Tag Archives: Film reviews

The Garfield Movie Review


This is an animation film of heart at the finest level of connectivity. It does have its silly moments back and forth; however, it is joyful and creative. It is also in the correct context of what to expect with a character like Garfield. The Garfield Movie is fun, friendly and definitely for family. Directed by Mark Dindal, this is one of the most creative animation films in the direction of Garfield. The cat and the connecting vibes flow freely in The Garfield Movie. The writing seems fragmented at times, yet it still accomplishes a lot of joyful feelings in the genre of memorable family movies.

Chris Pratt is the voice of Garfield. In the film Garfield reconciles with his father Vic (voiced by Samuel L. Jackson). The reconnection of Garfield and Vic is a moment of animated suspense as Garfield finds himself having to participate in a heist operation with Vic. Garfield’s other buddy Odie (voiced by Harvey Guillen). The heist is full of wicked voices including the evil cat Jinx (voiced by Hannah Waddingham) and the bull Otto (voiced by Ving Rhames). Otto is the guide to the heist for Garfield, Vic, and Odie. The heist takes place on a lactose farmwhich seems like a rather dim-witted plot, but it is intended for kids, so it works. It is silliness with a context of understanding.

I thought a lot about how the film is full of electric moments of surprises. Most of which are in the more adventurous moments. It is not too much, nor too little. It is just the right amount. Moments of Garfield and Vic in peril is where most of the convoluted situation comedy of animation is joyful. This is the heart of The Garfield Movie.

With Pratt and Jackson as the voices, this is seeing them take a break from superhero movies and just using their voices. Their words are quick and witty and quirky, yet with a friendly vibe. There must be a “friendliness vibe” with The Garfield Movie. An orange cat with a strange bipolar attitude and an intent to create a young fan base of positive laughter. Friendship, disconnect, and accomplishing a mission is a setup of a rhetorical conclusion…or is it?

With all the adventure, the setup, and the plot, the film creates an atmosphere where many ages will have a good time. First, thepredictability that once it goes in motion does not stop from the appropriate humor of all ages. Then it also modernizes in its animation. “Modernizes” with throwing in AI technology and slogans. The Garfield Movie is an animated feature that is looped into today’s everyday world with the addition of many fictional animals thrown into the mix. Fun for many ages. Three out of four stars.

Protocol 7 Review


This film is based on a true story. It is a lawsuit that is still going on. Directed by Andy Wakefield, this is Protocol 7. A realistic look at a crisis. A full scope of what an impacting conflict is. A chilling form of writing that made my heartbeat. One that gears on the real-life scenario of lies surrounding the mumps vaccine. A portrait painted of profit over people, corporate power, and vaccines impacting forms of autism. What does it come down to? Money? Laws? Confidentiality? Results? The scope of crisis reaches uncharted territory to the masses.

The film introduces itself with microscopes of organisms examined. These are studies in a lab. The film jumps to a vice president of a pharmaceutical company, Dr. Errani (played by Eric Roberts). Dr. Errani has been alerted that his company is about to be questioned for false results. His lab assistants are Kirk (played by Harrison Tipping) and Stone (played by Alec Rayne). They are the ones behind the negative impact of the results of their distribution of vaccines. With, their superior, Dr Errani, pressures them to hide it and mitigate the errors to achieve higher standards.

Protocol 7 creates the foundation of a detrimental dynamic. It is enticing as its audience becomes aware that something is not right. It is up to a mother and lawyer, Lexi Koprowski (played by Rachel G. Whittle) to take a stand. Lexi has an adopted son with autism traits. Her son has had many deficits with vaccines. This controversy is one where she finds inspiration to fight for the truth. With the help of Dr. Jay (played by Matthew Marsden) and Steve Schilling (played by Josh Murray), she finds there are deficits all over the place from the distribution of Dr. Errani’s operations. That is the numbers do not add up, procedures look inaccurate, and false results only lead them to keep taking the wrong steps.

It is gut-wrenching in all its revelations. It hurts its audience emotionally. It sheds light on a controversial topic that is still not resolved today. The lies and deceits create a spellbinding trail that I could not take my eyes off. It is a scientific journey where the results lead to shady outcomes.

The science side of Protocol 7 is almost perfect. It is more about facts than actual science. With the concept of the CDC and laws as an excuse, it leaves an even harder matter to find common ground. The lies and fraudulent studies are way ahead of the crisis.

With Roberts playing the egotistical vice president of distribution, he has that signature attitude where he can never feel wrong. With Whittle playing a mother of an adopted son with health disorders, she feels her case is what will make matters right. Their hierarchical thoughts are the boxing match of Protocol 7. With profit coming from an ineffective vaccine, more turmoil is bound to arise. The depths of knowledge, research, and ethics are all in competition with each other in Protocol 7.

With schooling facing dilemmas with special education, vaccines also impact a bigger population. The population of frustration is mentally drastic in the film.  Protocol 7 is a revolving door that holds no limits to finding the truth. Three out of four stars.

Backspot Review


In cheerleading, the one who helps with the bases of helping those get up on the flies and stunts is considered the “back spot.” The film is also titled Backspot. A sportsmanship film that thrives in its uniqueness and competitiveness. It captures the seriousness of a high school cheerleading team. It is a film about persistence. “Persistence” in focus and patience. Backspot is surreal in the tone of thinking competitively. Directed by D.W. Waterson, Backspot is the generations athletic film that younger audiences need today. Its clever track of remaining involved and not giving up is in the form of anticipation for a greater outcome.

The meaning of “greater outcome” is the efforts to give a fascination everything. I felt a heavy correlation to this aspect with Backspot. I was not an athlete in my high school days, I was a thespian of the theatricals. Even though that was not a sport it was one where each key moment of a performance counts just as much as one with athletics. Especially at the age of learning how to multi-task. One of the teammates works at a cinema on top of being on the cheerleading team. I worked in a cinema while doing my theatricals. Backspot is the true representation of multi-tasking for success and overcoming errors with a thorough and clear-headed mind.

The plot of the film is one solely focused on a cheerleader and her name is Riley (played by Devery Jacobs). Riley is one where cheerleading means everything to her, and it does as much for her two friends Amanda (played by Kudakwashe Rutendo) and Rachel (played by Noa DiBerto). Riley though, focuses all her energy on cheerleading alone. She puts cheerleading into every aspect of her mind. At the same time, she has that encouraging dynamic of friends between Amanda and Rachel where it comes as easy to overcome obstacles. This all changes when a new coach comes into the game. The new coach is Eileen, and she is played by Evan Rachel Wood. Eileen is a coach with a two-faced attitude where practice feels more anxiety-provoking for Rachel. Once Riley makes it to the high tier on the team, Backspot is a massive win for her. However, tension continues through the negative personality with Eileen’s coaching tactics.

The direction of making one proud is where Wood’s performance is surreal with strictness. There is a moment where she says, “It’s about what we do!” Eileen is not one for jokes, she is about the focus being only on winning and not letting any distraction come into play. She views any error as a form of foolishness and an excuse. There is also a moment where Eileen says, “This world is not kind to weak people!” The abusive and belittling words are what spiral the film of anxiousness for hopes for Riley to keep her determination. How is Riley mentally though?

Competitiveness is the layer of the underlying and strenuous activity—there is no stopping, only moving forward to perform better. Waterson’s style develops a vast presentation of the cheerleading team having doubts. Despite their turmoil of frustration, they move to find their routes to move forward. Backspot is keen on that pattern of falling and getting backrepeatedly. When one thrives accurately, everyone else does also. It is an honorable example of what persistence takes in the days of high school athletes.

Repetition and doing something until they are right is the vibe of brilliance in the sportsmanship sense in Backspot. The amount of joy for Riley, Amanda, and Rachel becomes anxious for a form of escape—they find themselves partying briefly in moments. Commonsense begins to hit a lacking point in their thinking. This form of direction is one where I felt the true stress of the film itself. The fact that sports and extra-curriculars can take a toll…especially when one is not feeling the fun and only the pressure of it. Eileen is belittling—she is always talking about improvements and barely shows any enthusiasm for encouragement.

A portrait of how there is brutality in being competitive. Riley’s overwhelmed state-of-mind gets to her. Her feelings of guilt and stressors do not matter to Eileen…only what can be accomplished. Tactics and all have their moments of breaking points, ultimately it is about not giving up. It continues down a positive path for glory. Three-and-a-half out of four stars for Backspot.