Chicago International Film Festival 2025-If I Had Legs, I’d Kick You


This film is melancholy, filled with plenty of potions to amplify the sadness. Rose Byrne delivers a spellbinding performance in this anxiety-filled story. If I Had Legs, I’d Kick You is written and directed by Mary Bronstein who has an eye for creating tolerance in the face of a conflicting pattern. There are a bucket of problems only getting worse while an individual struggles to keep standing and thriving. The concept of resilience runs deepin If I Had Legs, I’d Kick You.

Rose Byrne plays Linda, a mother dealing with her daughters’severe illness. Her husband is not very present in her life, andher home has fallen apart. This puts her and her daughter in a situation where they must live in a motel. Linda finds herself trying to tango with all the moving roadblocks. This includes dealing with a relationship with her therapist, played by Conan O’Brien. Overall, her choices and decisions keep falling down a slippery slope resulting in negative impacts. Given all that is on her plate, her head is speeding with anxiety.

The whole film feels like a ride that just won’t stop. It is a lot to handle, especially in moments when Byrne’s character goes to the motel lobby to buy wine late at night. There are also scenes in which she argues with others, including staff at her daughter’s schools or at resource centers. What is unique in these situations is that they capture the daily human annoyances in life. Bronstein’s direction shows humans can only take so much when many different crises come rushing down like a waterfall.

The film is brilliant. While not Oscar-worthy, it is quiteexperimental. Byrne’s performance is audacious and fearless. I love how the title speaks to the anger in the film. If I Had Legs, I’d Kick You made me want to kick seats in the theatre around me. (Not literally of course!) The anxiety stuck with me throughout my screening during moments when the daughter is having issues and again during the therapist scenario. The director created a vivid portrait which piqued my curiosity. It made me wonder, “When does life give us a break?” If I Had Legs, I’d Kick You inspires viewers to have a stronger mindset…even in times when it seems there are too many mental challenges to face.

There is a point in the film in which questionable choices occur, and Linda thinks about doing drugs to cope with her anxiety. However, that also has consequences. The main conflict in this matter is who will be impacted by this behavior. Clearly, it won’t just impact Linda, but also her daughter’s illness and safety. Despite the troubling aspects explored in If I Had Legs, I’d Kick You, the story makes viewers think and leaves them with an important message. Specifically, if you’re going through hell,you’ve got to just keep going. Three-and-a-half out of four stars for If I Had Legs, I’d Kick You.

 

Black Phone 2 Review


Black Phone2 intensifies the suspense and horror. Directed by Scott Derrickson, the film meets the high expectations set by its predecessor. The first installment was only the beginning. This time, the phone calls target both Finn and Gwen. Mason Thames and Madeleine McGraw reprise their roles as brother and sister. Ethan Hawke returns as The Grabber. The new storyline adds more detail. I felt more scared than in the first film.

With the film moving forward, Finn’s nightmares carry a lot of weight into this sequel. Especially with the tones of a belittling attitude, and also the much horror he has experienced, he carries on with him. The visions of The Grabber have not left, but this time, Gwen is having her own nightmares. This brings them to realize that a place called Alpine Lake may have answers to the terrors of their dreams.

What electrifies Black Phone 2 is its spiraling momentum, pulling viewers deeper into a maze of recurring nightmares and lurking mysteries. The eerie phone booth at Alpine Lake becomes the epicenter of their fears. When it rings, reality and nightmare blur, unleashing supernatural horrors that thrive at the camp. Here, Finn and Gwen piece together the cryptic patterns from their visions, each nightmare a vital clue in their search for the truth.

The writing delves into the depths of evil lying in wait, layering the sequel with fresh, unexpected scares. The film is a labyrinth of campfire terrors and shadowy histories, each piece fitting into a larger, sinister puzzle. The Black Phone 2 masterfully maintains its surreal continuity, always hinting at new horrors to come. The Grabber’s chilling voice and twisted motives remain unforgettable, and Hawke’s wicked grin steals every scene.

Overall, The Black Phone 2 is vivid. One that still has a promising continuation. I adored all the extra evidence to maintain momentum. I will also say that I felt it had a heartfelt side with the brother and sister dynamic battling horror . Especially with one that is bound to continue. Three out of four stars for Black Phone 2.

Urchin Review


The easy fall of relapse comes around instantly in Urchin. Written and directed by Harris Dickinson. A rising star from the UK who is now making his way into fame after starring in Babygirl with Nicole Kidman. Urchin though correlates to his type of earlier acting roles. That is because he played a depressed, young lad in Beach Rats in 2017. As one who has portrayed a character with overwhelming struggles, he now creates a story revolving around one. Urchin is a film where trial and error has plateaus in the cinematic sense, but the writing seems to fall flat.

The film takes place in London, and its main character is Mike, and he is played by Frank Dillane. Mike is one who is homeless and has been in trouble with the law multiple times. He finds himself getting into trouble with his on-and-off buddy, Nathan. Dickinson plays Nathan. After messing up countless times, he has been given multiple chances. This time though, he has a chance for reconciliation. He is put into a program where housing is provided, and he is given a job as a dishwasher. It is like a rehabilitation setup with a halfway house portion added. However, Mike finds himself still having conflicts dismissing his patterns of addiction. His irritability exists, as does his self-destructive behavior.

The many moving parts of struggle around the performance of Dillane is vivid and artistic. Especially when he is put in the moments of having to adapt to organizational skills, that is when all bets begin to fall. Because as he continues to struggle with his own thoughts and curiosities about troublesome behavior, it interferes in the routines of his daily life. Dickinson creates a portrait of how chances are abused when they are given to those who cannot overcome issues with relapses. He adds fluorescent and technical colors to add to the anxiety-provoking theme surrounding Urchin. Hard to bear in moments, but humanistic value is seen. Three out of four stars for Urchin.

Treating cinema in many forms of art!