Tag Archives: Lionsgate

The Surfer Review


For Nicolas Cage, The Surfer is another flick where his egotistical and bipolar moments solidify lead to chaos. This dark comedy flows as it explores many aspects of an individual looking to fulfill his dreams. Along the way, The Surfer feels intuitive. Directed by Lorcan Finegan, this film is a fascinating portrait of a man hoping for his dream to become reality. Cage is the center of all of this. Throughout The Surfer, there are plot twists which become more enriching than the audience may see at first. To be clear, there is no surfing in the movie. Instead, I think of it as Cage “surfing” his way to establish a foundation on uncharted territory. In the early stages of his journey, there are plenty of obstacles. With Cage as the lead character, audiences know what he tends to deliver when annoyances come his way.

Cage’s character’s name is The Surfer. He takes his son on a surprise visit to his favorite beach that he grew up on. He tells his son he is going to buy a house so they can have many surfing adventures. Finn Little plays The Kid, the son. There are many issues that arise during their trip. The Surfer is in a bidding war on the home he wants to purchase. He is waiting for a call from a real estate agent and is all set to get the home of his dreams, which is the home he grew up in. To prove his commitment, The Surfer spends his days in his car awaiting this important call. From that point on, the movie is filled with adventure involving a bunch of odd characters and wannabes that cause things to boil to a breaking point.

What makes The Surfer quirky and attention-grabbing is all the crazy scenes. It is clearly uncharted territory when it comes to Cage’s performance especially when people keep telling him, “DON’T LIVE HERE…DON’T SURF HERE!” The comedy and dark fantasy in the film’s setup are compelling. The film’s writing makes Cage’s performance unravel like a bipolar dragon. When he does so, it is chaotic and silly but also relentlessly brilliant. This is the role for Cage, playing a man so angry that his first-world issue is not being prioritized. The Surfer is not gnarly because of the waves, but due to the treacherous plateaus in Cage’s character. Two-and-a-half out of four stars for The Surfer.

Flight Risk Review


Mel Gibson directed Flight Risk, but it does not fly high. It is a thriller set in one setting that is rushed with mediocrity. My senses told me it would be a hit-or-miss experience, especially with a slated release date of October (2024) and then forwarded to now. The delay in its release stands corrected. Flight Risk is a mess of suspense with poor writing, characterizations, and a horrid foundation.

The film gears on a fugitive, Winston (played by Topher Grace). He is to go on trial, and his air marshal is Madolyn (played by Michelle Dockery). Their pilot is Daryl (played by Mark Wahlberg). Their flight is going over the wilderness of Alaska. Once they are in the sky, red flags begin to arise. Winston and Madolyn see signs of a questioning personality with Daryl. Also, he becomes abusive. Therefore, Winston and Madolyn must figure out how to keep themselves from crashing with the aircraft or battling with Daryl. Also, with Winston (as one who is a criminal), the level of trust lies in the balance of the film’s suspense.

The title and the cast are the appeal of Flight Risk. The conflict is what is the blur. The criminality part has little explanation, and the problems in the plane are boring. There are a few moments that have audiences jump. Its quality is like it belongs to a reality show in a TV movie. It is challenging to take seriously.

With Wahlberg (as the bad guy), he is the one who brings in the vindictive vengeance danger to the aircraft. With Grace and Dockery (as the protagonists), it is like Three Stooges meets Con-AirFlight Risk lacks authenticity and big means of awry.  Flight Risk continues down its path of a disaster setup.

The film leaves many questions. What is the crime of Winston? How many charges are there? How did all the legalities begin? Why is Daryl the pilot to question? There is not much means of a foundation. Its audiences do not have much background to the upbringing of the conflict in and of itself.

The plane flies in hurdles. It is not shot vividly to create enticing entertainment. There are some moments of sharp turns, but other than that, all the conflicts are inside the plane. There is no place to escape, and only inside the plane is the boredom of time wasted in Flight Risk.

What came to my mind was the other films directed by Gibson. He is one that is known to push the envelope of violence. I wonder if this one was lighter because of going into production with his next project The Passion of the Christ. It is like he decided to direct a thriller in the sky before the intense process of his next biggest project. Regardless, Flight Risk did not display realism or in-depth moments like his other fascinating projects. I would rather revisit Braveheart or Hacksaw Ridge to feel “the envelope of violence” again. I rate Flight Riskone-in-a-half out of four stars.

Den of Thieves 2: Pantera Review


Den of Thieves 2: Pantera is a sequel that goes international. The first film, Den of Thieves, was all about a war between cops and bank robbers throughout California. Den of Thieves 2: Pantera is a sequel where the events from the first film leave a trail for unfinished business. With Gerard Butler as Nicholas ‘Big Nick’ O’Brien and O’Shea Jackson Jr. as Donnie Wilson—they both return to team up. In the first film, Nicholas is the cop trying to capture the bad guys with the help of Donnie (since he is the driver of the bank robbers). Den of Thieves 2: Pantera has the characterizations for forces to join for a new award.

In the film, Nicholas is at odds with his position as a sheriff. He has lots of debts and unfinished business. Donnie has found his way to Europe. He does operations of robbing diamonds under the operation of Jovanna (played by Evin Ahmad). Donnie is putting what he has learned from the first film into his way of making ends meet—robbing items worth fortunes. This time, his work is in Nice, France. Nicholas finds his way to Donnie, and both team up for a heist at one of the most prestigious diamond exchanges. The exchange is under the supervision of the Panther Mafia. They are a brutal gang of wealthy criminals—that is nothing Nicholas or Donnie cannot handle.

Den of Thieves 2: Pantera lays out the plans of the heist with a deeper context—there are more stealthy missions of suspense over lethal gunfire (like the first film). There are more infrastructure-related considerations. It is how law enforcement and the layouts of the land and security of France operate. This sequel finds its strategy of going rogue frequently. It is exciting (in fragments) but dull in some as well. The dynamic between the performances of Butler and Jackson Jr. is the component of curiosity. Is Nicholas truly there to help Donnie? Does Donnie realistically know what he is doing?

The film continues in its tracks to keep the momentum of a heist from happening. It just keeps falling to the tracks of political and egotistical. The “egotistic” side comes a lot from Butler’s performance. Overall, it is a thriller that thrives on its motive. It is not excellent, but it excels in good faith. Creativity is up many notches for its audience to cross-examine suspense. However, this is still purely a sequel based on how well the first one did. Its selling tactic is more of the macho man galore with Butler’s performance and witty cop humor. It is a brand of material that is joyful. However, it drags the film’s seriousness.

Den of Thieves 2: Pantera is a sequel just below average. The film sells with its more low-key suspense. Overall, though, it is purely for the ones who anticipate the shoot-them-up-robbing flick. The only difference is that it is diamonds and being overseas with two-sided attitudes. Two out of four stars.