Tag Archives: Fathom Entertaiment

Spider-Man 2.1 (2004) Fathom Entertainment


Spider-Man 2.1, First time with the Extended Cut in Theatres:

From Sony Pictures and Fathom Entertainment, the Spider-Man trilogy continues in cinemas for a limited run. Spider-Man 2.1 brings audiences in for a treat. 2.1 offers an extended cut of the film, which is fourteen minutes longer than the original theatrical release. The 14 additional minutes add meaning to the sequel and the franchise offering a few more webs of nostalgia. With Tobey Maguire (Spider-Man, Seabiscuit) as Peter Parker, Kirsten Dunst (Spider-Man, Eternal Sunshine of the Spotless Mind) as Mary Jane, and Alfred Molina (Coffee and Cigarettes, Luther) as Dr. Otto Octavius, the extended cut has a lot more humor and cleverness of added layers in the 2004 classic sequel. But there are also more moments of darkness among the vengeful side of Harry Osborne, as he is played by James Franco (Spider-Man, The Company). Fans can expect a lot more confrontational tracks for a more invigorating ride of uncharted webs with Spider-Man 2.1.

Fathom Entertainment Features:

Before the film begins, audiences will have a chance to listen to the words of Alfred Molina as he discusses some of the details pertaining to his preparation for his role as evil scientist Dr. Otto Octavius. Molina goes deep into explaining his love for the comic book character, and  how he felt that the layers of the humor of the comic books helped fuel his personality with the role. The pre-show feature also includes discussion  of the technological outlines for working out Doc Ock’s  many electronic arms. The production design,  layout, and character development  feel like a grand entry into the classical (and extended and never-before-seen) sequel on the big screen. The dynamic of Molina and Maguire tango rapidly in this sequel, and audiences will have a glimpse at how Sam Raimi’s film still lives on twenty-plus years later. The revisited fun continues, and the enemies of Spider-Man always have their classical trials and errors. That is because Spider-Man always gets back up, and he even (tries) to encourage his enemies to find the good in themselves.

Worth the time?

The continued fun of Spider-Man with Sony and Fathom Entertainment is an opportunity not to be missed. Especially with Spider-Man 2.1 offering  moments that were never before seen in cinemas.  The extended sequel highlights the revenge of Harry, Peter trying to navigate his life as Spider-Man, and a new villain swarming New York. Spider-Man 2.1 is a sequel with additional layers that cannot be missed. For more special events with revisited classics visitwww.fathomentertainment.com 

Review also available on MovieArcher

https://www.moviearcher.com/movie-archer/classic-targets-in-4k/spider-man-2-1-2004

One Flew Over the Cuckoo’s Nest (50-Year Anniversary) Review from Fathom Entertainment


This is a film that has spanned the ages and captured audiences around the world. The story includes good times and bad, both of which have shed light on a variety of psychological and emotional issues. One Flew Over the Cuckoo’s Nest is five decades old and it still holds a life-changing place in my heart. I have seen this film many times, and I have read the book. Reading the book was a hard, but captivating read for me as I tuned into the words on the page and correlated them with aspects of the movie. There is light and darkness that interweave poetically in this film set in an institution full of troubled minds.

Of course, the movie is known for the mind-boggling performances of Jack Nicholson (as R.P. McMurphy) and Louise Fletcher (as Nurse Ratched), a dynamic duo whose ongoing boxing match has invigorated the film’s fans for years. Given the many events that happen in One Flew Over the Cuckoo’s Nest, I always contemplate, “What is fair?” The film is based on the novel by Ken Kesey and directed by Milos Forman. It is a masterpiece intended to be produced on stage but that touched a larger audience on-screen.

While watching the film at a local cinema in the western suburbs of Chicago with Fathom Entertainment, I could feel that the audience was enthralled. There was laughter when anticipated, and shock and awe during many emotional moments, including when Nurse Ratched puts her foot down. The abuse of power showcases the wrath of uncertainty in One Flew Over the Cuckoo’s Nest. McMurphy is the only one brave enough to challenge the system and prove Nurse Ratched wrong. But when she is wrong, she still wins. When that happens, the story takes viewers on a journey of questions and answers which lead to an outcome of tolerance deep within the narrative of the film.

Even though McMurphy’s character is a bad influence, aspects of his personality show layers of empathy especially because of his close bond with his inmates. His friendships with Billy (Brad Dourif), Taber (Christopher Lloyd), Martini (Danny DeVito), and Fredrickson (Vincent Schiavelli) form a special bond that makes the film encouraging. Even though all these characters have done wrong, there is a form of goodness and inspiration within the institution.

Despite all the frustrations, there is light for those seeking change in this setting. The changes that do occur are not just because of authority. The institution is a place of routine and structure, but through the actions of the patients, some of the rigidity is challenged. Nurse Ratched is always the one who brings down the positivity or catches those who are mischievous. Although her job involves laying down the rules,when she provokes anger in One Flew Over the Cuckoo’s Nest, it builds the notion in McMurphy to rebel. This classic film still successfully thrives in its 50th anniversary restoration. Four out of four stars.