Aftersun Review


Aftersun is a film in which people look at their lives both past and present. Aftersun is filled with melancholy moments, but they display endearment. This may not be a feel-good movie. However, it is breathtaking in terms of its narrative.  Aftersun’s positive light is the struggle which involves mixed feelings between a father and a daughter.

The film focuses on a father, Calum, and his daughter Sophie. Calum is played by Paul Mescal and Sophie is played by Frankie Corio. They are on a vacation together and experience frustrations with each other and with themselves. They have their good days, but also bad days when their fun plans fall apart. Aftersun is about the struggle of accepting the hard life that Calum and Sophie lead. Calum has a rough past, and so does Sophie. Her father does the best he can to be a good father, although it is hard for Sophie to see that in him. It is also difficult for her to accept that he oversees her.

Aftersun is a film that feels experimental because it closely follows the dynamics of Calum and Sophie’s relationship. Their vacation is filled with tension and the intriguing narrative connects effectively with the film’s cinematography. Aftersun portrays true feelings of disconnect in a surreal tone of dramatic filmmaking. The conflicted relationship between Calum and Sophie is unique. It shows that they have hatred, but deeply want to feel connected with each other. In Mescal’s role as Calum, he displays a generous amount of love as a father. In Corio’s role as Sophie, she displays belligerent behavior as a daughter. Aftersun’s story of attempted reconciliation is deep with irreparable consequences.  The emotions between Calum and Sophie are purely sad, but purely engrossing.

With the complicated frustrations and tension between Calum and Sophie, Aftersun flows like a depressing story. However, it is about Calum and Sophie figuring out how to get on the same page to maintain their relationship. The story is about how they come to terms of acceptance, despite their dark past. Calum’s challenging childhood drags her into his suffering. Aftersun is ultimately about forgiveness and second chances despite the struggles between them.

Aftersun is hard to feel positive about. I did appreciate the movie for its realist portrayal of a difficult subject. I found reflecting upon how relationships tend to hurt so much with the ones we love most. The film’s direction and style of filmmaking is faithful to life and society. Three stars for Aftersun.

Babylon Review


Director Damien Chazelle’s films create worlds like no other. Babylon is about the movie industry and it has lots of fictionalized characters who are fueled by drugs and glamor. Brad Pitt and Margot Robbie play the leads, and they are two who will definitely tango. Babylon will make viewers’ heads spin, but it may also challenge their gut with its repulsiveness.

Babylon is set in the 1920s golden days of Hollywood, when sound was just being introduced to cinema. Jack Conrad, played by Pitt, is a cinema tycoon, and he is one crazy party animal. Nellie LaRoy, played by Robbie, is the next big female actress talent, but she has drug problems. Manny Torres, played by Diego Calva, is an assistant for the projects involving Conrad and LaRoy. We first meet Manny when an elephant is being delivered to a party being thrown by Conrad, and it only gets crazier from there. Another quirky character is James McKay, played by Tobey Maguire. He’s in a supporting role, but one with some secrets that the audience will find surprising.

Babylon actually has many surprises, including a scenario where someone is fighting a snake in front of a party. Expect lots of drugged up mayhem, nudity, and all kinds of bizarre situations from the mind of Chazelle. But it becomes repetitive, and sometimes just plain silly. There are some amazing performances, but the frequent parties tends to be boring, especially in a film that’s just over three hours long.

Despite the moments of boredom, Babylon manages to weave some joy between the accomplishments and mayhem of its characters. But this is mostly just Hollywood movie people going insane with danger and fierce competitions for success. Conrad is Hollywood royalty with fame and money. LaRoy has the looks and the talent to rise through the star ranks, but will she be able conquer her drug addictions? It seems that everyone is out of control in Babylon.

Babylon is a film with some cinematic energy but, overall, I would call it just all right. It’s a film that is certainly not perfect, and I have some serious issues with it. I felt at times like Chazelle was almost trying to make Babylon seem like a Martin Scorsese film, and I think that its writing is over-the-top in places. It isn’t for everyone, and I personally found it rather overwhelming. Two and a half stars for Babylon.

Nanny Review


Nanny is a film that weaves emotions of the past, present, and future. It displays a juxtaposition of what is right and wrong when dealing with tough situations. Nanny is filled with positive vibes in its opening. Just moments after that though, it begins to heighten with disagreements. The anxiety of the characters in Nanny become strong and harrowing mental terror is visually portrayed. Nanny soars with tension in various moments. The film, however, is not great because its continuity is miscalculated.

Nanny’s plot is played out in New York City. The film introduces us to Aisha, played by Anna Diop. Aisha is an immigrant who is hired to be a nanny by Amy, played by Michelle Monaghan, and Adam, played by Morgan Spector. They put her in charge of watching their daughter Rose, played by Rose Decker. Aisha loves her job taking care of Rose. It distracts her from the many troubles of her own past. The mood for Aisha starts to shift when Amy begins to fall behind on paying her. Aisha finds herself having to talk to Adam behind Amy’s back. As the miscommunication starts getting out of hand, Aisha’s own reality begins to tarnish. Her tensions remind her of the past, and she finds herself mentally losing control. As disagreements begin to intensify with all the parties involved, the more the terror evolves.

Aisha’s frustrations with Amy and Adam are what causes her anxiety to spin out-of-control. It is the same way for Amy. As Amy keeps putting off the payments for Aisha, Nanny gets more vivid with strange illusions. The scary imagery of Aisha’s past keeps haunting her, and it begins to impact her job performance with Rose. The outcomes Aisha’s behavior become irreparable and surreal. Nanny proves its point of consequence by creatively showing what is in Aisha’s mind. The trail of Aisha’s past is not forgotten, so Rose may be in danger under Aisha’s care. Nanny lures its viewers by utilizing tracks of strange imagery tied to Aisha’s emotions. I found this utterly gnarly.

Nanny is an invigorating film with a captivating plot. I found it lacking because of how over-done Aisha’s mental images are. For example, there is a moment where she envisions something horrific in a swimming pool. Was this supposed to be an evil mermaid-type of omen? Isthis a psychological movie trying to be a version of The Shape of Water (2017)? If so, its fantasy moments like this were unappealing to me.  The execution was mediocre and not of importance to Nanny’s central problem.

Despite the strange mermaid moment, Nanny makes sense thanks to its underlying tensions. It is the mental horrors where the film crosses the line. Perhaps the goal was to make the audience feel like it is a fantasy.  Unfortunately, it is not one. Instead, it is a film about a lady trying to make an income, while also trying to get her life together after a harsh past. Sadly, the creative process causes this film to go way overboard.

My explanation to help put this film into context is that Nanny falls under the genres of horror and thriller. It is more psychological terror mixed with exaggerated emotions. The film does not know when to stop adding more elements. The over-exaggerations are what causes Nanny to be just mediocre and make the movie not make sense in certain moments. Two and a half stars for Nanny.

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