All posts by Tarek Fayoumi…The Paterson of his Craft!

I am someone who strives to become a professional critic. I watch and review many movies. I view the eyes of movies as something as an art form. I have followed many critics over the years, but once I was thirteen I knew writing film reviews was going to be my passion. I learned from watching multiple episodes of Ebert And Roeper in my teen years, and then in middle school I began writing film reviews for a newspaper club. I am also an avid fan of the arts of Chicago including Theatre, Comedy, and music. Films, however, are my primary focus.

Sebastian Review


This film involves a thorough examination of feelings. It is very psychological and there are moments that are hard to handle. Sebastian is an odyssey of a young writer who is trying to go deeper with his creativity. As he is trying to navigate his journey, there are dark secrets in his personal life. Written and directed by Mikko Makela, Sebastian is deep and realistic when it comes to mental consequences. From the performance of Ruaridh Mollica (as the main character Max), Sebastian portrays how sensitive humans can be based on judgment, choices, and morals. Sebastian leaves its audience asking, why take all the risks to lead a more authentic life?

Sebastian focuses on a young writer named Max who is in histwenties and lives in London. He is an aspiring writer with a gift for words as well as examining human thoughts in everyday society. He gets lots of recognition, and even a book contract due to his talent and connection. How does Max find the words to create such real moments in his stories?

After hours, Max finds himself working as a gay escort. His exploration of dangerous voyeurism helps him detail his characters’ stories. Sebastian is the name of Max’s character in his story. Max is this individual in the real-world, and Sebastian is his fictionalized character.

Max’s life finds him repeatedly in detrimental situations. The writing of the film gets more questionable as Max keeps having sexual encounters with other guys. He does this so he can keep growing and detailing his story. On the other hand, these activities are messing with his thought process. It’s a powerhouse of struggles where sexuality keeps leading to more obsessive and disconnect. Max’s colleague Amna (played by Hiftu Quasem) senses Max is not in a good mental head space because his performance and aptitude with his writing schedule gradually deteriorate. Are frequent sexual encounters becoming a higher priority than Max’s day job?

There is a point where Max feels a sense of warmth from one of his encounters. This involves an individual named Nicholas (played by Jonathan Hyde). He begins to realize that Max is much better on the inside than what he is doing to dig deeper into his research. Because Nicholas shares the same interests and aspirations as Max, he sees a better way for Max. The roller coaster ride of behaviors creates a life where fulfillment comes with many risks—the more risqué the choices, the deeper the story. Max’s emotions are inevitable—his sadness, anger, rage, confusion, and eagerness all lead to turmoil and have an impact. Sebastian sends a heavy reminder that life’s challenges require tolerance and reflection.

Max’s does not consider the irreparable consequences. While creating a reputation for himself, his sexuality and research tactics may be beneficial. However, his encounters are messing with his head and get to the point where he finds himself losing valuables. For those who work in jobs that require research and persistence, the direction of Sebastian reminds us how to think more realistically about the lengths we should go to create a story. Sebastian leaves painful feelings that are engrossing. The slippery slope only gets steeper as Max’s writing assignments keep falling short which leads to more disconnect and additional shady behaviors to detail in his novel. Can Max find a new approach?

Sebastian is daring and will haunt audiences. Artistry and truth meld and boggle in this film. The story results in a boiling pot of destruction that makes us ask why we are human. There is a narrative path that evokes real empathy yet requires mental tolerance. Three-and-a-half out of four stars.

Alien: Romulus Review


The scary creatures are deep and crawl with no mercy. Alien: Romulus trembles with screams. It is a setting where survival is life or death. For the first time, the terror fuels its audience on a different level. Written and directed by Fede Alvarez, he knows how to set up suspense where hiding is impossible. Alvarez creates nightmares that have twists. For those who were scared after his project Don’t Breathe (2016), expect that level of nightmare to crank up a notch in Alien: Romulus

My respect for Alvarez is based on how he sets up his characters who are facing peril to think otherwise. He has an eye for bringing in discoveries as the haunting unfolds. He did this well in Don’t Breathe which was set around the discovery of a blind serial killer. His approach to turmoil leaves his viewers feeling like they are in a chilling environment living on the edge where death is likely.

The setting in this film is between the era of Alien (1979) andAliens (1986). This time frame leads to lots of excitement which makes the sci-fi setting feel like the essential setup. Alvarez brings old and new audiences back to the brilliance of shockers in Alien: Romulus. The film is original and uses a different approach which appeals to younger age groups. How deep is the horror of Alien: Romulus?

In the film, there are young space colonizers on a mission. These individuals are Kay (played by Isabela Merced), Rain (played by Cailee Spaeny), Tyler (played by Archie Renaux), Andy (played by David Jonsson), Navarro (played by Aileen Wu), and Bjorn (played by Spike Fearn). They embark on a mission to get supplies for an abandoned spacecraft. Once they go on board, some creatures begin to hatch. When the ship is condemned with faulty equipment and no place to run, the tone in Alien: Romulusis set for survival to be critical.

Andy is the most resourceful character. He is an AI Robot and operates to do what ensures safety. Andy’s sense of understanding becomes the essential aspect of the heightened suspense in Alien: Romulus. Rain is related to Andy, but the rest of the gang is like her family. Not all will find the means to survive. The younger generation in Alien: Romulus creates a landscape of curiosity. Do they know what they are doing? Do they know the threats of what they are up against? How much time do they have? It is a death maze that is ludicrous and compelling.

The power punches of the lurking evils create an odyssey that never stops. The revelation of what makes an alien film enthralling has been reborn with Alien: Romulus. New characters, new setup, new environment, and a detrimental task. These vital components dig deep into the audience’s skin and leave viewers wanting more.

The frequent suspenseful shot angles create a rollercoaster ride of space and horror combined. The lack of oxygen and resources is the first factor, and the aliens are the second. Those two elements keep finding themselves in an unforgettable face-off. It does get repulsive at times but that is meant to scare the audience. The director nails that aspect cinematically well. Hedoes so with depth, characteristics of anxiety, and continued struggle with defenses.

The film leaves its audience on the edge of their seats and so people should be ready to fasten their seatbelts. Space turbulence abounds and aliens are swarming the aircraft as they continue to multiply. It is like Mad Max meets Gravity and climaxes with Alien. The characters are in continuous peril. They float and fight in the space air. The creatures follow them wherever they go.

Alvarez is a genius with his dangerous space station mind. This is one of the most thrilling Alien films I have seen. However, the biggest success factor of the film is the performance of Spaeny. She steals the film. Her attitude is to never give up. She keeps fighting and delivers her best to the masses in Alien: Romulus. Three-and-a-half out of four stars.

Borderlands Review


I loved the Borderlands video game franchise. I had anticipated that the writer and director would bring in some galore of expertise. That filmmaker is Eli Roth. When Borderlands had a PG-13 film rating, my gut started to warn me there might be floppyness. The mediocrity holds. Borderlands is a tragedy. Mind of Roth does not have the creativity for in-depth tragedies or stellar violence. There is a limited amount of that in  Borderlands. That leaves the writing on the wall of this dreadful adaptation from the video game franchise. It is an adaptation where the writing and pacing do not correlate for forms of invigoration. It is one of those flicks where tolerance will be necessary.

The film gears on Lilith (played by Cate Blanchett). Lilith is a bounty hunter. Lilith has a dreadful past. She finds her way back to her home planet Pandora. For those who have played video games, it is clear how the planet Pandora would be. Lilith is on a mission to find the daughter of Atlas. Atlas is the hierarchy as an S.O.B. Lilith finds this task complex without assistance. Lilith assembles of a team. They are all cocky. Her team consists of Roland (a mercenary played by Kevin Hart), Tiny Tina (an adolescent demolitionist played by Ariana Greenblatt), Krieg (Tina’s sidekick and played by Florian Munteanu), Tannis (a quirky scientist played by Jamie Lee Curtis), and Claptrap (an egotistical robot and played by Jack Black). All these characters are fit for their bonker roles, but that cannot save the audience from the dreadfulness of the outline itself.

It is an adaptation that fails to see concepts all the way through. It tries to be in its direction for humor and escapism (from the mind of Roth), and it is muddy. With an adaptation like this one, I thought it would seem more interactive. I expected there to be more open-world roaming moments (to feel like the video game itself). This one tries to stay in its lane and care about the mishaps of humor with Hart, Black, and the rest of the poor film in and of itself. There is no seriousness to the hero vibes of Borderlands. There is only frustration.

Pacing is a trainwreck in Borderlands. There is a saying that goes, “She seems deranged.” Instead, it should be “This dynamic is deranged.” Borderlands is a band of misfits that keep making the boredom feel worse. Its setting is a low-grade Mad Max environment meeting a massive roadblock of inconsistency. Borderlands does not know its elements for an enthralling adaptation.

The obliviousness of characterizations works for the atmosphere of Borderlands. The characters are the added fixation to the plot. They deserve much better. Borderlands is not action-packed, and it is not exhilarating. Borderlands only relies on humor (which keeps it dry). The opening makes its audience think of the video game franchise. The rest of the film goes in its wrecking way. It continues to be full of cliches. Regardless, there is no justice of achievement in Borderlands. One out of four stars.