Tag Archives: Film reviews

Resident Evil Review


Terror strikes with madness when writer and director Zach Cregger tests the bounds of horror with new twists and allies. Resident Evil is compounded with sinister entertainment. At the same time, it has some witty kicks. The action plays out in scenes that are funny and creepy which is the perfect recipe for more surprises. A new era is born in Resident Evil. This time, the franchise is captured by a director who knows what he is doing.

My mind was spinning at first because the film begins in a hospital setting. It follows a medical courier who is working all hours of the night. The courier is Bryan, played by Austin Abrams. As he wraps up his shift, he’s given a new assignment.. He must deliver a package to a remote hospital. Getting to that hospital though is a challenge as evil dooms keep the chills coming throughout Bryan’s journey to deliver the package. He hits someone with his car who comes back to life. After that, he loses access to his car and soon realizes different types of creatures are following him

The atmospheric aspect of Cregger’s direction is heightened by the way he causes audiences to ask questions throughout the haunting ride. Why is Bryan going deep into the middle of nowhere? Why is there such a plague of monsters? Is he holding an item that may bring salvation to the crisis that he is facing? The evil monsters scurry in different directions, but Bryan is one man for himself. Abrams delivers one of his bravest performances. He went from the high-school nerd from Brad’s Status to the courier fighting his way through an apocalyptic masterpiece.

Sinners came to my mind while watching Resident Evil. The variety of moving parts coming together fuels the suspense in both films which Cregger directed. He continues to test the waters of what causes terror in particular environments. Sinnerstook place in evil territory with gangsters and supernatural elements. In Resident Evil, zombie creatures are mutating on a farm and in a corrupt city…Cregger creates amazing scares if audiences dare. 

I truly loved Resident Evil and kept wanting more. The suspense built around a package for medical purposes spoke to me. Since I have a sibling who works in the medical field, I kept thinking of a zombie scenario leading to a crisis. The outcome had many surreal surprises for me. Cregger’s vision is new, inspiring, daring, and scary. If audiences feel creeped out, then Cregger knows he has been successful in making this film bumpy and unforgettable. Three-and-a-half out of four stars for Resident Evil.

Road to Everywhere Review


The film is aimed at a cab driver with many struggles. There is the sense that life was normal, and then scenarios went south. The realism of changes over time lingers with meaning. Road to Everywhere is a challenging and engaging journey. Directed by Michael Shoob, I found a level of deepness with Road to Everywhere. That is because I always feel that films aimed at car rides or road trips create moments of characterizations to evolve. Many do “evolve” with purpose in Road to Everywhere. Moments of the past have cinematography of color, and the present is black-and-white—the tonal elements in the cinematography tune in audiences with real-time on a parallel level of spellbinding grandeur.

 

The film’s main character is Jason Schuyler, and he is played by Whip Hubley. He is a cab driver with lots of struggles. He is divorced, has a strange relationship with his son, his son’s wife, and his life continues to have deficits. He spends countless nights driving people to locations just to help him get over and keep up with his financial burdens. The biggest one though is that he is trying to help his ex-wife with medical bills after a car accident. His ex-wife is Rachel, and she is played by Diane DiLascio. 

 

The film continuously focuses on the angels of stress—it does well at capturing the emotions of Hubley’s performance. He plays the role as a disgruntled individual so well, and audiences will connect to his role as a human being. I felt that way with Road to Everywhere. Jason’s life begins to see a light when he meets Jake. Jake is played by Robert Mirabal. Jake is a shady casino dealer and gambler. Jake asks Jason to drive him to Navajo Nation in Arizona. The drive is from Los Angeles to Arizona. Jake wants to reconnect with his family. Jake also wants to see his grandson participate in Rodeo. This is a drive where both adults will share a journey of hard emotions and tolerance. They will share the essence of struggles. 

 

Road to Everywhere creates the mode where being on the road is the open book for many topics. Jake begins to go into detail about his marriage problems with Jason, and Jason begins to open up as well. At the same time though, they share frustrations along the way. Jason presents most “frustration” because he is the driver pulling all his weight. The writing of the film is top-notch in displaying how hard tolerance can truly be. Especially for a cab driver doing a drive at this length. The deserts create the tones of solitude—there is lots of ground to cover with so many lands of emptiness in the rough journey. 

 

Road to Everywhere is deep and heartfelt. Dark with turmoil but fully presents realism. I adore the usage of the lighting—the past and present context helps change gears in this film where the writing may have a bipolar approach. At moments too emotional, but also still a solid work-of-art. Three-and-a-half out of four stars.

Buddy Review


My mind was racing during this movie primarily because I felt like I was watching a children’s PBS TV series. The opening felt like Sesame Street, but much cheesier. In all sincerity, Buddy is unbearable. Trying to lure in nightmares? The theme and approach failed to execute. Lots of laughs, but only because the terror is so bad. While attempting to be scary, it was one of the worst movie experiences I’ve had in a long time. 

The plot of the film is a kid’s TV show focused on a character named Buddy (voiced by Keegan-Michael Key). He seemed a bit like an evil Big Bird, the lovable character from Sesame Street. Buddy, however,  is a dinosaur pal presented as a friendly icon in a 1999 TV series. He tries to inspire songs on topics such as cleaning up and dancing. He attempts to present positivity with kids. However, when kids decline, things go wrong. Buddy begins to do awful things to the children in the show. Soon all of this becomes a vivid nightmare that I struggled to sit through.

The whole film is silly and ridiculous. Buddy features a mom, Grace, played by Cristin Milioti. Her husband is Ben, played by Topher Grace. The mom begins to have dreams about Buddy that turn into nightmares. She feels like her home is surrounded by terror. She hires a psychic, but that does not seem to help. Then, she gets sucked into the TV and is in Buddy’s world. Grace is on a mission to save the children from Buddy. 

Buddy is so poorly written. It is almost like Winnie the Poohwanted to cover adult themes but got tired of writing. The context  is bad and the characters are too. Cartoon elements are thrown in  to qualify for an R rating, and it simply does not work. The blend of a kids-oriented setting with  adult-like subject matter does not hold up. Adding boisterous, rainbow elements made things even worse.. I could barely stand it.

Some viewers may embrace this form of terror, but I did not. A few slapstick scenes made me laugh, but the majority of the film wasn’t even thought-provoking. There were too many buffoons teleporting into a cartoon universe which then vacillates between good and evil. Overall, it evolves into awful moments that wasted my time and energy. But for the idea of the film, I give it one out of four stars.