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Tuner Review-Chicago Critics Film Festival 2026-Movies with Tarek


There is a crime heist with a tune that resonates in the Chicago Critics Film Festival. It is a film that involves a piano tuner, safety deposit boxes, and family hardship. Given all these components, it comes down to the tuner making hard choices to help those he loves. Since the tuner has struggles with hearing, he feels connected to reality and those who matter to him the most. Directed by Daniel Roher, this is Tuner. Audiences will have their minds blown and the outcomes will turn their worlds around. So many questions are at play as different operations come around in this story.

The main character fixes pianos. His name is Niki, played by Leo Woodall. He tries to help his family members with their finances. The family member with health issues is Henry, played by Dustin Hoffman. Niki wants to help and has found an easy way. With his talent cracking safes by listening closely, he falls in with criminals. Niki ends up doing all kinds of robbery jobs, many of which are discreet. Soon though, his life falls on the line. He may be making the dough, but the heists get riskier as the criminals utilize his hearing challenges to take advantage of him. He also finds himself in a relationship with a piano player named Ruthie, played by Havana Rose Liu. While Niki tries to get his life together to help those who matter and build a livelihood through crime, he does not know his limits.

The film is a crazy, daring ride where I was jumping out of my seat every time there was a moment when Niki had to deal with his sound barriers. I also was sold on how he can fix the pianos while at the same time navigating constant frustrations. Woodall’s performance playing a character with a disabilityprovides motivation for viewers to persevere. Despite the wrong path he pursues, there is a cinematic twist that will leave audiences breathless. Three-and-a-half out of four stars for Tuner.

Shelter Review


I appreciate the many action flicks with Jason Statham in the lead, especially because he possesses an attitude of no empathy and unleashes all kinds of chaos. With his new film Shelter though, it was by far one of the dryest of thrillers. My mind was bored. I felt like I was watching paint dry in increments. It is not horrible, but the pacing is off. Shelter carries the fundamentals of an espionage flick with secrets, however, putting together the parts to execute a cohesive film keeps failing. There is a form of confusion that runs through Shelter. Where is the meaning behind all of the danger? There is little detail about why and how the events unfold.

The film’s main character is Michael Mason, played by Jason Statham. He lives in a lighthouse with peace and solitude. This all changes when a girl falls into his life and becomes his responsibility. Her name is Jessie, played by Bodhi Rae Breathnach. She ends up with Michael because he saves her from drowning. He tries to maintain a low-profile in her presence, because his history is one where there are many people after him.  This is where the pacing is in shambles.

Shelter maintains a strong suit of suspense. Especially in the dynamics of the performances from Statham and Breathnach. It was steady in moments, but overall, the film jumps to conclusions quickly. To elaborate, they go from a lighthouse setting to those who are part of operations of a spy organization hunt them—the solitude of Statham’s performance does not fit. The film opens with a man pursuing vengeance and works to make itself feel like some form of a James Bond movie. In the end though, it is just Statham playing his usual self.

Shelter jumps from authorities being tackled over to traps beingset in place, and continues on a rollercoaster of disaster action. Again, not horrible, but the pacing of trying to be mesmerizing or spectacular is not there whatsoever. The shambles of poor writing are above and beyond with Shelter. I was not sold. With that, my rating falls at two out of four stars.