
There is uniqueness in a setting that is seeking infrastructural change. The title of Universal Language is strong and meaningful. Countries are clashing and resources are limited in this portrait which dives into the recreational aspects of the subject matter. In this film, bizarre moments of reality that seem to have no connection intersect. Matthew Rankin is the director, the writer and one of the lead characters in Universal Language. His role is essential to tracking the development andunderstanding of the story.
The film’s projection is in 16 M which delivers beauty while painting an intriguing portrait that provides the foundation to this unique film. Rankin’s directing is spot-on as the film struggles in a quiet and twisted plot structure. It explores a path of politics and swerves between Winnipeg and Tehran. There is evidence and different signs involving languages in places where they do not belong. Rankin’s directing is not just layered with elements of surprise but also allows him to present his character as the one searching for answers.
In the film, Rankin is Matthew, a man who calls it quits with his job so he can visit his mother. The other reason he is leaving his job is due to his annoyance with working with the Quebec government. Another scenario in the film focuses on characters Negin and Nazgol (played by Rojina Esmaelli and Saba Vahedyousefi). They come across money frozen in winter ice, and they are tempted to fish for it. There is also a character named Massoud (played by Pirouz Nemati), a tour guide that truly is not the most enthusiastic about his clients. The settingsof Winnipeg and Tehran spark a host of deep thinking. The level of normalcy and the strange moving parts in societies which are searching for infrastructure beg for answers.
Rankin knows how to tackle essential questions in Universal Language. When politics are hidden, the audience sees what the characters care about most. In the weird era of the film’s setting, Kleenex and live turkeys are a priority. Thanks to the reference to tissues, it took me back to the COVID pandemic and the shortages of certain products. Rankin is skillful in adding what is not expected, and while also establishing an artistic portrayal of struggle. Universal Language is a fascinating puzzle with a euphoric taste.
The film’s continuity helps drive it forward. The bizarre interactions between Winnipeg and Tehran have tangents that are surreal. It keeps audiences asking questions as the journey of the individuals proceed. Is Matthew glad he quit his job? Is Massoud happy as a tour guide? Will there be success for Negin and Nazgol with the money in the lake? A puzzle of questions flows authentically while also reminding the audience that it is not a place of normalcy. It is an auteur class project where brilliance is just underneath the surface.
Among the lands of mixed politics and quirky scenarios, the entire film has an extravagance to it. The projection moves the idea of artistry to heights filled with new curiosities. The world of Rankin is one-of-a-kind in Universal Language. It is one of the most eloquent movie experiences I have had in quite some time. Three-and-a-half out of four stars.
