Tag Archives: Paramount

Bob Marley: One Love Review


The songs of Bob Marley are monumental and loaded with appreciation for life. Marley’s mission was to shine with empathy and build better relationships in a harsh political era. His music and his life brightened the world with positivity, happiness and peace. The new film about him, Bob Marley: One Love, almost hits the mark, although the storyline is rushed at times and its writing sometimes heads in a misconstrued direction. The film sets out to lay the foundations of Bob Marley’s life, and the writing finds some wonderful moments but, again, the direction of the film can be hard to follow. The music shines throughout, however, and is easily the best part of the film.

The man who plays Bob Marley is Kingsley Ben-Adir, and Bob’s widow, Rita Marley, is played by LaShana Lynch. The film is a biopic of Bob Marley’s journey as a person, a musician, and as one who fought through adversity. It starts off in his hometown in Jamaica, and it then goes to his music and the connections he made in the music industry. The film also jumps back to moments showing how courageous and empathetic he could be. Marley’s music and his voice always helped people think about the positives in their lives.

The plot of Bob Marley: One Love is captivating and it will go deep into the hearts of its audience. There is a divine feeling of empathy that flows graciously and poetically through the life of Marley. The writing of the film jumps back and forth—to times of hardship, inspirational moments, and the many joyful times of the music of Bob Marley. When it comes to the relationships he has with his assistants, Chris Blackwell (played by James Norton) and Don Taylor (played by Anthony Walsh), Bob Marley: One Love encourages its audience to shift its emotions and to think of the words, “Every little thing is gonna be alright,” from one of Marley’s most well known songs, “Three Little Birds”.

The story as a whole and the music in particular are very captivating in Bob Marley: One Love. Marley fought through a lot of adversity, and the film often cycles back to the conflicts he had with his assistants, the crew members of his tour, etc. The success of his album Exodus also played a prominent role in the film. But throughout the film the musical tunes kept the positive feelings and empathy going.

I would describe the viewing experience of Bob Marley: One Love as somewhat standard. There wasn’t a strong biopic writing form in the film, and some moments felt rushed to me. But I still felt that my heart was touched by the fascinating aspects of Bob Marley’s legendary musical career, and the film keeps to its point of showing Marley as the positive force for the world that he was. And again, the film is worth it just to revisit the magical musical moments, and to help remind us to be truly grateful for life. Three out of four stars for Bob Marley: One Love.

Mean Girls Review


This is a repeat of the 2004 Mean Girls film, but with a combination of different actors, some returning actors, and musical numbers. Mean Girls is a new revisited experience. In this version, adolescence goes into the modern age of technology. The old version was during the era of flip phones and before social media. In today’s version, social media takes a turn for the worst. Mean Girls is still about favoritism, class divisions and being cool. Mean Girls takes the original high school story up a few notches as it explores a concerning development. The movie is catchy throughout its adolescent-focused direction.

In Mean Girls, the new Cady Heron is played by Angourie Rice. She moves to the United States with her mom Ms. Heron (played by Jenna Fischer). Angourie struggles to fit into the classroom setting in a diverse high school full of dim-wit nerds and jocks. Cady is a brainiac and becomes friends with Janis and Damien. Janis is played by Auli’l Cravalho and Damien is played by Jaquiel Spivey. They are Cady’s mentors in this new world of high school. Cady then becomes friends with the evil Regina George (played by Renee Rapp). Regina’s group also includes Gretchen (played by Bebe Wood) and Karen (played by Avantika). Regina feels she is the queen and able to help Cady learn the rules of being cool and part of her clan, “The Plastics.” Being “plastic” may have its perks for Cady…until it creates a dynamic which impacts her relationship with the boy of her dreams, Aaron (played by Christopher Brinley). The film is entirely the same setup and premise as the 2004 version, but with musical numbers in between the conflicts.

The shift in Cady’s life is where there are realizations of truth. However, the context and the characters do not always seem to fit. For example, Cady’s personality is much shyer this time around. When she does gutsy stuff to boost her popularity, the believability lacks. Audiences watching the new Mean Girls will constantly be thinking back to the 2004 version. Tim Meadows is back as Principal Duvall and Tina Fey is back as Ms. Norbury. Reuniting these two characters will cause audiences to get their hopes up. However, they are in this film for much less time. Their reunion also has little to do with this musical adaptation of the film. Fortunately, focusing on today’s society and its impact on Cady’s character is what increased my appreciation for this version of Mean Girls.

The tensions are high as backstabbing goes back and forth. The “Burn Book” returns and with it the haunting premise of betrayal among adolescents brings realism to Mean Girls. The whole concept of labeling people to assert power over others to be popular is focused on again in this story. The tensions and hormones go awry with added musical moments in this new version of Mean Girls. It is a slick film that searches for answers to the challenges adolescents face today. Three out of four stars for Mean Girls.

Killers of the Flower Moon Review


Killers of the Flower Moon is yet another Martin Scorsese masterpiece. Unique and authentic, many years in the making, the murder-thriller brought mixed feelings and loads of suspense. It’s always great to see Leonardo DiCaprio and Scorsese working together and in this, their first film since Wolf of Wall Street back in 2013, there is truly a lot in store. Especially with Robert De Niro thrown in the mix.

Killers of the Flower Moon takes place in Oklahoma in the 1920s. Members of the Osage tribe are being murdered after oil is found on their land. The murders are grisly, the town is in shock, and the members of the tribe are scared for their life.

The film introduces its audience to Ernest Burkhart (DiCaprio) and William Hale (De Niro). Ernest is back in town after serving in the war and he starts working with William, who is his uncle. William is a big shot in the town, but he has some shady business practices, and maybe worse. He also resents sharing the land with the Osage tribe and this creates problems. Wealth and greed start to take center stage, and that is what William is all about. Ernest is married to a Native American, Mollie Burkhart (played by Lily Gladstone), and that adds to his problems. He’s also doing some of William’s dirty work, which puts he and Molly at risk. Law enforcement is lacking for a while, but nothing stays hidden for long in Killers of the Flower Moon.

Eventually the Bureau of Investigations (precursor to the FBI) begins to investigate the Osage murders. When Det. Tom White (played by Jesse Plemons) comes to town the tension grows for Ernest and William. The fear experienced by the Osage people is palpable and William’s desire for their land, and what he is willing to do to get it, is the cause of much of this fear. Ernest is mostly on the same page as William, but he doesn’t have the same personality as his uncle and their different personalities bring them down a road of conflict and deceit. The heightening anxiety that flows for the characters in Killers of the Flower Moon is also anxiety-provoking for the audience.

As a die-hard fan of the films of Martin Scorsese, Killers of the Flower Moon made me think of The Departed, my favorite Scorsese film of all time. The chemistry that DiCaprio has with De Niro in Killers of the Flower Moon is almost like the chemistry DiCaprio had with Jack Nicholson in The Departed. This one has a similar vibe, but the intensity is more mentally invigorating in this one than the extreme violence of The Departed. There is of course violence, that comes with territory, but Killers of the Flower Moon is relentless, thought-provoking, and truly dazzling on a psychological level. Some of the outcomes will also take its audiences by surprise. Three and a half out of four stars for Killers of the Flower Moon.