The real story of “The Stanford Prison Experiment” is about how Doctor Philip Zimbardo wanted to see the psychological aspects of a prison re enactment of Stanford University. The experiment was suppose to last for two weeks, and it only lasted six days due to how the violent behavior of the students (who portrayed guards and prisoners) were impacted. The experiment led to students wanting psychological treatment and had nightmares for long periods of time. Zimbardo insisted on letting suspenseful situations get more out of control as a way to lead to results of his experiment. As Zimbardo saw the negative behavior through his own eyes, he decided to end the scenario early. The goal of the movie, however, was to capture the harshness of the scenario, rather than the psychological result of it.

Zimbardo turned a hallway of Stanford University into a prison. He got bunks, designed places for the guards, and assigned policies in regards to how guards can treat the prisoners. The guards push the prisoners to the limit though. They are quite horrid, intense, and vulgar towards the prisoners where it messes with the prisoners minds. Therefore, the movie has good acting, good plot structure, but there is no result of the psychological purpose of what Zimbardo is trying to find with what he has created for just volunteer students. Things go ballistic.

Doctor Philip Zombardo (Billy Crudup) assigns guards and prisoners based on their interview questions. The main guards are Christopher Archer (Michael Angarano), Anthony Carroll (Moises Arias), and Karl Vandy (Nicholas Braun). They are guards that are a recipe for disaster. The main prisoners are Daniel Culp (Ezra Miller), Peter Mitchell (Tye Sheridan), and Jeff Hansen (Johnny Simmons). These prisoners are heavily impacted by the guard’s behaviors. The prisoners and guards both have a generous amount of time to think about their behavior for the next two weeks. However, both of the parties decide to abuse the privilege. The guards start first with verbally abusing the prisoners consistently. This makes the prisoners become rebellious. Zimbardo does not think of ways to calm down the conflicts between the two parties, he wants to let the intense situations get out hand to be able to find a result for his psychological study.

Zimbardo has many options to calm down his victims he has chosen. Instead he ponders with agitation, discomfort, and hope. He does this because he wants something big out of it. He would then feel like the experiment was all for nothing. I will not give any more information away regarding the judgment of the characters. That is something for viewers to see (if they choose to view this brutally intense thriller).

The guard moments are heavy with language, brutality, and being outspoken. This is all ran by Archer. He is the guard that wants to be a guard just to have the authority and to feel like he is the Big Kahuna.

Despite the film’s violence, “The Stanford Prison Experiment” is vast with cinematography, acting, and plot development, but there is not a good solution to the movie. Since “The Stanford Prison Experiment” is a true story I would have liked to view the film for its psychological purpose, rather than just violence after violence. Overall, I will say two and a half stars.

Though the film stars the big celebrity from “Boardwalk Empire” Michael Pitt, the sci-fi drama “I origins” has a sense of grief and deception. The film begins with Pitt narrating his studies of molecular biology, his family, and the study of a particular eye that changed his world. The film brings us to his journey of a particular eye that starts when he is a PhD student. He is at a Halloween party, goes to the rooftop for fresh air, sees a random girl, and asks her to take a picture of her eyes. That girl propositions him romantically and vanishes. This somewhat strange encounter brings Ian (Pitt) to be on odds with himself and his beliefs on his studies of eyes.

The movie won at Sundance Film Festival in 2014. This makes “I Origins” one of the most creative and anticipated sci-fi movies of 2014. Given its meaning, its message, and its climax, it is a puzzle of created from one dramatic death, it will leave viewers stumbling with questions towards the end of the movie. Yet it did not so great budget wise, but director Mike Cahill is creative, bold, and vast with his focus of this sci-fi movie, as the suspense of “I Origins” takes place.

The movie is about Ian; a molecular biologist that has on obsession with the eye. He meets a girl on a rooftop, takes a picture of her eyes, and then she vanishes. A few years later he runs into her again and they finally meet like civilized people. Her name is Sofi (Astrid Berges-Frisbey). They fall in love and they get married. However, when Ian takes her to his lab to prove an experiment that he believes is appealing, she is not fond of it. The behavior shift leads to disasters; disasters so bad where Sofi dies in an elevator. Ian begins to become depressed; he starts to work less in his lab, does not have an interest for science, then all of a sudden his lab aid Karen (Brit Marling) comforts him. Ian falls in love for a second time with Karen and they get married and have a baby.

As the years go by, Ian gets ready to return to the study of Sofi’s eye. With his intense research with his wife Karen, they realize there is someone in the world that has the same eyes as Sofi. For Ian this means, “The eye can be a window to the soul.” This discovery puts him back in his place and he stops at nothing to solve the mystery of the girl he once loved until her accidental death on their wedding day.

This all happens with massive drama. At first, Ian is against the idea of discovering what Sofi left behind. Karen is for the idea, but Ian wants to focus on loving Karen and not thinking about Sofi. Karen and Ian have their moments of arguing about doing the research, but Karen has hopes that Ian is a genius. This finally leaves Ian to travel and find the girl who might have Sofi’s eyes.

Ultimately, “I origins” is a landscape of science, drama, and love. Viewers may see the film to gear on religion based on the scientific beliefs of Pitt’s character. Either way though, religion is not much of the focus of “I Origins” the focus is the discovery of the eyes of someone that died. The characters are not your average big name Hollywood actors, the film is not a blockbuster, but the script is well written and it’s a heavy, yet captivating concept. This movie is like a psychological movie mixed with science; with scientific results that will shock viewers at the very end.

Three and a half stars!

Patrick Brice’s, “The Overnight” starts with a common family setup. A family of three. The family introduces us to Alex, Emily, and their son RJ (Adam Scott, Taylor Schilling, and RJ Hernes). The family is just a regular family, however their behavior shifts once they accept a quirky invitation. That all begins once they meet Kurt and Charlotte (Jason Schwartzmann and Judith Godreche); a couple that is bizarre in many ways.

Alex and Emily move to Los Angeles. Upon their arrival, they take their son RJ to a playground. Within minutes of hanging around at the playground, Kurt introduces himself and invites Alex and Emily to hangout at his place with his wife, Charlotte. However, the night between the two couples becomes raunchy, awkward, and quite uncomfortable. Many unadulterated activities happen.

For Schartzmann, this role is perfect for him. He has the style of playing characters that are opinionated and have an ego. I have seen this in his HBO show, “Bored to Death” and his films such as “I Heart Huckabees” (2004), “Shopgirl (2005), and “Scott Pilgrim vs. The World” (2010). Also in many Wes Anderson movies. Brice has the similar setup like Anderson’s “The Darjeeling Limited” (2007 and also starred Schwartzmann), but “The Overnight” does not have structure like “The Darjeeling Limited” does.

But “The Overnight” is at odds with Adam Scott. He is known for being funny, not serious. However, his attitude shifts from serious to funny in this movie. He gets crazier as the film progresses on. Scott looks like a whole new person towards “The Overnight’s” ridiculous climax.

“The Overnight” is different. Not your average film, but it has many evidence to support its positivity. It does so with the actions of the characters, the setting, and the result and the end of the movie.

Three stars.