Category Archives: Film reviews

Tron: Ares Review


Many years in the making, and there is a whole lot of CGI and AI to go around in Tron: Ares. Fifteen years after Tron: Legacy, this new edition is visually stunning, but the plot is just average. This film was on and off the table for quite some time. In my opinion, the execution of Tron: Ares does not nail it and Tron: Legacy didn’t either. I may sound redundant, but all three of the films were released in different eras. Tron was released in 1982, Tron: Legacy was released in 2010, and this year we have Tron: Ares. The new featured character is played by Jared Leto as Ares. This time around, he is focused on as the hero.

Ares is programmed by Julian Dillinger (Evan Peters), a high-end tech owner who uses his AI company to gain power. However, things start to crumble. Eve Kim seeks to find hope for new beginnings and trace back to the days of Kevin Flynn, still played by Jeff Bridges. Ares is programmed to be an enemy, but with his own brain, he comes to realize the shortcomings of the universe and the programming of his environment. The world is at risk of espionage due to AI and cloud storage issues which can override all kinds of systems. While Ares may appear to be a promising robot, he still has the brains to bring out his hero side.

I appreciate how the film lays out its foundation but then veers all over the place to build a good guy vs. bad guy scenario and create misdirection. The film also attempts to keep going above the AI world. I get this concept, especially since it is a “Tron” movie, but the development of the CGI and the technological worlds had me struggling in moments. Fortunately, Leto kills it as Ares. He is a man of a few words but knows who he is fighting for. Together he and Kim are a combo for good and truth into the future. The era of technological advances swerves around in circles leading to a variety of interesting questions in Tron: Ares.

With the IMAX experience, I found the setting to be unique in this movie environment. The robotics and electronics dazzled brilliantly and were enhanced by the sound quality. The result allowed viewers to feel truly immersed despite the plot being less than stellar. There is a lot to be impressed by when it comes to the sound, the layout, and all the tunes in the film itself. Tron: Ares is spectacular in the visual sense due to its futuristic momentum. It is too bad that the writing is lacking in quality and includes transitions in the storyline that struggle to connect and captivate.

Overall, the film is an immersive continuation, but the quality and continuity are flawed. With luck, Leto is the successor of the futuristic drama in Tron: Ares. This movie is vivid, colorful and filled with AI grandeur, but could have been much better. Two-and-a-half out of four stars for Tron: Ares.

Anemone Review


Daniel Day-Lewis once said he was done with acting after Phantom Thread. That is not the case with Anemone where he is back as an actor on top of his craft portraying someone with vengeance. The story’s writing has a foundation based on solitude and layers of underlying conflicts that go way back. The director is Daniel’s son Ronan Day-Lewis. Daniel wrote the film with his son. Anemone is a film about resentment, challenges, and acceptance. In a cinematic sense, it explores the question of when enough is enough. That question expands for seemingly endless miles in Anemone, across the unique landscapes, waters, and shores of Northern England. The vast landscapes weave all kinds of feelings through a dark and rugged terrain of cinematic wonders.

Daniel Day-Lewis plays Ray and Sean Bean plays Jem. Theirs is a brotherhood filled with hatred over many years and a dynamic that is completely thunderous with conflict. Much of this stems from the performance of Day-Lewis which is often rapid and petrifying. He always has a way to give emotion to humanistic characteristics when weaving in his character’s anger. Jem decides to try to make peace with Ray because he had an affair with Ray’s wife. A confusing dynamic is then created for Ray’s son Brian (Samuel Bottomley). Ray’s former lover Nessa (Samantha Morton) is now with Jem. She has tried countless times to reconnect with Ray, due to her concerns about Brian. Throughout this film, a bad past will simply not let go.

One of the most daring and egotistical portrayals I have seen from the talented Daniel Day-Lewis. He plays the role of wanting his vengeance to linger so well. He has that mind-boggling voice and twisted sense of humor that is not one to contend with. Sean Bean’s character keeps trying to make peace while also holding his anger. However, at the same time, the brotherhood connection remains strong. Elements of hate linger in cinematic qualities that are just beautiful yet monstrous. Daniel’s son, Ronan, has an effective eye for capturing humanistic qualities which explode given the anger although there are times when alternative outlets might be much healthier. 

The film is thought-provoking as it goes into uncharted territory that can chill audiences’ guts to the bone. The hatred in the performance of Daniel Day-Lewis, and the frustration in the performance of Sean Bean are both so pure. It is a brotherhood filled with jealousy fueled by masculinity which causes the film to hit a cinematic reel of glory. The story hits it so hard becausethese actors’ efforts to burn up the screen succeed. Anemone may be one of the best films of 2025, and another resurrection of Daniel Day-Lewis. His life as an actor will always include spell-binding performances. He has a unique ability to bring back sides of his artistic repertoire with even more aggressive and thought-provoking performances. He always shines brightest in the British landscape where there is a setting of solitude. Three-and-a-half stars for Anemone.

 

The Lost Bus Review


Director Paul Greengrass is a filmmaker I greatly admire. He always creates films based on actual events that feel real and emotional. He also incorporates elements necessary to stay true to a film’s story, especially one in which there are a variety of moving parts. With films ranging from United 93 to Captain Philips, the theme of survival portrayed realistically is what he knows how to do. In The Lost Bus, he is successful again making a film that is spellbinding and surreal. It is based on the California wildfires of 2018.

It is an exhilarating ride that begins at the start of the film. Greengrass opens the film up with dry and vast cinematography. He creates the foundation with a landscape for his audience to brace themselves. The film’s main character is Kevin McKay (Matthew McConaughey), a dad dealing with his own problems at home. He works as a bus driver struggling to make ends meet. Things get a whole lot more complicated on his next shift because wildfires are scattered all over California. As he is navigating his workday, fires continue to spread and different disasters arise. Soon, Kevin finds himself needing to save twenty-two children on his bus. With the help of a schoolteacher named Mary Ludwig (America Ferrera) who is on the bus with him, they try to keep the children safe while finding the right path to safety.

Greengrass has a writing style that is critical and revolutionary. As the story of The Lost Bus progresses, additional dangers pop up which cause jumps in heart rates for the audience. The quest for survival is anxiety-provoking, but that is why the movie is amazing. Greengrass uses skillful writing and knowledge of the real-life situation to keep his audience curious about the scenario. Why are their limited resources? How are the fires getting so out of control? What choices should Kevin and Mary think about? What options are possible? The persistent question of safety keeps heads spinning while also keeping hope alive in The Lost Bus. This film is mammoth ride where audiences will want to put their helmets on and fasten their seatbelts.

McConaughey and Ferrera play an effective tag team. Greengrass places them in characterizations that they inhabit fully. He lays out the logistics of the conflict and creates a pattern. The film does find itself scattered in moments of rapid ashes, which may seem blurry at times. However, that is also a necessary part of delivering the vibe of a real natural disaster. The multitude of anxiety-producing events invigorate the mind with The Lost Bus.

Safety in scarce and there is no easy answer in sight for these two adults and twenty-two children. All everyone has is each other in The Lost Bus. I felt the magnitude of never giving up aching in my heart throughout The Lost Bus. This is a captivating story based on real events which feels like a gut-puncher but is worth watching. Three out of four stars for The Lost Bus.