Tag Archives: 62nd Chicago International Film Festival

Victorian Psycho Review-62nd Chicago International Film Festival


The year is 1858 and the director is Zachary Wigon. For some delightful, psychological laughs, he brings us Victorian Psycho. This film is a crowd pleaser at the 62nd Chicago International Film Festival. Maika Monroe will twist audiences’ minds with her performance. I found myself laughing and wishing it wouldn’t end. Victorian Psycho is one-of-a-kind.

Monroe plays Winifred Notty. She is hired as a governess for a wealthy family and reports to Mr. and Mrs. Pounds (Jason Isaacs and Ruth Wilson). Winifred does what she can to please the family, but possesses evil elements within herself. From sarcastic remarks to rude innuendos, Monroe is the master of inappropriate behavior throughout the film. There are moments when she acts out of jealousy and others when her actions are based on hatred. The wealth of the family is sickening, yet deep-down the real monster is Winifred Notty.

Zachary Wigon goes down a notch after his direction of Sanctuary. While I adore Sanctuary, I felt that Wigon expanded the overwhelming scenes into a new era that made the film more of a period piece. Victorian Psycho is festival material because of its class dynamics. The theme of envy fuels the suspense in Victorian Psycho. 

The film is not easy to explain, but the behaviors make the clock start ticking with rage. Victorian Psycho has been steady on the film festival circuit throughout the year. It has earned praise at the Cannes Film Festival, The Melbourne International Film Festival (Miff), Beyond Fest, Fantastic Fest, and is even slated to be the opener of Popcorn Frights’ Wicked Weekend in November. The mind-twisting grandeur is in trick or treat mode throughout the year. Zachary Wigon’s round of terror will make heads roll. Three-and-a-half out of four stars.

The Life and Deaths of Wilson Shedd Review-62nd Chicago International Film Festival


This is a film where finding a second chance and redemption do not come easy. Yet, there is inspiration and hope in this dramatic film which is perfect for the Chicago International Film Festival. Directed by Tim Blake Nelson, this is The Life and Deaths of Wilson Shedd. In this  film, a prisoner is inspired by writing. After making many mistakes in life, he finds faith in an instructor who provides him with reasons to live. While the subject is spellbinding and dark, the lights shine bright in this mesmerizing story. 

The film’s main character is Karen, played by Amanda Seyfried. She is an instructor for prison inmates and is also in an abusive relationship. She tries to overcome the difficult elements in her life by teaching. She encourages creative writing for her inmates/students. Wilson Shedd, a prisoner played by Scoot McNairy finds her inspiring. Although his past has wrecked his life,  he continuously searches for the right poetic words to describe the bad choices he has made. He finds Karen’s teaching inspirational.

Karen has her own problems, but searches for what can make Wilson’s life better. It is not an easy situation, but the thought of escaping via creative pursuits is an important message in The Life and Deaths of Wilson Shedd. Karen finds herself trying to help Wilson see light again. Is she doing it within legal guidelines? Boundaries get crossed. Wilson wants happiness outside of prison, and Karen wants happiness outside her abusive relationship. Both are living challenging lives in different places. The uncharted moments in this film dazzle with hope. Four out of four stars for The Life and Deaths of Wilson Shedd.

Clarissa Review-62nd Chicago International Film Festival


A thought-provoking film that looks at how dynamics and characteristics change over time. This portrait of resilience and patience feels contemporary. Directed by Arie Esiri and Chuko Esiri, Clarissa fits well at the Chicago International Film Festival because it looks at society, norms and values. The film’s main characters are Clarissa and Sally. Sophie Okonedo plays the older version of Clarissa, and India Amerteifio plays the younger version of Clarissa. Nikki Amuka-Bird plays the older version of Sally, and Ayo Edebiri plays the younger version of Sally.  The younger performances were the most compelling. 

The film explores thoughts on marriage and why people are together. The film is based on Mrs. Dalloway, a society wife in Lagos, Nigeria. The journey follows Clarissa and those she is close to. The story also looks at societal issues related to achievements and class. Clarissa goes deep. At some moments, this film is quite emotional but also channels disconnect in various scenes. 

I found myself amazed while watching Clarissa, especially due to the way it weaves back and forth through different times in Clarissa’s life. Audiences see frustrations in her younger self and older self. The same patterns occur in Sally’s life. The questions about self-worth are painted within a portrait of success. This artistic film is like a painting of angels that comes together for a powerful reason. Three-and-a-half out of four stars for Clarissa.