Category Archives: Capsule Reviews

Eric LaRue Review


This is a film experience in which the tension makes viewers uneasy . The issue of mental health and the associated acceptance of errors poses challenges. The story demonstrates that people we love can also make mistakes. Eric LaRue is one of the most dramatic, vivid, and powerful films I have seen directed by Michael Shannon. The film includes many strong and realistic elements which make it anxiety producing.

The film focuses on Janice LaRue (played by Judy Greer). She is the mother of a son who shot and killed three boys. Her son is Eric (played by Nation Sage Henrikson). Janice’s life is at an impasse due to her son’s actions. Her husband Ron (played by Alexander Skarsgard) tries to lean on religion to help him cope with their son’s tragedy. Ultimately, Janice struggles to adapt to a life filled with guilt and hatred after her son’s lethal mistake. The film is a poetic journey of life after a devastating tragedy. The story leaves a trail of difficult questions along the way.

Eric LaRue hit an emotional chord with me because it was so realistic. As someone who has faced struggles during various periods in my own life, the film raised my curiosity about how to be stronger after experiencing a traumatic event in life. The movie was full of humanistic elements which ranged from devastating to encouraging. Most parts of the film may leave audiences emotionally drained. However, some viewers may also hope for a revelation in the tragic aftermath at the center of the film.

From my vantage point, I believe the film portrays that there are ways in which parents can learn from their children. This can be true even if the choices their children make negatively impact others. Janice realizes that Eric has suffered with some mental issues and feelings of disconnect. She never imagined the worst-case scenario. Just because Eric did something terrible, it does not mean he is a terrible person. Still, he has to suffer the consequences for his behavior.

Janice’s life does not have to be ruined forever, and she does not have to hate herself forever. She needs to learn to navigate the harshness of her reality after the choices her son has made. There is still a world of different possibilities for Janice, for Eric, and for life moving forward for everyone in the film. Shannon’s is poetic in the way that it brings out natural human emotions. Eric LaRue changed my perspective on the realism displayed in movies. This experience made me realize how much one individual’s world can have a dramatic impact upon others while also allowing for light somewhere at the end of the tunnel.

Eric LaRue is not for everyone. Despite the sadness of the serious topic explored in the film, it does leave a positive message which I related to and appreciated. The film is an emotional roller coaster and a one-of-a-kind drama that will touch viewers in different ways. Three out of four stars.

Chicago Underground Film Festival 2023: A Festival of Surrealism and Realism at its Finest


Starting September 13 through September 17, The Chicago Underground Film Festival will be running. The festival’s opening night film will be shown at the Gene Siskel Film Center and the rest of the festival will take place at the Harper Theater. The Chicago Underground Film Festival is one-of-a-kind. It is a fest that celebrates culture and diversity. Films of artistic value are what makes this fest a strong presence for many cinema lovers (both in and out of Chicago). There are full-length featurefilms, short films, experimental films, and all kinds of visually brilliant projects by talented filmmakers. The people, the films, and the atmosphere are all essential to the fest. I have already seen a few of the films that will be featured at the festival this year. These films are different, poetic, and have dazzled me. Audiences can see these films as well, and they just might blow viewers away.

The first film is Hello Dankness. Written and directed by Soda Jerk, this is a film of reality and creativity with many accurate depictions and truths. The film is compiled with footage from commercials, classic films, music segments, and it all comes together in chronological order. The events and clips are in tune with the world we lived in during the presidency of Donald Trump. Now without getting too political, the film does an exhilarating job featuring moments from films and scenarios related to the big events we experienced during and post-Covid. From a Pepsi commercial to Fred Rogers to Wayne’s World to social media, Hello Dankness is a representation that is mind-boggling. It proves that everyone’s personality continues to shift. It proves that reality is far from perfect. I love how the film honestly displays how distracted we are by technology and our political views. The film makes it clear that many would benefit if they just disregarded all the media they allow inside their heads. Hello Dankness is a monumental opening to The Chicago Underground Film Festival. The film is showing at the Gene Siskel Film center on Wednesday September 13th at 7:30 pm.

The Second film is Even Hell has its Heroes which is written and directed by Clyde Petersen. The film is set in the 1980s and explores the musical success of the band Earth. The band’s backstory includes lots of trial and error, but also tons of success. Even Hell has its Heroes is shows interviews with Dylan Carlson, Slim Moon, Jonathan Poneman, and other artists as they discuss struggles with drugs and hardship in their days in the music industry. The film is deep in how it shows how the group provided encouragement for its members. Carlson states, “When I’m playing with other people, their shapes are involved and it’s flowing together.” The 1980s was a time when playing harsh songs had negative consequences. The interviews with the artists explaining their challenges getting gigs and writing music are the key to the film’s realism. The difficult era of artist Kurt Cobain before his death sparks the film’s portrayal of the how difficult it was for artists to move forward. The film’s title speaks for itself. The real-life examples demonstrate that success can come without being able to get past negative patterns. However, many of the artists have had to overcome their drug addictions s to make it farther with their musical careers. Even Hell has its Heroes is one of the most deep, emotional, yet encouraging projects in the festival this year. This film’sarchived footage offers surreal continuity which brings the audience into one of the dark eras of the music industry. The film is showing on Saturday September 16th at 4:30 pm, and Sunday September 17th at 4 pm. Both showings will be at the Harper Theater.

The third film is one that I truly believe belongs to The Chicago Underground Film Festival. Within the realm of surrealism and realism, this was an experience that haunted me. It also made me have a big heart for those who go out of their way to helpthose in need. That film is Sweetheart Deal directed by Elisa Levine and Gabriel Miller and written by Karen Sim. Sweetheart Deal dives into the life of four sex workers in Seattle, Washington whose lives are in a halting pattern. They are provided some courage when an individual chooses to be a healer and offers them shelter. The ladies go to the healer for shelter, advice, and food, but also just to feel some empathy. Thewomen have more challenges than just being sex workers as they struggle with addictions to drugs and are always fighting for survival. In spite of their issues, they are all seeking some sense of normalcy. The film’s emotional subject matter keeps finding meaning as the film’s healer goes out of his way to ensure the ladies have a chance to regain good in their life. It is a documentary that will haunt its audience, but also provide empathy and encouragement. It is by far one of the most faithful documentaries I have seen in a long time. With a narration filled with darkness, the light shines through in many fragments in Sweetheart Deal. The film is showing on Friday September 15that 9:00 pm, and Sunday September 17th at 3 pm. Both showings will be at the Harper Theater.

The Chicago Underground Film Festival has a lot to offer. From my experience with these films, I realize it is about audiencesbeing willing to step out of their comfort zones to fully experience these fascinating projects. There are many invigorating subjects featured in the films at this fest and audiences are in for a treat. The projects are spellbinding, different, and prompt intriguing questions on the reality that surrounds the film scene of the festival. Do not miss this opportunity to experience these fascinating and poetic movieswhich offer unique visionary experiences. Get your tickets and passes today at Cuff.org.

Oldboy 20-year Anniversary Restoration Review


In 2003, director Park Chan-wook brought the world Oldboy, an in-depth film full of psychological suspense and mayhem. Its presentation is rapid which is the result of a grandeur of revolutionary directing. With Oldboy restored and back in cinemas for its 20-year anniversary, audiences are in for a treatwhether they’ve seen the movie before or are experiencing it for the first time. The setting of South Korea is dark as is thestoryline in this thriller. Park Chan-wook’s faithful direction of every fragment of the film is excellent. The film focuses on a man named Dae-Su Oh (played by Choi Min-sik), who has been kidnapped and spends fifteen years being imprisoned by captors. He made a mistake which led him to be locked up for many years with no windows and fed only dumplings. Once he finds a way out, he must find the pieces to explain why he has been locked up for so long. The audience can feel the tension of Oldboy through the vast narration during Min-sik’s performance.It is said that the motto of his character, Dae-Su Oh, is, “Just get by the day quietly.” However, there comes a storm of unexpected vengeance.

The poetic art of portraying frustration is mesmerizing because of surreal directing. The storyline is spellbinding throughout Oldboy. Once Dae-Su escapes, the film is a montage of monumental revenge. It is like an orchesis of building climaxes with technological and cinematic effects. In the film it is said, “Vengeance is healthy,” but how healthy is it for Dae-Su to put together the pieces of himself which were locked up for many years? Oldboy is a masterpiece two decades later and its restoration is one that deserves appreciation. Four stars.