Tag Archives: Netflix

Night Always Comes Review


One of the most thought-provoking films from Netflix, Night Always Comes explores the challenges and hardships of keeping a family together. While trying to maintain a home, bad choices are made and revisited. Directed by Benjamin Caron, the film reveals the pattern of sacrifice as the clock keeps ticking. Moments of precious time cause viewers to hearts to ache. This film is a realistic portrait of the anxiety created when awaiting consequences.

The film’s main character is Lynette, played by Vanessa Kirby. Her brother is Kenny, played by Zack Gottsagen, who has Down syndrome. The mother is Doreen, played by Jennifer Jason Leigh. Lynette has a past with drugs and working in escort services, but she has a desire to start a new life for her brother. With her mother not supportive of the idea, Lynette finds herself in a place where eviction is bound to happen. Her mom does not care what happens, but Lynette does. With a limited amount of time to secure a huge amount of money to avoid living on the streets, Lynette finds herself having to revisit her dark past to make ends meet.

The film becomes a gripping odyssey of layers of darkness that is anxiety-provoking. It is not a positive storyline, but the film is faithful to its portrait of consequences. The moving parts involving prior choices and efforts to climb back out of the darkness results in a subtle tone in Night Always Comes. Every choice or decision that Lynette makes comes with a corresponding consequence. This leads her to retrace her negative influences from back in the day. One of these former influences is Tom, played by Michael Kelly, who is a drug dealer who had Lynette doing tasks in trafficking scenarios. The life that Lynette wanted out of slowly comes back up to the surface. With her brother living in fear, and her desperation to save her house, the evening hours are filled with uncharted territory and a host of new choices with associated new beginnings. They are not light decisions, but audiences will feel immersed in the uncertainty of the outcomes.

What is so unique about Night Always Comes is how it has momentum but remains quiet while also suspenseful. The writing and scenarios feel approachable in part because Kirby’s role is very emotional. The fact that it is a sister doing what she feels is best for her brother is the highlight of this film. Night Always Comes keeps the question of what is going to happen next at the top of audiences’ minds. There is no clear end in sight.

This movie is a hard watch but worth it for those who can handle the nature of the events. The subject of a sister trying to help her brother who has disabilities played a huge role in my appreciation for Night Always Comes. The sacrifices Lynette is willing to make shine through in Kirby’s performance. The obliviousness of the mother is highlighted in Leigh’s performance. A caring sister and an absentee mother makes for adynamic duo that boggles the mind in this film. Three out of four stars for Night Always Comes.

Maria Review


A direction by Pablo Larrain with emphasis. A performance by Angelina Jolie that is stunning and emotional. Maria is a spellbinding film about the talent of an artist with a screenplay that displays honor and courage, Maria takes the appreciation of art and opera to a level that is truly committed. It is more of a reflection piece where feelings of sadness come around more than anticipated. Jolie dazzles by displaying talent and emotions in Maria.

As an avid fan of theatricals, Maria is a film where I felt the experience was much like a stage presentation. The story has a harrowing and sad nature. The presence of melancholy had me shaking with mixed feelings during the movie. Jolie plays Maria Callas, one of the most iconic opera singers of the 1970s. The film covers the good and bad times of her life while she tries to live out her days and seek fulfillment. She has an illness that is spreading through her rapidly. A young man, Mandrax played by Kodi Smit-McPhee, is doing a story on her. Maria attempts to find moments in her life story that she believes people will remember her for. At the same time, unfortunately, her days are numbered.

The film has some harsh moments when it explores the difficulty of facing reality. Maria’s relationship with her sister, Yakinthi Callas, who is played by Valeria Golino, makes us wonder how many close friends Maria really has. However, her butler Ferrucio Mezzadri, played by Pierfrancesco Favino, seems to go out his way the most for Maria. The film is dismissive in the matter of Maria making amends. Also, the director seemed to loop the opera in for dramatics much more than necessary.

With the turmoil and challenges of Maria, this is a story of her past and present actions and thoughts. With archived black-and-white footage used in many sad increments of the film—it is an auteur force of a poetic rollercoaster ride of empathy and hope. It features the concept of burned bridges, and talent seeming to be lost. In the end, the possibility of talent living forever proves possible in Maria.

The art of perspective is invigorating the end of Maria. It has a poetic vibe that flows smoothly in the review of a life full of ups and downs. Sadly, the melancholy continues and an essence of empathy that feels somewhat burdensome. Larrain’s approach with portraying disconnects take priority in Maria.

Opera is vast in Maria. An iconic life is celebrated. Amazing visuals and acting by Jolie. It lacks the fulfillment and is filled with sadness, but the story does not lie. Two-and-a-half out of four stars for Maria.

Emelia Perez Review


What genre speaks to audiences the most? Is it crime, comedy,musical, or a thriller? Emelia Perez is a quadruplet of each! Directed by Jacques Audiard, it is a film of a blend that I found to be instrumental. There is characterization of perfection and detail with the main characters. There is also a clarification of the film’s central plot. Emelia Perez deserves attention on the big screen over its streaming platform Netflix. The odyssey of depth is not the same without seeing it on the big screen.

As I have mentioned, it is one for cinemas, that is because its setup is theatrically inviting. The setting of Emelia Perez is Mexico. Its character of importance is a lawyer named Rita Moro Castro (played by Zoe Saldana). She is an over achievingattorney who is under employed in her career. She spends herdays working at a large firm, when she could have her own. This is where the film goes into a musical track of her elaborating on the curiosities to why she is working for nothing.

The film continues on the track of playing the musical card. The serious depths of the plot are continuously tackled by theatricsand moments for songs to begin. The flow of the film gets more serious when Rita receives a job offer. A cartel boss offers to help Rita get rich if she helps him get a sex change. The crime lord is Manitas Del Monte/Emilia Pérez-both played by Karla Sofia Gascon. Rita accepts this mission, and she goes on an adventure visiting doctors who perform this type of operation—a platform for the musical theatrics to combine the crime and comedy sides. Emilia Perez’s brilliance lies in unforeseen switching of gears.

The film though, finds its moments where legalities and family ties hit a plateau. Manitas Del Monte/Emilia Perez has a partner named Jessi—she is played by Selena Gomez. Emilia Perez has a clever eye for those who are trying to put a bad past behind them. Finding the truth is a mind-boggling puzzle, as themusical tracks and authentic continuity get drastic on a cinematic and surreal note of melancholy. It achieves this with championships of its combined genres.

The life of Rita and Manitas Del Monte/Emilia Perez is a journey of deceit meeting its maker in the setting of a culture that is vibrant, colorful, and extraordinary. A film where the viewer is moved by many of its fragments finding its paths via its theatrical and musical notions. The changes of gender open tochanges of many spiraling yet inviting factors. Emilia Perez is all about being blindsided. Blindsided by the notion that a new life could come easy. Emilia Perez fuels misdirection to the level of curiosity—there is always the thought of an artistic note along the way in the film’s journey toward a new life. Three-and-a-half out of four stars for Emilia Perez.