Tag Archives: Lionsgate

Greenland 2: Migration Review


This is a sequel that starts out promising. It has a premise that makes sense because of how science plays into the effects after the fact. Greenland 2: Migration had me filled with curiosity. After seeing the first film in a COVID-pandemic setting, I feltlike we’ve come a long way since the events of the first film. The factors related to resources are part of the setting where life after tragedy has a new norm. That new norm gets interruptedand when that happens the writing shifts and the momentum loses its value.

With the first film going into a zone of extinction, the family has found means of survival. The Garrity family is still on the trail to find a new beginning. John Garrity (Gerard Butler), Allison Garrity (Morena Baccarin), and their son Nathan Garrity (Roman Griffith Davis) have lived in bunker settings. Much has been shifting due to tectonic plate disasters and needs tostabilize as uncertainty ebbs and flows. Scientific issues continue to evolve in Greenland 2: Migration. However, when the world rumbles again, it’s time for running to different grids to start again. The Garrity family goes to places in Europe such as London and France. In both places, they find themselves below ground dealing with mixed politics due to the world going through many changes in its dismissive process.

Greenland 2: Migration began by following all the right steps for a successful sequel, including new beginnings in new places and life after the many events from the first film. There werealso details of steps to take to move forward with various situations. However, when the suspense kicked in, it felt like it was rushing to be a Roland Emmerich blockbuster. I say this because of how it went from theories and faith to families trying to cross different mountains with ladders and fighting global warming. The components which would have made the story more invigorating were thrown out the window instantly. That is why my faith in Greenland 2: Migration subsided.

When the family faces hurdles in different countries with new disasters, it is the same type of danger repeatedly, i.e., a different border patrol with a form of death penalty awaiting. The apocalypse approach was rapid in this sequel. However, with Butler as the lead, the suspense fueled successfully connects tothe franchise the most. While he is the one who takes risks into his own hands, the fight for survival and family does not get lost in Greenland 2: Migration. There is just a lack in the structure in a sequel which could have made it more enduring. There were still frequent, intense scenes, including lots of different storms coming from the skies. Unfortunately, the importance of the discussions was gone almost right away.

Greenland 2: Migration is a steady sequel. It’s not brilliant butkeeps some glimmer of hope with  storyline that’s mostly intact. It just did not do a adequate job jumping to its main points of action. I expected more backstory from the first film to play into this sequel. Two out of four stars.

Now You See Me: Now You Don’t Review


Hard to believe that nine years has passed since the gang of magic have last been seen. Now they are taking on a new mission. They want to steal a diamond. After Now You See Me: The Second Act, the fun of magic, twists, and illusions reach new levels. I went in with mixed expectations but walked out more dazzled than I had anticipated. Now You See Me: Now You Don’t is a film where the cards are shuffled, but the outcome is more successful than audiences might think. 

The Horsemen are back! Jesse Eisenberg as J. Daniel Atlas, Woody Harrelson as Merritt McKinney, Dave Franco as Jack Wilder and Isla Fisher as Henley Reeves. After being on the run from the law and using their magic skills to make bank, they reunite for a mission involving diamond heists, but more want to be part of the mission this time. There are three new young individuals joining on their heist journey. They are Bosco (Dominic Sessa), Charlie (Justice Smith), and June (played by Ariana Greenblatt). The evil nemesis is played by Veronika Vanderberg (Rosamund Pike). Can the Horsemen utilize their magic and tactics to help their new proteges stay out of trouble, and maintain their reputation? A lot is on the line in Now You See Me: Now You Don’t.

This sequel has a lot of adventures. I loved how the direction goes to places all around Europe and talks about theories to consider when utilizing magic and the mind in creating areas. So many of the tricks are just illusions, but this film creates areas of irony to maintain the adventure  and develop meaning.  The rapid escapes are still around, and so much of the heists and twists are non-stop.

Now You See Me: Now You Don’t is a rather joyful continuation. Not amazing, but well worth the time. It is like an interactive escape room that does not end. Also at the same time, it felt good to see the illusion of magic and relativity finding forms of connection, because there is always something to magic that may or may not add up. Three out of four stars for Now You See Me: Now You Don’t.

 

Good Fortune Review


Written and directed by Aziz Ansari, this is probably one of the most well-written and cleverly crafted comedies of 2025. Good Fortune is a comedy that is a delight because Ansari knows how to capture reality and fairness from a realistic perspective of how life seems for many individuals. He creates a dynamic of people with interesting lives (including himself), and he adds an angel to make things better. Well…that angel tries. But overall, the concept of the comedy is just genius. I have seen Ansari three times on stage doing stand-up comedy, and I will say his craft as a comedy writer seamlessly crosses over to movies. Good Fortune is a breakout of wonders for sure.

Aziz Ansari plays Arj, and he is a struggling delivery driver in California. He is desperately struggling to make ends meet. Around him, there is an angel named Gabriel, played by Keanu Reevers. Gabriel is an angel assigned to keep people alive by basically making them alert by not texting and driving.  He basically keeps humans alive by preventing them from getting into serious injuries due to obliviousness. Gabriel wants a change as well though. Gabriel’s boss is Martha, played by Sandra Oh. Gabriel wants to make people’s lives better, but his options are limited. Things begin to come around when Arj earns the opportunity to work for a wealthy venture capitalist named Jeff. Jeff is played by Seth Rogen. Once Arj begins to work for Jeff, his life starts to see some light.

There is a twist to this comedy and this is where the entertaining genius lies.  Arj convinces Gabriel to make it possible for him to swap lives with Jeff. This means that Jeff ends up being the one struggling financially, while Arj is rich and wealthy. At the same time, Gabriel is an angel who is trying to navigate the reality of what makes actual humans happy, because he himself is not (technically) a human. A film of moving parts where the rich live for fun, and those who hustle must truly hustle. Ansari creates the dynamics of fairness presented as daring.

The film leads to a path of envy and jealousy becoming the theme. That is seen more by the Angel character of Reeves. Moreover, there is the impression that some have a lavish life and may not deserve it. The creative style of Ansari’s directing is how it creates equality—the portrait that no one is perfect—no matter how rich, poor, or successful. Anyone can have flaws. The “flaws” in Good Fortune have witty misdirection making this one of the best comedies I have ever seen.

The classiness of Good Fortune is in the fact that it makes audiences look at reality. It makes us ask the question, “Are we are truly happy with our lives?”. Would many be happier if they were just rich all the time? Or would some rather just continue to hustle? How many would want to swap their life for another? Despite the good that comes out of rotated lives, the hurdles of change are presented with a reality that has plateaus that are unavoidable. Ansari’s writing has tangents that are spellbinding in that aspect, especially with Reeves as angel navigating making people’s lives better. There is no clear end in sight for Good Fortune. The light of happiness is in the writing, and the funniness is fueled by competitions to get lifestyles back. Four out of four stars for Good Fortune.