Category Archives: Film reviews

Magazine Dreams Review


After Jonathan Majors experienced a delay to his fame based on some legal challenges, he comes back with a riveting performance in Magazine Dreams. He is the champion of the film because he displays the attitude someone destined to make a difference. The film is written and directed by Elijah Bynum. Magazine Dreams opens with an aesthetic tone which includes dramatic scoring, bold lights, and enticing imagery. Majors plays Killian Maddox, a body builder putting everything into his body and physique. The whole film is about Killian who goes on a dramatic journey that spirals and becomes uncomfortable. Killian is an athlete and model of consistency and inspiration. His mistakes disrupt his pattern and keep him from continuing to move forward. That is the frustrating part of this film. Killian’s ability to thrive and have a positive outlook hit plateaus that are heavier than anticipated.

The plot of the film is all about Killian. His life as a body builder dominates every part of the script. During both Killian’s proud and aggravating moments Magazine Dreams displays his high anxiety. There are also positive components that are dismissed, including the chance of a relationship with a girl named Jessica (played by Haley Bennett). His intense focus on being a body builder takes over his mind and makes him a monster. The whole ride of Magazine Dreams is eerie. The theme of trying and failing has a passionate side although his hopes for success involve some vindictive choices. I found the mental portrait painted hard to get out of my head because the writing keeps jumping back to Killian’s anger. The film is mesmerizing thanks to Majors’ performance, but the outlook is quite off-putting making it difficult to see the good in Magazine Dreams. There are poetic moments of dreams coming true. Unfortunately, when plateaus occur, it is such an eerie presentation that I found myself struggling to watch.

To clarify, I do not despise the film. I was simply disappointed that Killian failed to find salvation. The movie keeps showing him unable to stop throwing himself under the bus. I found that approach repulsive. Instead of being an inspiring role model, Killian’s behavior was depressing. There is a starving artist vibe to Magazine Dreams, but this artist does not find his way out. The film is flawed but benefits from an astonishing performance from Majors. It is too bad that he tries to gain his way to success via putting others down. While it gets off to a strong start, it is negative all the way to the unbearable end. There are some interesting tales of sportsmanship in the story, but they didn’t receive the attention they deserved. Deep down, there is a natural euphemism for one to better himself—however the inspirating message is flawed by the harsh undertones of hatred. Overall, there is more hatred than encouragement in Magazine Dreams which is why my gut was aching during this biographical-type drama. The boundaries know no limits of one’s obsession. The disturbing way to make dreams come trueis achieved through a revolting pattern for emotional effect. Two out of four stars for Magazine Dreams.

Holland Review


Holland, Michigan, provides a happy, pleasant, old-school setting for this film. The writing thrives in Holland which is one of the best dark comedies so far this year. Directed by Mimi Cave, who effectively plays with fire by creating a vivid dynamic between those who tango. Holland is one of the best dark comedies of 2025. A lot of my fascination came seeing things in a new light. When there is a movie with actors including Nicole Kidman, Matthew Macfayden, and Gael Garcia Bernal, there is no doubt that characterizations will have illogical reactions.

The film focuses on Nancy (Kidman) and Fred (Macfayden) Vandergroot. Nancy is a teacher, and Fred is an eye doctor. They have one son, and his name is Harry (played by Jude Hill). Nancy is finding suspicious signs that Fred may be up to no good. There are frequent long absences and unexplained travel. These signs create a portrait that Nancy is having a hard time understanding. The brilliant part is the fact that Nancy wants to believe what she is thinking is not true and that she is overreacting, i.e., her suspicions are unfounded. The anxiety-producing side of Holland has an interactive approach that results in a grandeur of joy. Moving forward, Nancy has her friend Dave (Bernal) help her undertake some spying operations on Fred. They begin to see strange signs of dishonesty and more ugly truths. There is more than the audience will anticipate going on with Fred in Holland.

The valuable part of Holland occurs when things spiral indementedly hilarious ways. The performances of Kidman, Macfayden, and Bernal provide a bonkers level of enjoyment. While it seems like Macfayden is the antagonist, Holland is really about a town of full of hidden skeletons uncovered by a long road of discoveries. Holland is an intriguing and well-written satires that finds ways to test its audience. There has been mixed buzz around the film, but I was sold due to how it remains vividly in tune given all of it bizarre qualities.

This film offers a tale of wonders and a scavenger hunt for lies that do not want to be believed. What is it that Fred is hiding? What is it that Nancy believes? Why is the family in turmoil? The many answers are to be found in Holland, a one-of-a-kind comedy that is almost a home-run achievement. Three-and-a-half out of four stars.

Death of a Unicorn Review


This is one of the craziest retro films I have seen. It is full of colors, wonders, and quirky revelations all centered around a unicorn. Death of a Unicorn is one bonkers ride filled with elements of surprise. Written and directed by Alex Scharfman, The Death of a Unicorn is a film where one incident loops in theories and leads to silly outcomes. For a new director, it is visionary yet achieves more fantasy than value. Scharfman utilizes his directing skills to bring audiences on an invigorating adventure in Death of a Unicorn.

The film focuses on Elliott (played by Paul Rudd) and Ridley (played by Jenna Ortega), who play a father and daughter. They are in route to visit a wealthy pharmaceutical CEO when they hit a unicorn. They hide the unicorn in their vehicle which leads to an unimaginable ride once the unicorn goes bananas. It is a bizarre but enticing foundation because the unicorn has power. Once someone touches the horn of the unicorn magic is revealed which impacts each individual in a unique way. With the dynamics between the father and daughter who are visiting a wealthy family, lots of questionable judgment ensues. Egos collide which causes the fun to spiral and plays a key role in the massive joy in this film. It is especially entertaining when the middle-class tries to impress the upper-class and neither class knows what hit them Death of a Unicorn.

The story is a suspenseful ride that borders on insanity due in part to the wealthy family in the film. The family includes Odell (played by Richard E. Grant), Belinda (played by Tea Leoni), and Shepard (played by Will Poulter). Their butler is Griff (played by Anthony Carrigan). Elliott makes it his dream to satisfy this family, but when he brings the chaos of the unicorn tragedy to them. To an extent, it is clever that he cares so much about sucking up to this family because their silliness is over-the-top. They act like the world is in their hands, but the unicorn’s destruction puts an end to that. The wrath of vengeance unleashed in magical moments is out-of-this-world. Scharfman knows how to create new comedic trends in Death of a Unicorn.

There are special effects in the film that are worth noting. For example, touching the unicorn’s horn creates a world that looks like a Neil DeGrasse Tyson space. Those who touch the horn end up in a mind-boggling space-like universe. Effects like these are correlated with behaviors that make Death of a Unicorn feel interactive.

Overall, the film feels a bit cheesy perhaps because it tangles chronological events. The story starts with hitting the unicorn, then visiting the wealthy family, and then the unicorn wakes up. From that point on, more realizations and chaos evolve. Death of a Unicorn offers more than what audiences might anticipate.Some (i.e. members of the wealthy family) think there is a benefit to the presence of a dead unicorn, and others (i.e. Elliott and Ridley) see it as a bad sign of more destruction. In the end, the film is a jousting climax of unicorns, millionaires, and plenty of mesmerizing moments. Three out of four stars for Death of a Unicorn.