How to Train Your Dragon Review


This is one of the most inspiring and breathtaking remakes I have seen. I felt like I was flying with the CGI dragons in How to Train Your Dragon. This film is a fairytale adventure that really soars. Written and directed by Dean DeBlois whose style is magnificent and exhilarating as the story explores a portrait of wonders. Since I worked in cinemas during the first releases of many animated films, this remake made me feel like the storyline had evolved with a true sense of understanding. The story connects to audiences of all ages with messages beyond the love portrayed in the human/dragon relationship. DeBlois keeps the hope and positive vibes alive in How to Train Your Dragon.

The film is set on the Isle of Berk, a place for Vikings where their enemies and primary threat are dragons. The Chief is Stoick (Gerard Butler). His son is Hiccup (Mason Themes). Stoick depends on his people to kill dragons because they often find themselves in battles with them over research and lands. Hiccup, however, does not want to kill dragons, but insteadwants to learn how to fly and train them. With his father against this idea, the opportunity for new connections begins. Hiccup takes up mentorship from Gobber (Nick Frost). Gobber tries to get Hiccup in the mindset of a dragon killer. Instead, Hiccup learns his own techniques. Soon, he forms a friendship with a dragon he names Toothless. Moving forward, he trains Toothless and realizes that dragons can do good deeds. Hiccup ends up having a gift in his ability to tame dragons. Once he figures this out, he soars with Toothless on many adventures, one of which involves falling in love with Astrid (Nico Parker). The other adventure is trying to convince his father that he can train dragons and that they should not always be labeled the enemy. While featuring many obstacles Hiccup faces, How to Train Your Dragon is a two-sided adventure that keeps buildingmomentum as it encounters enchanting light.

The war between Vikings and dragons is the point of conflict that boils in the film and keeps igniting new beginnings. The story told in this version is still quite amazing. Although I love the animated versions, this remake blew me out of the water, especially in the scene where Hiccup flies with Toothless. The bonding moments in unexpected territory makes for a magical connection. The sense of continuity is uniquely brilliant. This film is a dazzling work-of-art which demonstrates that fairytales have realistic value. Will Hiccup and Toothless prove their point to Hiccup’s father? Will Hiccup get his wish? Are there more dangerous dragons? The possibilities and wonders will open the doors to exciting answers. Three-and-a-half out of four stars for How to Train Your Dragon.

Dangerous Animals Review


This is a thriller that takes place on a boat and is all about killing for pleasure. A presentation that comes along with killing for sport. The context around this has its captivating moments, and then the ones that are for shock and awe. Dangerous Animals is in the genre of shocker films that I found to have presence in and around of the suspense itself. What came to my mind was Jaws meets Psycho in that it is a big boat with a killer onboard who throws his victims to the sharks. 

Directed by Sean Byrne, Dangerous Animals introduces the audience to a boat captain named Bruce (Jai Courtney). At the top of the film, he takes a couple on a shark-dive expedition. Later, he blinds them and kidnaps one of them, only to havethem realize that he plans to kill them by hovering them over sharks. Bruce finds enjoyment in seeing and videotaping feedinghis victims to sharks.

The next victim is the main character, Zephyr (Hassie Harrison). She wakes up to go on a surfing expedition, but then Bruce captures her. Once she is on the boat, she finds herself below with another victim named Heather (Ella Newton). Heather was brought onboard the boat before Zephyr and the writing is on the wall for a death scenario for both the victims. Dangerous Animals has that momentum to make the audience feel the sense of predictability, but the many suspenseful moments to escape create the opposite effect. From my point-of-view I asked how can they escape when they are out at sea with treacherous sharks and in front of a killer that is very dangerous?

Going forward the film builds momentum with a man named Moses (Josh Heuston), as he is suspicious about Zephyr’s disappearance and begins searching for her.  Zephyr continuously fights for safety against Bruce, yet he keeps overcoming her chances to escape. Dangerous Animals is a boxing match of moving parts that puts adrenaline to the test. Bruce is anxious to find a good chance to throw Zephyr to the sharks for his enjoyment. The tactics of brutality do not see eye-to-eye, but the dog match to survive knows how to thrive here.

The shock and value are within the shallows. The victimshovering over the water creates the deepest point of terror inknowing that any sudden movement is a leap of death. When that happens, the concept that came to my mind was how stillness means safety. Especially when there is that thought of dying brutally at the mouths of sharks.

Dangerous Animals knows how to scare. It also knows how to maintain its dignity. The continuity feels interactive. The many failed escapes and failed moments of shark attacks are what makes for new doors of terror to evolve. The only question is, how can one depart the boat? Silly in moments and definitely scary in many, it can border on being repetitive. At the same time, it still maintains a sense of creepiness in the ocean. Two-and-a-half out of four stars.

 

 

From the world of John Wick: Ballerina Review


I love all the John Wick films and I truly adored From the World of John Wick: Ballerina. I enjoyed it from the structure in thebeginning to the pattern of revenge which evolved throughout the film. Directed by Len Wiseman, the aspect that fuels thisfilm is the background correlating to the John Wick franchise. As it moves forward it contains the same momentum that results in non-stop mayhem until a price is paid. It is a rollercoaster that is unstoppable and a force of power that is not to be messed with. From the World of John Wick: Ballerina weaves a mode of continuity that makes audiences come to worship Ana de Armas.

Ana de Armas plays Eve in the film. She saw her father get killed right in front of her at a young age. Her childhood wasrough, but she always has a plan for revenge. She is introduced to Winston (Ian McShane). For those familiar with the John Wick films, Winston is an inspiration for some unsettling and throttling events. Eve begins her training to find the man who killed her father. The dangerous target is The Chancellor (Gabriel Byrne). Over the course of the film, Eve gets her training and finds herself on the run while hunting down The Chancellor. The correlation to John Wick is the presence of his character, played by Keanu Reeves. Wick is not a massive presence, but the correlating lines of vengeance expand rapidly. 

It is a two-hour ride where Armas is brutally and insanely good. The riveting components of revenge leads to in-depth motions that are loud and fearless. Gasp as grenades go spiraling, watch fighting on roller skates, and do not mess with Armas. From the World of John Wick: Ballerina paints a portrait of one “ballerina” that is not be reckoned with. The many intriguing aspects of this franchise’s universe are bound to have more to offer. Three-and-a-half out of four stars for From the World of John Wick: Ballerina.

Treating cinema in many forms of art!