragement. It is by far one of the most faithful documentaries I have seen in a long time. With a narration filled with darkness, the light shines through in many fragments in Sweetheart Deal. The film is showing on Friday September 15that 9:00 pm, and Sunday September 17th at 3 pm. Both showings will be at the Harper Theater.
The Chicago Underground Film Festival has a lot to offer. From my experience with these films, I realize it is about audiencesbeing willing to step out of their comfort zones to fully experience these fascinating projects. There are many invigorating subjects featured in the films at this fest and audiences are in for a treat. The projects are spellbinding, different, and prompt intriguing questions on the reality that surrounds the film scene of the festival. Do not miss this opportunity to experience these fascinating and poetic movieswhich offer unique visionary experiences. Get your tickets and passes today at Cuff.org.
Movies with Tarek 