Tag Archives: IFC

Ghostlight Review


This film takes place in Chicago, Illinois. It is a tale about finding light and escaping during moments of turmoil. It proves that emotions can be portrayed outwardly and that some are stronger than many anticipate. Ghostlight brings its audience on a journey of deep thoughts. The storyline of a struggling father is the means of redemption in Ghostlight and one which Chicago natives will feel a bond with. Filmed around many areas of downtown, Chicagoans will feel the warmness of the city itself. They will especially recognize the theatre scene.

The film’s main character is Dan (played by Keith Kupferer). Dan is a construction worker and is dealing with grief and turmoil in his family. His daughter is Daisy (played by Katherine Mallen Kupferer), and his wife is Sharon (played by Tara Mallen). Dan finds himself dealing with conflicts and underlying issues with no resolution, so he decides to join a community theatre for a production of Romeo and Juliet. He thinks this will be an activity for distraction, but ultimately it foreshadows his own life as he is in character with rehearsals. Working with the mind of the theatrical director Rita (played by Dolly De Leon), Dan’s journey evolves into something more fulfilling than he had ever imagined.

The dynamics of resurfacing challenges are encouraging in Ghostlight, as Dan is faced with many days of having to think through hard choices for his daughter. His involvement in theplay is where his mind can think more poetically. Theexpression of that characterization is its message of brilliance in finding balance with what one is passionate about and how it can lead to more rewarding aspects of life. With the Shakespeare production, Dan’s finds that his emotions while being in character start to bring out the best in him. What happens on the stage carries over to his family life.

There is a feeling that Dan’s emotional path is leading him to let go of what is going on in his personal life and bring it to the dramatic irony in the community production of Romeo and Juliet. Feeling present is where the film finds the moments for Dan to have a sense of purpose. It is a triumphant and exhilarating ride that will touch the hearts of many.

This is a tale where the writing of the film is Dan’s life trying to use art in order to improve his mindset. This works not only for himself, but with his difficult conflicts with his daughter.  There are overbearing aspects to his hardship. The stage and his involvement are where he feels his sense of connection. Ghostlight is written to shed a unique light on the issues of boundaries and finding what is beneficial.

The direction of navigating and finding a balance is where Ghostlight is breathtaking. It reminded me of how much being involved in theater can change one’s life, especially for those who feel there is a hardship that is out of theiitr control. For Dan, his life is in a halting pattern, but the stage is his place of safety and sanctuary for his thoughts and finding rewarding moments. Despite the conflicts with his daughter, and the other issues, there is light and talent that can blend to bring forth empathy and happiness.

My love for Ghostlight lay in its portrayal of how putting effort into a craft can bring meaning to one’s existence in areas of artistry, fulfillment, mental health, and navigating life. There is a juxtaposition here between the stage and reality. Where does Dan’s life find its common ground? Is it with being involved in a production? Is it with his family? Ghostlight precisely navigates the conflicts of Dan with a continuity that is spellbinding.

The stage is the place of purpose in Ghostlight. The navigation of life for Dan is the world of possibilities he finds throughout the film itself. Ghostlight soars with an abundance of happiness, sadness, and acceptance through the heart of a man feeling that his thoughts truly matter. A revolutionary work of art that is diverse and compelling. Theater can truly change lives as it does in Ghostlight. Four out of four stars for Ghostlight.

 

 

Chicago Critics Film Festival 2024: In a Violent Nature Review


 In a Violent Nature is a slashing film that tests the boundaries of violence. This is a low budget horror film in which the boundaries of graphic violence are crossed in vivid ways. The element of rampage and the concept of being reborn are subtle yet evolving. This movie will blow audiences’ minds. 

The film was written and directed by Chris Nash and takes place in the wilderness. A monster lies within and once he rises from the ground, his killing spree begins. A group of friends are on vacation staying in a cabin. The friends are Johnny (played by Ry Barrett), Kris (played by Andrea Pavlovic), Colt (played by Cameron Love), and the Ranger (played by Reece Presley).Their vacation turns to terror as the film follows an unnamed masked man. It is like a new era of Friday the 13th with lots of slasher vibes waiting to be unleashed.

The editing of the film truly delivers in that audiences know that terror is about to lead to consequences. The film has no music, and that heightens the fear factor. The killer is constantly on the move and doesn’t stop in its tracks. In a Violent Nature has numerous surprises that really scared me and delivered the horror experience well.

In a Violent Nature is the terror that audiences have been waiting for. The film may look like it is shot in low quality, but that heightens the realism of what is about to be experienced. My mind was invigorated by the film. I was gasping in much of its continued slashing moments. Three out of four stars.

American Star Review


This film could be classified as mellow suspense because there is a deadly task waiting to be completed. To buy time in the film, the focus is on a man of solitude who is assigned to do the mission. American Star was a unique experience, but I didn’t truly love or hate it as a thriller. Director Gonzalo Lopez-Gallego directs this project from the sole perspective of the hitman played by Ian McShane. McShane is known for his role of superiority as Al Swearengen in HBO’s Deadwood and is also known for playing the big boss in the John Wick franchise. McShane is a British actor who can play a range of roles and always displays a distinct bad attitude that sets him apart. His seriousness shines through as the discrete hitman in American Star.

McShane’s character, Wilson, is spending his time on an island called Fuerteventura. He is awaiting the time to assassinate someone. With the vast and scenic landscapes on the island, he tends to get distracted. Wilson keeps to himself, wears nothing but a black suit, smokes constantly, and observes his surroundings. His nephew Ryan (played by Adam Matthew Nagaitis) works with Wilson’s assignments as well. While Wilson is eager to go home and put an end to his deadly career, it’s not as easy as it looks. Wilson is told, “The less you know…the better!” This causes Wilson to let his guard down.

The film’s transitions to Wilson trying to connect more in social settings. He meets Gloria (played by Nora Arnezeder) and starts to build a friendship with her. The film’s writing about Wilson’s disconnect takes on a larger focus than the assassination-mission. American Star gives audiences the sense that Wilson’s leniency will have a bigger impact on him…once he completeshis mission. Hiding and aborting mission is not an option. While the story moves along slowly at times, the discreet ways that the tension unfolded had me sold.

Wilson’s frustrations are caused by having to hide the truth and wishing he could enjoy life. The barrier is huge between the possibility of living in a positive atmosphere and completing an assassination mission in American Star. The portrait of Wilson shows how good one’s life could be…if he did not have such a deadly job. In one scene, Gloria asks Wilson if he is an ex-cop, and Wilson asks her if he looks like one. Writing like this remains steady and flows with the pacing of Wilson while he covers his tracks.

Continuous hiding of the truth creates anxiety-provoking tension in American Star. The film is slow in fragments, but still intriguing. McShane’s performance is effective in portraying how complicated truths hide inner consequences. American Star is much more of a mental thriller than an action thriller. In fact, there is hardly any action, but the intensity is strong. Audiences will feel the tension rising during scenes where time is of the essence. Three out of four stars for American Star.