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Film reviews

Psycho Killer Review

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The title is fun and sketchy. Many will think of the famous song by the Talking Heads. However, it has no correlation to this film. The premise of the story made me feel like I was watching a repeat plot of a videogame. The film nails it with scares and kills, but the rest of the film is flawed yet utterly exhilarating. Directed by Gabin Polone, this is Psycho Killer. The familiar traits of many terror and slasher films I love are combined in Psycho Killer. Titles which correlate to this film range from Weapons to Se7en. The same writer, Andrew Kevin Walker, is also behind those films. While he may have written for some masterpieces in the past, the direction was not quite as promising as well in Psycho Killer.

The film is a murder mystery that keeps pace by keeping the grizzly components as the primary scenario. A killer kills and creates a trail. There are clues, but also a pattern where evidence goes awry. The pattern is put together and broken again, but the grizzly violence continues to shock and awe. Some may enjoy this and others will not. My mind was neutral. Although I usually love films where suspense includes puzzles and patterns, those factors did not have me aching to solve much during Psycho Killer.

The main character is Jane Archer (Georgina Campbell). She suffers a tragic loss with a killer right in front of her. The killer’s character name is Psycho Killer (James Preston Rogers). He goes from state-to-state, using traceless methods to continue to kill and send messages. While Jane tries her best with her investigations, Psycho Killer is always ahead of her. With his many tactics of kills happening on his behalf and timing them perfectly, there is a unique rollercoaster in which one kill is more detrimental than the other. The film is creepy and disturbing but still lacks quality because the predictability is so much like a videogame.

I have mentioned the concept of a videogame multiple times in this review, and I even struggled to decide if this movie did it for me or not. The videogame that Psycho Killer seems to have clips from and correlations to is called Hatred and is only available to download on Steam. The game is tougher to find because it is so violent that it got an AO rating. Psycho Killer does not have the same level of violence as the game Hatred but shares the extreme and predictable theme—kill them all! This plotline is becoming more prevalent and overused in so many slasher films like this. In short, the film was poorly written, yet there were moments of extreme graphics that were cinematic. Overall, though, Psycho Killer is below average. The kills may impress some viewers, but the quality of context is why I’m still unconvinced about this movie. In the end, I believe this director is still getting his feet wet with a genre that he may want to continue in his career. Two out of four stars for Psycho Killer.

Film reviews

Send Help Review

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There is nothing more daunting than having a boss that is way over their head. There is also nothing worse than ending up on the same island with that superior. Directed by Sam Raimi, Send Help is a film where The Office meets Cast Away. Quirky and boisterous—Raimi knows how to feature egos which lead tofearless suspense. Send Help is a unique gem. While it is not mesmerizing, the flow of unexpected surprises makes it funny.

 In an island setting where peril abounds, Raimi knows how to create hate and consequences for humorous effect. Between the performances of Rachel McAdams and Dylan O’Brien, Send Help is a boxing match for power, shelter, and survival. Survivor kept coming to my mind during Send Help, because Raimi is keen on showcasing one-of-a-kind groovy and sophisticated nature scenes. This time he does it with an employee who isstuck with their boss on an island off the grid.

Rachel McAdams plays Linda Liddle and Dylan O’Brien plays Bradley Preston. Linda tries to go above and beyond, and Bradley is her new boss with a pompous attitude. She displays the go-getter personality, and he displays the belittling personality. Right from the start, he is not fond of her. As they depart on a plane for a business trip, they find themselves stuck on an island. They realize that working together is going to improve their chances of survival. At the same time though, desperation is felt down to the core. With two colleagues and different personalities, the dynamic is nature vs. power. Bradley wants to maintain the power of overseeing Linda, yet Linda is more skilled outdoors. Their quirky interactions are stylized with laughs and crazy scares, especially when it comes to hunting wild boars and limited resources from the land.

This film is like a version of Cast Away for Raimi…with two colleagues. It works because it is a scenario where there are no other options. However, the element of hatred between the characters is built into the film’s writing and leads to many trial-and-error moments in the performances of McAdams and O’Brien. It is well-done from a creative perspective with no boundaries given the unexpected tracks the film journeys down.

The fact that these two colleagues stuck on an island already harbor resentment gave Raimi a door to explore jealousy in route to finding common ground. The film is enhanced by the fact that it takes place in a setting where there is no one to voice concerns. Send Help is a title that speaks for itself, because no one knows when assistance may or may not arrive. It could be days, weeks, or months. The question is how much pot stirring can be tolerated.

The island dangers carry sparks of intrigue where the anger and hatred between the boss and employee dazzle in Send Help. The island is eventually treated like the new normal. One character is equipped with the necessary skills to survive, and the other is not. The role of McAdams is the smart one on the island, and the role of O’Brien is dim-witted. Raimi knows how to successfully make the two interact with messy and clever misdirection. Send Help is astonishingly clever with fuming tones of joy. This is an island adventure with no limits and insanity that is off the charts. Three-and-a-half out of four stars for Send Help.

Film reviews

Avatar: Fire and Ash review

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Director James Cameron does not stop in his creative tracks to keep the mesmerizing world of the Avatar franchise flowing. With Avatar: Fire and Ash, the heat is in the moment as the world of Pandora hits territory with new revelations. At the same time, bad allies form—at the intersection of science, planet and people. It all comes down to whose side everyone is fighting for. Cameron keeps the momentum going in every fragment and in every detail. This fascinating film dazzles and shines boldly because the graphics of the vast areas of forests, skies, and seas are spectacular. The magical cinematics are uniquely blended which results in dynamics that keep this franchise getting better with each film. James Cameron knows what he is doing.

It has been three years since the events of Avatar: The Way of Water. This time, the uncharted territories on the lands of Pandora are the setting. Jake Sully (Sam Worthington) and Neytiri (Zoe Saldana) are still trying to protect their children from the many events of the previous film. However, the dangers caused by the corruption of Recom Miles Quaritch (Stephen Lang) are not over. Now, Pandora has more advanced scientific experiments, yet the war is not over. Political aspects abound as civilizations take their stance in Avatar: Fire and Ash. The creatures and the people stand together. As the saying goes, “This family is our fortress,” which describes the defense that weaves togethers both emotionally and technologically in Avatar: Fire and Ash.

In this film, mayhem is working more effectively since the battles have been fought since the first film. The key focus is the conflict between Sully and Quaritch. Quaritch wants to maintain control and utilize Pandora for other purposes once he has the chance to demolish it. For Sully though, it is his home. He will not give up the fight for his family and homebase, especially with a native who wants to be one of them. The boy Spider (Jack Champion) is connected to Jake’s family. However, no human can breathe on Pandora without a mask. What if he has the chance to become one of them? Science is what matters, but mayhem reinforces the main point of the film.

There is a continued, formulaic approach that broadens even more in Avatar: Fire and Ash. Cameron utilizes technological components to keep the film’s various conflicts moving to points of breach. The film is captivating in portraying the fight between good vs. evil. Jake is with his family and has joined the forces on Pandora, but many of those he started with still want to navigate the sciences to abuse and torment. The subjects of civilization and democracy are what Cameron so effectively tackles both cinematically and technologically.

Additional characters add much emphasis to the film includeRonal (Kate Winslet), Dr. Grace Augustine (Sigourney Weaver), General Frances Ardmore (Edie Falco), and Parker Selfridge (Giovanni Ribisi). Ronal and Dr. Grace Augustine are on the same side as Jake and Neytiri, but General Frances and Parker Still remain on the opposing side. General Frances wants to bring the military back for execution, while Parker is focused on science for business. War, in this film, goes up several notches with a new creature Varang (Oona Chaplin) in the mix. She brings threats to Jake and his family, but also to the rest of the Na’vi. There are double the enemies, added chaos, and incredible cinematography which makes this Cameron film brilliant.

Looking back to the beginning, there is a pattern and tone to the writing which continues to become more immersive as these films continue. Scientific advancements in the world combine with conflicts between the humans and the Na’vi. Jake is in the middle and has become one of the Na’vi. Beginning as someone who cannot use his legs, the world of Pandora is where he stands. The people he began with are allies of both good and bad. Fortunately, there is much more to the planet that can be utilized for good. For Cameron, the journey towards acceptance and perseverance does not end without a rollercoaster ride. I was blown away by watching this movie in Dolby Digital. The flying and action scenes were enthralling. The things Cameron is known best for are all back again. As always, he takes this installment to new heights. Four out of four stars for Avatar: Fire and Ash.