Tag Archives: IMAX

E.T. the Extra Terrestrial the IMAX experience


In 1982, director Steven Spielberg brought the world one of the most beloved tails that spans four decades now. E.T. the Extra Terrestrial. The film’s success to this day has an estimated earning of 792.9 million dollars, and it was one of the film’s to be in the cinemas for a long time of over a year. My first experience of E.T. the Extra Terrestrial was in year 2002, when it was re-released for its twenty-year anniversary. That is one of the most memorable cinematic experiences I have ever had in my childhood era of growing to love movies. In IMAX I felt more in-depth than ever before with my love for E.T. the Extra Terrestrial. That is because I felt I was coming face-to-face with the reality of the film, the connection between Elliot and E.T., but above all I felt I was more face-to-face with E.T. himself.

Spielberg’s use of directing throughout most of the film was shot at eye-level. This is because he wanted to create a more empathetic and connecting experience for his audience with the film. In IMAX, the eye-level footage is grandeur of sympathy and empathy. It is a mind-bending experience of many positive emotions. As Elliott breaks the ice in growing to love E.T., I felt I was feeling that connection of feeling connected again. Connected in terms of Spielberg’s use of directing to create a loving tail of one boy and the creature he be-friends and hopes to protect. Not only protect, but eventually help him find his way home.

In the film Henry Thomas is Elliott. A young boy who is troubled and introverted in his suburban California home with his single mother Mary. Mary is played by Dee Wallace. Then there is Elliot’s brother Michael (played by Robert MacNaughton) and then there is his younger sister Gertie (played by Drew Barrymore). Barrymore’s young performance still lives to this day of her brilliant performance at such a young age. Elliot’s life comes to a change when he comes across an alien who is stranded around his home. With Elliot scared at first, he begins to realize that this alien is not dangerous, that is someone just trying to get home. Elliot names the alien E.T., and then he soon has Michael and Gertie by his side to keep him a secret from his mom and hide him from the outside world. The issue that Elliot faces though, is all the press and government officials that are in search for Elliot’s new friend. However, as E.T.’s stay lasts longer than expected Elliott feels that E.T. is his new friend and that he is new responsibility. E.T. The Extra Terrestrial still lives to this day to be one of the most inspiring and loving films that the world loves including myself.

E.T. The Extra Terrestrial in IMAX is grasping. Fans will feel they are on the bicycle chases with Elliott and E.T., and they will feel they are flying as E.T. is bound to make it home. The bicycle chases and flying sequences have always been a monumental moment in cinema history, and the IMAX experience with the imagery being even sharper feels it is more enhanced with greater detail of beloved sequencing. Fans can even feel the sound of the excitement in both the suspense sequences and the connection sequences. As E.T. tells Elliott, “I’ll be right here,” I never felt more connected to this film. The giant IMAX screen made that cinematic moment of my life even more special.

Though, I felt like I was Elliott in the IMAX experience. I felt I was at the eye-level tune of Spielberg’s directing. I also felt that the environment around the habitats of Elliott made the world of the film a much bigger and vibrant place. A place of beloved cinematic moments bound to be revisited on new levels of excitement. Take the ride and experience E.T. the extra Terrestrial in the breathtaking IMAX experience.

E.T. the Extra Terrestrial remains to be a true classic. It still holds its specialty in being brilliant forty years later. It must be experienced in IMAX. Even if it is someone’s first time, they have got to see it in IMAX. The moments are even more special than ever before. Get on your bicycles, take the ride, and join Elliott in helping E.T. find his way home in IMAX. Four stars.

Nope Review


The newest offering from director Jordan Peele, Nope, is a clever film where UFOs and horror are combined in exhilarating and sometimes humorous ways. Peele wrote and directed Nope, and it is easily one of my favorite films from him.

Nope is set on a horse ranch in a desert area of California. The ranch is owned by brothers Oj and Emerald Haywood, played by Daniel Kaluuya and Keke Palmer, who inherited the ranch after their father was killed by an object falling from the sky. The brothers do freelance cinema work with their horses and in that pursuit they work with Ricky ‘Jupe’ Stark, played by Steven Yeun. When the brothers discover strange UFOs flying around the desert and the ranch they team up with tech salesman Angel Torres, played by Brandon Perea, and documentarian Antlers Holst, played by Michael Wincott, to try to get footage of the UFOs.

The title of the film is also a term that Oj uses when he’s scared, and it’s what many audience members will find themselves saying to the screen during the really scary parts of this horror flick. The combination of a stark desert setting, weird events, many strange backstories, and quirky characters really helps exhibit Peele’s wit and genius for disaster and terror. Nobody plays with tangents better than Peele, and his creativity for horror is stepped up many notches in this mellow but sleek thriller.

Nope was shot with IMAX cameras and that really adds extra layers of adrenaline and heightens the shock value. Peele is truly one who knows how to direct a thriller that is unpredictable, blindsiding, and a technological and unexpected ride to the unknown. Nope soars with color, terror, and a whole lot that is unexpected and spellbinding.

Nope is truly a masterpiece of creative directing. Peele’s work is growing to be more enticing all the time. I had my mind totally warped by Nope. It is a fun summer film that is filled with adrenaline and misdirection. Four stars for Nope.