The First Omen Review


I felt scared with this one. Scared by the meanings and evidence surrounding the mythological moments throughout The First Omen. It is one of those rides where the audience will feel there is something inner within many of the characters. There is also the sense that faith is tested or not serious. With the term “not serious” I mean there is the chance those who act good are truly not. The scariness to The First Omen is the amount of misdirection in the extent while horror is gradually growing. Overall, the horror grows like plants evolving into something where the lines are blurred.

The film gears on Margaret (played by Neil Tiger Free). She is someone that is from the United States and makes her way to Rome to do service at a church. Her arrival is not very pleasing as she crosses dark allies. Many of which are in terms of births of evil spirits. The terms of the church seem to have a level of dishonesty. That is because much of the blame falls onto Margaret. Father Brennan (played by Ralph Inneson) tries to help Margaret. He knows the deeper context of the problems and that Margaret can be in grave danger.

There is no clear angle though to the film’s direction. It keeps its tunes of having its haunting elements float around along with jump scares. The film itself though, just keeps trying to be scary as it possibly can be. It does succeed at that, but lacks writing in the ultimate meaning. It is clear the film is about devils and bad spirits. Those both are in the films subject matter throughout its entirety.

The ones who also have faith in Margaret are Father Harris (played by Charles Dance) and Cardinal Lawrence (played by Bill Nighy). Two men who have been acquainted with churches and have good hearts, but most of the church does not. The lack of positive quality of people is where this film finds its shifting to seem strange. Why is Margaret the one receiving all the blames for any form of devil activities? Why is there a moment where she may be randomly possessed? The film throws in all kinds of worshipping tangents that tend to go overboard and not build a resilience to have a proper meaning of faith. The “faith” lacks purely in the context of the title and its meaning of the horror around the church.

This film feels like a repeat. I have seen fires of flames happen in the matter of sins, I have seen many where those feel possessed, and this one does those same things, but tries to do on the level of being ten times more. It still feels predictable and not special. It is purely a blur. A blur of nonsense and I was not sold with this one. I truly was not. Mostly because of how it geared so much on demonic moments rather over meaning. Two out of four stars.

Civil War Review


After the last few years of having life disrupted to the COVID-19 pandemic, there comes a film about a world in turmoil. Civil War is a representation of what the future could look like if we stayed in pandemic mode much longer. Director Alex Garland is brilliant and an auteur at adding layers of realism and political factors into Civil War. This is not a common, explosive war flick, but instead tells an honest story. Once the film began, it felt like just yesterday when I was annoyed with the world because of the harsh realities of Covid 19 which included lockdowns, governments imposing restrictions, and no clear truth.  I was quickly hooked on the film because of its characters and its intention to find “a clear truth.”

The film is set in a future America where mayhem and turmoil have ensued throughout the world. Nick Offerman plays the president and is bound to be the next target if the demolition overcomes Washington DC. Kirsten Dunst plays Lee, Wagner Moura plays Joel, and Stephen McKinley Henderson plays Sammy.  They are all journalists embedded with the military on the front line working their way to DC. They live the reality ofdestruction every day as they work to capture whatever horrific story comes their way. Cailee Spaeny plays Jessie who is eager to join Lee and her team on their journey to DC.

The brilliance of Civil War lies in its pacing in each setting. Each town they encounter has a unique set of challenges based upon the politics of corruption. Whenever there is a moment of impact or combat, Lee and her team suit up to capture the news. Each day includes life-or-death tasks which becomes the new norm as war makes an impact on everyone. Garland is brave in his direction of Civil War which makes it mentally spellbinding given the combination of politics, news, and wars.

Dunst truly steals the film—her persistence is a portrait of determination to make a story count in Civil War. This is one of the best films I have seen her do. Her performance will enthralland captivate audiences. Her husband Jesse Plemmons is also in the film, and he plays an antagonist. Both deliver roles with gutpunches…Dunst for the good and Plemmons for the bad. However, Dunst is the true revelation and makes this surrealistic film memorable.

Civil War is one of the most captivating films of 2024. Deep-down, my love for Civil War is based on the tolerance it reminded me of during the frustrating the days of 2020. It reminded me of how angry I was that my love for movies and the arts was negatively impacted. During that time, I was consumed by political news from around the world. Over time, I had to learn to tolerate the things I couldn’t control and put adopt a more positive mindset. Civil War painted a true image of life in chaos, and showed what it is like for journalists to cover harsh news. Civil War takes a political story to a whole different level that is unforgettable. Four stars for Civil War.

Femme Review


The film begins with a flashing of strobe lights which makes for an unsettling feeling. Written and directed by Sam H. Freeman and Ng Choon Ping, Femme is an artistic portrait of mixed feelings. The film’s writing contains a heavy combination of disconnect and vindictiveness, and how both elements impact mental health issues related to identity. Feminism soars in Femme, and it does so with dignity and truth.  

Femme takes place in the United Kingdom. The film’s lead character is Jules (played by Nathan Stewart-Jarett). Jules embraces his feminine side and enjoys acting on stage in drag shows. He leads a happy life with his LGBT friends and routines. One night Jules he is attacked for how he identifies. His attacker is Preston (played by George Mackay). Preston likes to present himself as hip, cool, and charismatic. At the same time, Preston has a belittling attitude. After Preston’s episode of abusing Jules, Jules finds himself in despair andspends three months avoiding much contact with others. Eventually they cross paths again, and this time they build a close bond even though Jules has not gotten over Preston’s previous assault.

Preston and Jules meet sporadically and engage in activities together., some of which are fun and social, and others morecasual. Preston still has his temper, but Jules is able somehow to always keep calm. The writing in Femme puts their personalities to the test. Why is Jules hanging out with Preston? Why is Preston hanging out with Jules? Are they both closeted? Are they embarrassed? Does Jules feel something for Preston? Does Jules want to get back at Preston? Femme is a journey of two young individuals figuring out what they truly want. It also paints a portrait of the factors that play into their personalities. Femme is a realistic and bipolar LGBT thriller that has a heavy load to be carried.

The continuity in the storyline held my curiosity. The reasons that Jules is repeatedly captivated with Preston are intriguing. Given that Preston abused him, I wondered if Jules was simply seeking some form of attention. Both characters are prone to over thinking the situation. Jules over thinks about the kind of friend Preston truly is, and Preston over thinks in part due to his egotistical attitude. Deep down they are both just lonely and struggling with what their hearts want. This is why their choices continue to cause emotional turmoil.

This film is an artistically directed, multi-layered story about boundaries, jealousy, and disconnect. It presents a blurred portrait of how love, pain, and acceptance hold true consequences.  Femme leaves an aftermath of empathy and sorrow based on the dynamics between Jules and Preston. Tolerance also grows during the film about abuse. Will payback resolve Jule’s altered thinking? Preston may have a bigger heart than Jules thinks but does not know how act because he is lostlike Jules. Forgiveness and resolution are the hardest acts in Femme, just like in real life. Three-and-a-half out of four stars for Femme.

Treating cinema in many forms of art!