Tag Archives: Paramount

Better Man Review


This is by far one of the most unique gems of a musical sensation I have seen. Better Man is an astounding portrait of the many steps required to become famous along with the plateaus through the eyes of the British pop singer Robbie Williams. The reason he is played by a monkey in the film is because that is how Williams views himself.  This perspective makes Better Man feel real and takes the connection he makes with the audience to a whole new level in an immersive way. The story stays consistently on track and shines with sensational direction. The monkey character effectively conveys a vibe which leads to personal revelations in Better Man. The life of Robbie making his way to fame with the group Take That, then falling into addictive patterns, and dealing with disconnect as various life scenarios caused him to crumble. Each scene of tragedy or happiness loops in a musical number which results in great jams in Better Man.

The plot is a biography with narration from by Robbie Williams. Jonno Davies plays the monkey (and main character). The film begins with the younger days of Robbie, a time when he was close to his parents but faced different issues. After he became famous as part of Take That, he dealt with a slew of addictions—alcoholism, drug-abuse, and other questionable behaviors. The film is a full-throttle ride of finding new beginnings and experiencing revelations showcased in a very colorful way. The musical moments throughout Better Man are purely astounding. The continued narration from Robbie’s real voice brings in an empathetic review of both his accomplishments and failures with strong hope expressed for opportunities to grow in the future.

As the film storyline continues, the depths of his inspiration are explored fearlessly and faithfully. The dynamics of Robbie’s relationship with his father Peter (played by Steve Pemberton) are where the heartache and pain lie. At the same time, there is the chance for Robbie to grow into an even bigger sensation than he believes. His father tells him, “You’re either born with it…or you’re a nobody!” Robbie is more successful than this statement implies as we learn in Better Man.  Robbie’s dreams grow along with his friends in Take That and the support of his first love Nicole Appleton (played by Raechelle Banno). Despite all the good people and connections Robbie has in his life, his own demons keep him down even when he has so much to offer. The sadness is real, but the story also reveals despair can turn into hope.

This film provides a cinematic jolt through music and one man’s true story. The film’s writing covers tons of hardship but does not focus on the negative. Instead, it shines a spotlight on self- improvement by reminding its audience that everyone has a gift—Robbie’s is music. I have had struggles in my own life, and Better Man reminded me why focusing on the craft we love most is what makes us keep building the steps to achieve our monumental moments. It is a musical biography that is unique and exhilarating. I was rocking and I was crying. I was also hoping for one new door to open to a cinematic song where Robbie could reach another positive outcome. Four out of four stars for Better Man.

Gladiator II


This is a sequel that still leaves moments to conquer. Through the eyes of director Ridley Scott, Gladiator II carries the weight of the Colosseum at its peak but finds itself ready to topple over. It is a continuation of events from the first film in the franchise. It has a settled approach that keeps a historic vibe of emperors and kingdoms at large. The conflict, however, is that it’s mostly about the warfare and violence than the plot. With an all-star cast, the heightened games go full throttle in Gladiator II.

The new opponent who steps foot in the Colosseum is Lucius (played by Paul Mescal). He comes from Rome and is makinghis footsteps towards redemption. Lucille (played by Connie Nielsen) is back after the devastating events of Maximus (played by Russell Crowe) in the first film. Lucius may be the one who stands under what Maximus has achieved before. Is Lucius destined for the games? In an era where tyranny is in the depths of Rome, the battles in Gladiator II have an eerie awakening. As expected, Scott knows how to label characters and establish their authority.

The Master of the Gladiators is Macrinus (played by Denzel Washington). Washington’s performance as one ruthless emperor with a pontificating nature aids the film’s consistencyin keeping the battles coming. The king out for positive glory on behalf of the greater people is Marcus Acacius (played by Pedro Pascal). Between these two hierarchies, the battles are what makes sense in finding who stands tallest in Gladiator II. With all the civilization and prophecy themes, Gladiator II cares more about the suspense in the Colosseum than finding a sophisticated the plot.  Therefore, the historical aspect in this film is lacking.

With Mescal playing the hero out for glory, he is a positive addition to this sequel. His character has a heartfelt and consistent attitude as well as kind-hearted spirit dedicated to a better purpose. Even though the context lacks during most of the movie, he still manages to provide some enjoyable parts. WithWashington promoting the ruthless matches, the characterizations of heroism for both the good and the bad tumble ferociously in Gladiator II.

Most of the characters outside of Mescal and Washington do not fit in this film. The two emperors who play brothers, Emperor Greta (played by Joseph Quinn) and Emperor Caracalla (played by Fred Hechinger), cause the film to suffer. They are the most overrated emperors in a film by Scott. Their characters kill the film’s chances of being taken seriously. Gladiator II seems to care more about creating Hollywood buzz than creating a historic vibe. This is disappointing for a film by Scott, especially a sequel. He does well in the beginning, but then the pattern shifts and the writing before and after the matches hits frequent roadblocks. The battles are the best part of the movie, but not enough to make up for the other parts. Two out of four stars for Gladiator II.

Red One Review


The holiday cheer of adventure has action. Red One is full of joy, laughter, and cheerfulness. The director is Jake Kasdan. He delivers a unique Christmas flick. It is one of the many essential components of Christmas: Santa Claus, a naughty/nice list, elves, and the North Pole. It brings in much anticipation around its holiday spirit. Despite its efforts, it is an average Christmas ride.

Santa Claus (played by JK Simmons) is an important character. He is on a mission to do his duties for his duties on Christmas Eve. His assistant is Callum Drift (played by Dwayne Johnson). Their world of the North Pole is like a virtual world video game of Christmas grandeur. The tradition of Christmas hits a plateau. There has been a kidnapping of Santa. Callum tracks down a bounty hunter to help him get Santa back. That man is Jack O’Malley (played by Chris Evans). He is a deadbeat dad with many technological skills. With two butting knuckleheads (Johnson and Evans), they must learn to work together to get Santa back before time runs out.

Red One is interactive through the many fictionalized settings of Christmas. The film brings in wonders of the Christmas extravaganza. The film consists of reindeer games, sleigh riding, and lots of quirks. The performances of Johnson and Evans make Red One feel like a mediocre and lighter version of Die-Hard movie. That is because its setup feels like Die-Hard. Its addition is the many Christmas miracles sprinkled on the top. There are also Christmas creatures, magic tricks, and lots of imagination.

Red One is fun for the mindsets of a Christmas in peril expectation. The fact that Santa is missing delivers the expectation that presents may not be under the tree (for its younger audience). Its twist is the presents may come to life. The directing consists of moments of toy transformations to assist in the battles of saving Santa. The definition of context of a “lighter version of Die Hard.” An approach with the festive and pleasant jeopardy of Christmas continues down the rabbit hole of mediocrity.

Johnson and Evans are the main forces of redemption for a miracle. Simmons has a moment of that (later in the film). With Johnson and Evans being labeled as the heroes, it is like watching Johnson on a break from the world of wrestling. Evans is taking a break from playing Captain America. Instead, they are putting forth the effort to get Santa back so Christmas can go on.

I found my experience with Red One captivating because of its moments of suspense in motion. I saw this in 4DX. My seat vibrated vigorously. Water would spray into the audience. I felt I had the rollercoaster ride of Red One for a North Pole movie feeling. That added lots of excitement and vibrations throughout my mind. The film itself was still cheesy. Red One is swell if audiences go in without expecting to take Red One seriously. Red One is average to find its hero tracks for a saved Christmas—two out of four stars for Red One.