Good Fortune Review


Written and directed by Aziz Ansari, this is probably one of the most well-written and cleverly crafted comedies of 2025. Good Fortune is a comedy that is a delight because Ansari knows how to capture reality and fairness from a realistic perspective of how life seems for many individuals. He creates a dynamic of people with interesting lives (including himself), and he adds an angel to make things better. Well…that angel tries. But overall, the concept of the comedy is just genius. I have seen Ansari three times on stage doing stand-up comedy, and I will say his craft as a comedy writer seamlessly crosses over to movies. Good Fortune is a breakout of wonders for sure.

Aziz Ansari plays Arj, and he is a struggling delivery driver in California. He is desperately struggling to make ends meet. Around him, there is an angel named Gabriel, played by Keanu Reevers. Gabriel is an angel assigned to keep people alive by basically making them alert by not texting and driving.  He basically keeps humans alive by preventing them from getting into serious injuries due to obliviousness. Gabriel wants a change as well though. Gabriel’s boss is Martha, played by Sandra Oh. Gabriel wants to make people’s lives better, but his options are limited. Things begin to come around when Arj earns the opportunity to work for a wealthy venture capitalist named Jeff. Jeff is played by Seth Rogen. Once Arj begins to work for Jeff, his life starts to see some light.

There is a twist to this comedy and this is where the entertaining genius lies.  Arj convinces Gabriel to make it possible for him to swap lives with Jeff. This means that Jeff ends up being the one struggling financially, while Arj is rich and wealthy. At the same time, Gabriel is an angel who is trying to navigate the reality of what makes actual humans happy, because he himself is not (technically) a human. A film of moving parts where the rich live for fun, and those who hustle must truly hustle. Ansari creates the dynamics of fairness presented as daring.

The film leads to a path of envy and jealousy becoming the theme. That is seen more by the Angel character of Reeves. Moreover, there is the impression that some have a lavish life and may not deserve it. The creative style of Ansari’s directing is how it creates equality—the portrait that no one is perfect—no matter how rich, poor, or successful. Anyone can have flaws. The “flaws” in Good Fortune have witty misdirection making this one of the best comedies I have ever seen.

The classiness of Good Fortune is in the fact that it makes audiences look at reality. It makes us ask the question, “Are we are truly happy with our lives?”. Would many be happier if they were just rich all the time? Or would some rather just continue to hustle? How many would want to swap their life for another? Despite the good that comes out of rotated lives, the hurdles of change are presented with a reality that has plateaus that are unavoidable. Ansari’s writing has tangents that are spellbinding in that aspect, especially with Reeves as angel navigating making people’s lives better. There is no clear end in sight for Good Fortune. The light of happiness is in the writing, and the funniness is fueled by competitions to get lifestyles back. Four out of four stars for Good Fortune.

John Candy: I Like Me Review


A documentary by Colin Hanks about a beloved actor is here. John Candy was a man who cared greatly about others. In this film, the story of his life is seen through the eyes of many. John Candy: I Like Me is not only engaging, but also a reminder of what good can come when always striving to stay positive. This is a vivid portrait of success that explores Candy’s trials and errors. John Candy: I Like Me made my heart ache because of the honest and in-depth exploration of his life.

The film focuses on John Candy and includes interviews with Tom Hanks, Bill Murray, Martin Short, Steve Martin, and many more. A lot of the content talks about his time at Second City in Chicago and his days in Toronto, his hometown. There is a lot to know about John Candy.  The weight of professional success greatly impacted John, but it was also a lot for him as well. John Candy: I Like Me paints the portrait that being a winner does not always result in the positive picture everyone imagines.

Many of the discussions in the film go back to John’s son, Chris Candy. Chris discusses how he has coped with his father’s death, but also what his father was like as a human-being. While sharing many inspirational stories, he also elaborates on where he feels things went wrong. The celebrities interviewed for the documentary do so as well, especially the ones he was closest to.  Dan Aykroyd and Bill Murray displayed lots of concerns. The many pounds John gained were influencing his impact, but his fame already so established that his thinking was altered. Deep-down, however, his caring heart was what made him special.

Audiences will feel they are in the mind of Candy as his world is revisited. From the many moments of laughter in his classics ranging from Home Alone to Uncle Buck to The Great Outdoors, and so many more. John Candy: I Like Me is a one-of-a-kind gem which captures the essence of human kindness and made this documentary hit home for me. There is a lot to think about when it comes to the many hurdles that John faced, but still, he was there for so many.

The upbeat energy in the Chicago Theatre where I attended this screening was fueled by producer Ryan Reynolds, Chris Candy, and Jim Belushi. It was the ultimate discussion of legends that made this documentary come to life. Each of them shared their own unique perspective on John’s personality which led to a joyful evening. The heartfelt energy flowed during and after the movie which made it a truly magical night.

There is a part of the documentary in which they interview Macaulay Culkin. What I appreciated is how Macaulay elaborated on the fact that he was not close to his father growing up. However, during Home Alone, John was thoughtful enough to check in regularly on Macaulay. Being there for someone is an important way that John demonstrated his kind nature. John Candy: I Like Me is full of positive memories messages. Although it doesn’t sugarcoat the hardships he faced, it shines with John’s greatest moments. Four out of four stars.

After The Hunt Review


Boundaries are crossed in After the Hunt, a film in which lies come back into play with disciplinary matters at hand. Directed by Luca Guadagnino, this film’s writing is disturbing yetrealistic in a fictional #Metoomovement scenario. This story paints a vivid portrait in a college setting. The film has moments which provide context around egotistical matters some of which get dismissed based upon harsh choices.

After the Hunt reminded me of the characteristics of individuals who think they are untouchable. The film involves two professors, and a student. The student has been assaulted by one of the professors, and the other professor hears the story from the student. The fictional plot takes place at Yale University. The main character is Alma (Julia Roberts), one of the professors. The professor in the assault scenario is Hank (Andrew Garfield), and the student is Maggie (Ayo Edebiri). Initially, all of them are close, but that ends when Maggie discloses her story to Alma. This begins to make the film a moving portrait of politics and mixed decisions. This leads to stress and anxiety for the audience as the accusations spread through various red flag channels.

The storyline is logical and transparent. Colleagues get involved and the pressure of tenure plays a role in the controversy as does maintaining personal integrity. However, Guadagnino displays that status does not protect a hundred percent in After the Hunt. However, he also demonstrates that there are consequences for the survivor as well. At this point in the movie, I began to feel disturbed. As someone who has dealt with many stressors in my life, After the Hunt reminded me of how important it is to think things through before jumping to conclusions or seeking help from authorities. In Maggie’s case, she starts building an audience, but that serves to barricade Alma. The pressure grows as the search for justice continues. 

It is important to see After the Hunt with an open mind. Thereal-world issues explored in the film may be hard for some to watch, especially those involving assault. After the Hunt is vivid as it poetically weaves back-and-forth between the witnesses, the victim, and the survivor. At the same time, however, it becomes clear that there are potential irreparable consequences for everyone involved.

The impact of information is highlighted in a bold, cinematic way in After the Hunt. The performances of Roberts, Garfield, and Edebiri all serve a purpose in supporting the storyline through their unique voices in the controversial matter. The college campus provides the vital background into uncharted territory which creates an impactful landscape. Guadagnino’s continued presence around the campus spirals in moments that are anxiety-provoking. It makes audiences ponder how someone could go to work every day in the face of such intense stress.

Two of the supporting characters deliver purpose in this film as well. There is Kim (Chloe Sevigny), a doctor and colleague of Alma. There is also Frederik (Michael Stuhlbarg), Alma’s husband. Both are distractors in Alma’s life. Roberts’ performance transcends into a downward spiral of anxiety where both characters serve as outlets for her. At the same time though, there is a looming question about how much they can tolerate. Despite the chaos in the film, it is an intriguing story about how detrimental reality can be. Three out of four stars for After the Hunt.

 

Treating cinema in many forms of art!