Spades Review


Written and directed by Johnny Yong Bosch, the direction of thisfilm loops in hurdles that keep the sensations going. Spades hasa brutal start, in a positive context in that it lends itself to the story. It is a path of terror that leads to the present, and a journey that is relentless. When there is a detective race against time, the clock starts ticking. Spades is vibrant and terrific. Filled with brutal violence, the film does have moments that key into why it comes out that way. 

 

The main character is James Bishop, played by Jason Narvy. He is a war-veteran who works nights as a detective. His wife is dead, and his connections with his daughter Lana are limited. Lana is played by Maya Brattkus. James has a partner on the job, Walt Mackland, played by Henry Roe. James suffers from traumas that linger after years of war, and when he is on the job, his vengeance lingers. He soon finds himself on a trail of murderers, traffickers, and a masked vigilante by the name of Spades. Spades is played by Bosch himself, the director, playing the vigilante on both sides of the law. However, he does so in a gritty way.

 

When there is a crime, Spades tells his victims at the scene to choose a card. Many times, that choice leads to death. He has a past that he cannot forget, much like James. However, James finds himself in the scenario of dealing with a crime boss named Saito. Saito is played by Nobuaki Shimamoto. He partners with his son Keiji in all kinds of crimes. Keiji is played by Kaiji Tang. They kill a crime boss to take a bigger piece of the pie, and James is the detective trying to put the pieces together to hold them accountable. As he keeps getting closer, Spades interferes. Spades hurts those who are bad, but he is just as bad as he aims to murder instead of turning criminals into the authorities.

 

The vision of silent vigilantes is cleverly examined from the mind of Bosch, especially since he is the one playing the ghost himself. He is quite brave being the director to put on the mask as the villain. That is a clever twist with all the vengeance lingering in Spades. Much of the film goes through finding all the pieces, then another majority of it is the investigation. Later, expect a lot of gun violence moments with some levels of explosions. There is always a card that is thrown before something happens though—the moment for a literary device or a connection—which is why Bosch is brilliant with the direction of the suspense.

 

A grade A thriller that loops emotions in with actions to the top. A rollercoaster ride on a track that is broken and does not want to quit until it works right.  It keeps running through the tunnels of suspense for an entertaining run. With a masked suspect, deadly operations, and a corrupt detective, I was very sold with Spades. Three-and-a-half out of four stars.

Tony Review


I always admired Anthony Bourdain. I followed his show on CNN Anthony Bourdain: Parts Unknown. I enjoyed following along on his travels and appreciated his inspirational words. He had a unique view of the world that he blended with his own perspective. Throughout the many places he traveled, I was enthralled by his food choices, the places he would visit, and the conversations he would have. Tony reminds audiences of where it all started for Bourdain. 

When he took his own life in 2018, I was heartbroken. At the same time, however, it was a reminder that money and fame do not buy someone happiness. A life filled with food and travel was also a heavy road for Bourdain. Tony feels like the introduction to his journey—one of adventure, curiosity, creativity, but also an ego. Dominic Sessa plays the role of Bourdain very well. He embraces the younger Bourdain’s mindset with a passion that hits deeply.

Tony is set on getting a writer’s fellowship. He is convinced he is chosen. Based on his ego, words, and attitude, having a strong voice is how he shines throughout the film. He gets rejected but still has it in his head that he is on a mission. He finds himself working as a dishwasher at the Flagship Restaurant in Provincetown Massachusetts. His mentor goes by the name of Chef, and is played by Antonio Banderas. Tony’s days of new beginnings come around rapidly. Despite  being very vocal, he finds meaning in the kitchen with those he finds himself surrounded by. I always remember that Bourdain connected with many people around the world, even in the smallest of settings. This side of his character has layers which are portrayed cinematically in Tony. 

Tony also cares about a girl named Nancy, played by Emilia Jones. She is one of the reasons Tony ends up in Provincetown. Tony seems to be on a regular mission to create meaningful moments with someone who catches his eye. He may lie or may not seem like he has an artistic eye, but he has a vision and a purpose that is well-written throughout the film. The desire to be a unique artist is where Tony soars. Sessa is the king of admiration in his performance as Anthony Bourdain. 

Hard ground is also present in Tony. Working for Chef, Tony learns that he is strict about being on time and taking kitchen work seriously. He also cares a lot about quality which Tony needs to focus on to keep growing in the kitchen at The Flagship. When the menu grows, the competition to be a favorite grows too. Tony even finds himself having a  friendship with his colleague Sal, played by Leo Woodall. Sal is both a good and bad influence. Good in the kitchen, but bad on the outside. There are scenes when Tony and Sal experiment with drugs and party hard which leads to some tough times. Still, the characterizations and growth of Anthony Bourdain stays on track and is the primary focus.

Director Matt Johnson has an eye for capturing the human-side of competition. He mastered this with characterizations and dynamics in BlackBerry. He has an eye for showcasing the visuals of someone who wants to feel like a winner, even when the individual has some qualities which are lacking. In Sessa’s performance, it is clear that Tony’s quality involved staying true to himself. Nevertheless, Bourdain fully accepted that years later throughout his restaurants and his TV series. Finding one’s voice and staying motivated to achieve meaningful success while remaining empathetic is what makes Tony astonishing.

Filled with food quotes and conversations, the context of care was extraordinary and surreal in Tony. Audiences can hear it in the words of Sessa in his monumental performance. When he is trying to win the attention of Nancy, there is a time when he tells her, “I like the way I feel when you look at me.” That moment shows deeply that Tony cared about who he was as a person. There is also a scene where he talks about wanting to write. Since he tends to lack skills with words and positive flows of conversation, he presents his approach to writing as, “An idea for an idea.” Tony reminds viewers of the many unique elements of Anthony Bourdain that helped him reach new heights over the decades. The movie is about the kitchen days of Bourdain, and those days are where the special times really soared. Four out four stars for Tony.

 

I Want Your Sex Review


Olivia Wilde is becoming rapidly more brilliant and is destined to always be daring. After her directing and starring The Invite, she continues to rock the world with her mind-blowing performances. In I Want Your Sex, she is an open book with no bars. I Want Your Sex is wicked and honest. It is a comedic look at human emotions that is funny and serious, while also highlighting the mental pressure of making choices. Cooper Hoffman is a revelation. He steals the film. When there are elements of desire, I Want Your Sex stops at nothing to create spellbinding fantasies.

The film is written and directed by Gregg Araki and focuses on Elliot (Hoffman), an employee working in a studio under the supervision of Erika (Wilde). Elliot works as a studio assistant for Erika’s studio. He has a strange job of assisting with chewing gum. However, as he works with Erika, their conversations start to become more sexualized. As Elliot is in a not-so-exciting relationship, he begins to feel that being with Erika brings him more pleasure in his life.

The film becomes increasingly erotic. Audiences can feel the loneliness in Hoffman’s performance. Since he has a standard nine-to-five job with little excitement, being with Erika opens doors for him. Especially in moments when she labels him as a submissive. However, he finds himself confused as well. Is Erika trustworthy? Is Erika using him? Do their choices benefit either of them? I Want Your Sex spirals with questions that boggle the imagination.

With the dynamic between Wilde and Hoffman, it is like a wild duo trying to figure out their own desires. Wilde is high-class and Hoffman is the middle- to  lower-class.  Wilde is the wealthy one with the studio, and Hoffman is the assistant. Wilde’s character has tons of money to spend on fancy art and strange hobbies. Hoffman’s character works at his job just to get by. Outside of his job, however,  he is not that happy. He begins to feel most human when he is with Wilde. They are two human beings looking to fulfill their fantasies in this classy and well-written dark comedy.

The quirkiness of the lead characters’ desires and loneliness is what makes the film so fulfilling. Hoffman’s performance and ability to display his lonesome mode is defiant. Wilde’s performance is also compelling especially when she uses trial and error in making Hoffman her submissive.  The story leads viewers down dark avenues that are bizarre and utterly surprising. This is a one-of-a-kind comedy that had me sold. Three-and-a-half out of four stars for I Want Your Sex.

 

 

 

 

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