The Bikeriders Review


Motorcycles are dangerous. Motorcycles form a gang. Does it have a beneficial factor? The Bikeriders go down a road of a blur along this aspect. Written and directed by Jeff Nichols, The Bikeriders feels like a mafia atmosphere. The only difference is that it is a gang that rides motorcycles. This direction is based on the 1967 photography book (the book carries the same name as the film) by Danny Lyon. That is where the fascination for the film came from. That would explain why the film feels more like a surreal journey than a biopic. It contains more along the lines of personality dangers over motorcycle adventures. That approach is where the line is blurred.

Austin Butler plays Benny. Benny loves to ride his motorcycle into paradise like a king. He also loves his wife, Kathy (played by Jodie Comer). Benny has loyalty. His mentor is Johnny (played by Tom Hardy). Johnny is the king of the motorcycle crew. They call themselves the Vandals. As Benny goes deeper, Kathy feels there are more detrimental aspects to come around in her life. With Benny always being in love with his motorcycles and the crew, how good of an influence is Johnny? The actions of Benny have consequences, and it does so for Kathy as well. If Benny cannot ride, he will feel incomplete. Is that a road that Kathy wants to go down with Benny?

The tension is there, but the presentation is mediocre. The film transitions to Kathy telling a story with a journalist throughout the film. She goes into detail about the activities she took part in with Benny. She talks about how the gang has had its share of crazy scenarios. This approach delivers an appreciation of the emphasis of the film. Its delivery feels like a sob story direction.

Being on a motorcycle is what makes Benny feel like he is truly alive. Having Johnny by his side is that layer that keeps him going. He disregards his actions just for Johnny repeatedly. When it comes to the subject of love, it seems Benny cares more about anything to do with motorcycles than Kathy alone.

The Bikeriders is a powerhouse dynamic with superb scenery. Its artistry with motorcycles and its focus on the Midwest carries weight in the film’s continuity. It just does not fulfill the spectacular expectations that some audiences may expect. Two-and-a-half out of four stars.

Kinds of Kindness Review


Director Yorgos Lanthimos has taken his audience on many bizarre and exhilarating journeys. From the standpoint of a manipulative in Dogtooth (2009), a place of grieving in Alps (2011), a futuristic hospital in The Lobster (2015), a surgeon making risky choices in The Killing of a Sacred Deer (2017), an 18th century queen who is tormented in The Favourite (2018), a woman coming back to life in Poor Things (2023), and a theory of strange events in Kinds of Kindness. This film feels like the mosaic of a play because of how the characters play different people in different yet correlated segments. It is crazy how quickly two hours and forty minutes flew by. The unique scenarios and twisted elements made it seem much shorter. 

The film begins with the actor Jesse Plemmons, who plays three characters named Robert, Daniel, and Andrew. Although accustomed to a life of wealth, he begins experiencing turmoil due to poor choices by his boss, played by Willem Dafoe. Dafoe also plays three characters named Raymond, George, and Omi. In one segment, Robert is trying to not allow his boss to control his life. However, that causes things to become even worse. Robert’s wife, played by Hong Chau, vanishes. She plays three individuals as well, named Sarah, Sharon, and Aka. These characters are experiencing a variety of tough scenarios and bad episodes.

Lanthimos has created a soap opera of a project divided into three parts. The first part is titled The Death of R.M.F. The second is titled RMF Flying. Finally, the third is called R.M.F. Eats a Sandwich. The first scenario is about trying to overcome power. The second scenario is about someone who believes his wife is an imposter, and the third is about someone who is tryingto find resurrection from the dead. Emma Stone is part of the third scenario with her roles as Rita, Liz, and Emily. As Emily, she is doing the reverse of her previous role in Poor Things because she is now the one involved with the strange task of bringing up the dead.

Another actress who brings heat to the film is Margaret Qualley. In her three roles as Vivian, Martha, and twins Ruth and Rebecca, Qualley is a force of nature. In this film, tensions are bizarre, creepy, and all linked together. It sometimes feels like weird extra-long TV episodes. Lanthimos taps unnerving emotions in Kinds of Kindness. With each character playing different people in different sequences, there are conflicting dynamics and unexpected resolutions.

During the film, the issue of crossed boundaries kept coming to my mind. Many of the events in Kinds of Kindness are based on morals that raise red flags. The realm of a triptych fable is part of the inner complexity of Kinds of Kindness. On some level, the transitions do not feel adequate in the context of believability. 

The title itself sets the tone of interesting thoughts and motives. Kinds of Kindness is a cat-and-mouse game that has deadly circumstances. Does it execute well? I felt the writing fell flat at times. Lanthimos can do bizarre right, but can he diversify it effectively? The slew of events led to confusion as scenes meant to be enticing became blurred. Kinds of Kindness is a film of endurance, but it tries too hard so is not a masterpiece. There are too many dots to connect and limited flow with the mixture of characters. Two-and-a-half out of four stars.

Ultraman: Rising


This is one of the most fascinating animated films on Netflix. Ultraman: Rising is an animation where the writing and the direction go together to the max with high-end contrast that sparks new light. A powerhouse ride of colors that brings fun to every corner. It is a superhero flick that is fun for many ages. This is Ultraman: Rising.

This is the directorial debut for Shannon Tindle and John Aoshima.  Ultraman: Rising works amazingly with the development in its technology to create an atmosphere of adventurous joy. Ultraman: Rising is an in-depth story with creativity about what comes with being a hero.

The film focuses on Ken Sato/Ultraman (voiced by Christopher Sean). Ken is both a professional baseball player and his secret alter ego is that of Ultraman. His life of wealth and fame finds itself landing on plateaus.  As he aspires to be the hero Ultraman, a new baby dragon comes into his life that he must care for. This creature is a kaiju monster. Ken must juggle between being a pro baseball player, a hero, and a guardian of the kaiju monster. He discovers that there is more to life than fame, and as Ken’s priorities change, conflict develops in having to juggle these many responsibilities. His father was an Ultraman, and Ken is continuing in his footsteps.  Can he step into his shoes?

With Ken having a kaiju monster as a pet, the force is out to get his pet. The deadly orders of corruption are run by Dr. Onda (voiced by Keone Young). He is a mastermind of many electronics and robots attempting to stop the tracks of Ultraman and whatever he sees as peril.  These moments create the continued thrills in Ultraman: Rising.

The connecting points are in the value of multi-tasking between livelihoods. What is more fulfilling for Ken? Is it being a pro ball player? Is it being Ultraman? Is it raising this monster? The answer to these questions is that all can thrive.  Ultraman: Rising is a film with a host of  opportunities. It’s depth correlates to connecting with many audiences, from those who love super heroes, dragons, baseball, and more.

The direction of a compelling narrative has class and creates an animation sensation. The technology rides a wave of endurance. Ultraman: Rising takes the cake as one of the best-animated films of the summer on Netflix, because it is unique in its setting, its writing, its premise, and its plot. An animation where the superhero factor must find common ground for the greater good.

 I will say I felt overwhelmed by many of the moving parts, yet in a positive light. The technical aspects of the heightened action soar strongly in Ultraman: Rising. There are just times when the film feels like its dynamics of importance struggle to stay in place. Three-and-a-half out of four stars for Ultraman: Rising.

Treating cinema in many forms of art!