Category Archives: Film reviews

Warfare Review


Written and directed by Alex Garland and Ray Mendoza, this is Warfare. The film is one of the most astounding and instrumental portraits of how war feels. It blends desperation and darkness in ways that weave together the emotional and drastic side of being in a war zone. It is humanistic to the extent that audiences feel a deep personal response. Warfare is a hard watch, and at the same time it is unmissable.

The film focuses on Navy SEALS and features characters ranging from Ray (played by D’Pharaoh Woon-A-Tai) to Eric (played by Will Poulter) to Elliott (played by Cosmo Jarvis), to Sam (played by Joseph Quinn). There are other soldiers, however, the primary focus is on these individuals most of the time Warfare. They are in uncharted territory. The opening shows the soldiers going around doing surveillance, using scopes, and making sure they are ready for when an attack happens. When an explosion occurs, their mission becomes more critical. 

This film is based on a true story and takes place in one place. Accuracy is used as an element that helps to raise curiosity. The setting is a place in a world that is in and of itself mind-blowing, Ramadi, Iraq. The Navy SEALS based there are one of several contributors to stressors in Warfare. During each invigorating aspect or detrimental moment in the story, I knew there were other layers that were bound to boggle my mind. There was always another moving component swerving back and forth in my head during the time I viewed Warfare.

Since this film is an adaptation, the seriousness of the matters takes on a surreal sense. When soldiers are injured, the momentum shifts and the matter of staying alive becomes more crucial. Throughout the streets of Iraq, Warfare has many inevitable moments that practically made my blood boil. The continuity drives desperation to the most vivid level because survival is the weapon that matters in Warfare.

Garland and Mendoza know how to push the limits of combat. This is especially the case in situations when choices must be made in a timely manner.  There are no right or wrong answersonce scenarios burst wide open in Warfare. The film makes an impact and will likely cause audiences to have different responses. Some may be shocked, some may be mortified, and some may be blown away. I was all three after seeing Warfare, because it is one of the most chilling, aching, and cinematic thrill rides I have seen. Warfare displays action that can be anxiety-provoking when traps unravel. 

There comes a time to fight back and push adrenaline to the max. Warfare is all “adrenaline!” There is no holding back. The entire focus is making it out alive for all including those who are compromised. There is a vast amount of fear that can be dismissed, but there are lives on the line. The film’s key component is a cinematic jolt based upon what steps must be taken. It is a one-of-a-kind masterpiece. Four out of four stars for Warfare.

Bitter Gold-41 CLFF-Review


In the 41st year of the Chicago Latino Film Festival, my experience began with a film that is poverty-based in the vast surroundings of a desert. A film where mining and finding gold is the goal, but the dynamics and political factors are what lie beneath the surface. Directed by Juan Francisco Olea, the uncertainty of challenging moving parts is a prominent theme in Bitter Gold. I found this to be a one-of-a-kind achievement. Bitter Gold presents real-world issues and brings reality to a halting point unveiling the portrait of what events can unravel when scenarios go awry.

The film stars a father, Pacifico (played by Francisco Melo) and his daughter, Carola (played by Katalina Sanchez). Pacifico is the boss of a mining crew and their lives depend on the work he does. When the workers continually question their payments and who does what better, a detrimental situation arises for Pacifico. Furthermore, an injury impacts him from being able to fulfill his duties and secure his livelihood. It all falls onto Carola to take control of Pacifico’s operations, but with her being unaware of the politics or moving parts of the mining operation, many dynamics spiral downward and impact the workings and the potential for finding any form of gold.

The film lays down the foundation of why operating by the book serves a greater importance. There is a lot of conflict and personal corruption her. Especially with the absence of Pacifico, and Carola doing everything in her power to keep operations going. Overall, though, Bitter Gold is surreal in creating the outcomes of shifted situations in a different culture. It portrays awidespread landscape of scenarios that go awry when business is done under the table. Four out of four stars for Bitter Gold.

Beloved Tropic-41 CLFF-Review


This is one of those artistic films that made me feel cultured and doing good deeds do not go unpunished. Written and directed by Ana Endara Mislov, Beloved Tropic is a film that weaves the narrative tone of connection through cultures of wealth and change. It is also one that is solely focused on an individual dealing with a pregnancy situation while trying to make ends meet. With its selection of being in the 41st Chicago Latino Film Festival, Beloved Tropic is a film that also connects the countries of Panama and Colombia—many of the correlations are done through the film presenting characterizations in tune with finding connections. Mixed feelings come along with Beloved Tropic.

The focus of the film is a pregnant immigrant named Ana Maria (played by Jenny Navarrete). She is hired by Jimena (played by Juliette Roy) to look after her mother Mercedes (played by Paulina Garcia). Mercedes is wealthy but is also suffering from dementia. Deep down though, she wants to thrive and be happy and Ana is her savior in this. As Ana takes care of Mercedes, they establish a bond that opens many doors of wonders. Some of them are sad, some are happy, and some are unanswered. Through it all there is a context of feeling connected when there is limited time left in life which correlates to enhance the cinematic essence.

Beloved Tropic is by far one of the most culturally and ethically fueled films I have seen at the 41st Chicago Latino Film Festival. Bonding moments and turmoil finding light weave together in Beloved Tropic. It has haunting components that continue to search for hope for both Ana Maria with her pregnancy and Mercedes with her overall health. The film is a little subtle in increments but cinematically keeps the texture of emotions in tune. Three-and-a-half out of four stars for Beloved Tropic.