Spider-Man 2.1 (2004) Fathom Entertainment


Spider-Man 2.1, First time with the Extended Cut in Theatres:

From Sony Pictures and Fathom Entertainment, the Spider-Man trilogy continues in cinemas for a limited run. Spider-Man 2.1 brings audiences in for a treat. 2.1 offers an extended cut of the film, which is fourteen minutes longer than the original theatrical release. The 14 additional minutes add meaning to the sequel and the franchise offering a few more webs of nostalgia. With Tobey Maguire (Spider-Man, Seabiscuit) as Peter Parker, Kirsten Dunst (Spider-Man, Eternal Sunshine of the Spotless Mind) as Mary Jane, and Alfred Molina (Coffee and Cigarettes, Luther) as Dr. Otto Octavius, the extended cut has a lot more humor and cleverness of added layers in the 2004 classic sequel. But there are also more moments of darkness among the vengeful side of Harry Osborne, as he is played by James Franco (Spider-Man, The Company). Fans can expect a lot more confrontational tracks for a more invigorating ride of uncharted webs with Spider-Man 2.1.

Fathom Entertainment Features:

Before the film begins, audiences will have a chance to listen to the words of Alfred Molina as he discusses some of the details pertaining to his preparation for his role as evil scientist Dr. Otto Octavius. Molina goes deep into explaining his love for the comic book character, and  how he felt that the layers of the humor of the comic books helped fuel his personality with the role. The pre-show feature also includes discussion  of the technological outlines for working out Doc Ock’s  many electronic arms. The production design,  layout, and character development  feel like a grand entry into the classical (and extended and never-before-seen) sequel on the big screen. The dynamic of Molina and Maguire tango rapidly in this sequel, and audiences will have a glimpse at how Sam Raimi’s film still lives on twenty-plus years later. The revisited fun continues, and the enemies of Spider-Man always have their classical trials and errors. That is because Spider-Man always gets back up, and he even (tries) to encourage his enemies to find the good in themselves.

Worth the time?

The continued fun of Spider-Man with Sony and Fathom Entertainment is an opportunity not to be missed. Especially with Spider-Man 2.1 offering  moments that were never before seen in cinemas.  The extended sequel highlights the revenge of Harry, Peter trying to navigate his life as Spider-Man, and a new villain swarming New York. Spider-Man 2.1 is a sequel with additional layers that cannot be missed. For more special events with revisited classics visitwww.fathomentertainment.com 

Review also available on MovieArcher

https://www.moviearcher.com/movie-archer/classic-targets-in-4k/spider-man-2-1-2004

Tron: Ares Review


Many years in the making, and there is a whole lot of CGI and AI to go around in Tron: Ares. Fifteen years after Tron: Legacy, this new edition is visually stunning, but the plot is just average. This film was on and off the table for quite some time. In my opinion, the execution of Tron: Ares does not nail it and Tron: Legacy didn’t either. I may sound redundant, but all three of the films were released in different eras. Tron was released in 1982, Tron: Legacy was released in 2010, and this year we have Tron: Ares. The new featured character is played by Jared Leto as Ares. This time around, he is focused on as the hero.

Ares is programmed by Julian Dillinger (Evan Peters), a high-end tech owner who uses his AI company to gain power. However, things start to crumble. Eve Kim seeks to find hope for new beginnings and trace back to the days of Kevin Flynn, still played by Jeff Bridges. Ares is programmed to be an enemy, but with his own brain, he comes to realize the shortcomings of the universe and the programming of his environment. The world is at risk of espionage due to AI and cloud storage issues which can override all kinds of systems. While Ares may appear to be a promising robot, he still has the brains to bring out his hero side.

I appreciate how the film lays out its foundation but then veers all over the place to build a good guy vs. bad guy scenario and create misdirection. The film also attempts to keep going above the AI world. I get this concept, especially since it is a “Tron” movie, but the development of the CGI and the technological worlds had me struggling in moments. Fortunately, Leto kills it as Ares. He is a man of a few words but knows who he is fighting for. Together he and Kim are a combo for good and truth into the future. The era of technological advances swerves around in circles leading to a variety of interesting questions in Tron: Ares.

With the IMAX experience, I found the setting to be unique in this movie environment. The robotics and electronics dazzled brilliantly and were enhanced by the sound quality. The result allowed viewers to feel truly immersed despite the plot being less than stellar. There is a lot to be impressed by when it comes to the sound, the layout, and all the tunes in the film itself. Tron: Ares is spectacular in the visual sense due to its futuristic momentum. It is too bad that the writing is lacking in quality and includes transitions in the storyline that struggle to connect and captivate.

Overall, the film is an immersive continuation, but the quality and continuity are flawed. With luck, Leto is the successor of the futuristic drama in Tron: Ares. This movie is vivid, colorful and filled with AI grandeur, but could have been much better. Two-and-a-half out of four stars for Tron: Ares.

Anemone Review


Daniel Day-Lewis once said he was done with acting after Phantom Thread. That is not the case with Anemone where he is back as an actor on top of his craft portraying someone with vengeance. The story’s writing has a foundation based on solitude and layers of underlying conflicts that go way back. The director is Daniel’s son Ronan Day-Lewis. Daniel wrote the film with his son. Anemone is a film about resentment, challenges, and acceptance. In a cinematic sense, it explores the question of when enough is enough. That question expands for seemingly endless miles in Anemone, across the unique landscapes, waters, and shores of Northern England. The vast landscapes weave all kinds of feelings through a dark and rugged terrain of cinematic wonders.

Daniel Day-Lewis plays Ray and Sean Bean plays Jem. Theirs is a brotherhood filled with hatred over many years and a dynamic that is completely thunderous with conflict. Much of this stems from the performance of Day-Lewis which is often rapid and petrifying. He always has a way to give emotion to humanistic characteristics when weaving in his character’s anger. Jem decides to try to make peace with Ray because he had an affair with Ray’s wife. A confusing dynamic is then created for Ray’s son Brian (Samuel Bottomley). Ray’s former lover Nessa (Samantha Morton) is now with Jem. She has tried countless times to reconnect with Ray, due to her concerns about Brian. Throughout this film, a bad past will simply not let go.

One of the most daring and egotistical portrayals I have seen from the talented Daniel Day-Lewis. He plays the role of wanting his vengeance to linger so well. He has that mind-boggling voice and twisted sense of humor that is not one to contend with. Sean Bean’s character keeps trying to make peace while also holding his anger. However, at the same time, the brotherhood connection remains strong. Elements of hate linger in cinematic qualities that are just beautiful yet monstrous. Daniel’s son, Ronan, has an effective eye for capturing humanistic qualities which explode given the anger although there are times when alternative outlets might be much healthier. 

The film is thought-provoking as it goes into uncharted territory that can chill audiences’ guts to the bone. The hatred in the performance of Daniel Day-Lewis, and the frustration in the performance of Sean Bean are both so pure. It is a brotherhood filled with jealousy fueled by masculinity which causes the film to hit a cinematic reel of glory. The story hits it so hard becausethese actors’ efforts to burn up the screen succeed. Anemone may be one of the best films of 2025, and another resurrection of Daniel Day-Lewis. His life as an actor will always include spell-binding performances. He has a unique ability to bring back sides of his artistic repertoire with even more aggressive and thought-provoking performances. He always shines brightest in the British landscape where there is a setting of solitude. Three-and-a-half stars for Anemone.

 

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