Tag Archives: Chicago International Film Festival

Chicago International Film Festival 2025-If I Had Legs, I’d Kick You


This film is melancholy, filled with plenty of potions to amplify the sadness. Rose Byrne delivers a spellbinding performance in this anxiety-filled story. If I Had Legs, I’d Kick You is written and directed by Mary Bronstein who has an eye for creating tolerance in the face of a conflicting pattern. There are a bucket of problems only getting worse while an individual struggles to keep standing and thriving. The concept of resilience runs deepin If I Had Legs, I’d Kick You.

Rose Byrne plays Linda, a mother dealing with her daughters’severe illness. Her husband is not very present in her life, andher home has fallen apart. This puts her and her daughter in a situation where they must live in a motel. Linda finds herself trying to tango with all the moving roadblocks. This includes dealing with a relationship with her therapist, played by Conan O’Brien. Overall, her choices and decisions keep falling down a slippery slope resulting in negative impacts. Given all that is on her plate, her head is speeding with anxiety.

The whole film feels like a ride that just won’t stop. It is a lot to handle, especially in moments when Byrne’s character goes to the motel lobby to buy wine late at night. There are also scenes in which she argues with others, including staff at her daughter’s schools or at resource centers. What is unique in these situations is that they capture the daily human annoyances in life. Bronstein’s direction shows humans can only take so much when many different crises come rushing down like a waterfall.

The film is brilliant. While not Oscar-worthy, it is quiteexperimental. Byrne’s performance is audacious and fearless. I love how the title speaks to the anger in the film. If I Had Legs, I’d Kick You made me want to kick seats in the theatre around me. (Not literally of course!) The anxiety stuck with me throughout my screening during moments when the daughter is having issues and again during the therapist scenario. The director created a vivid portrait which piqued my curiosity. It made me wonder, “When does life give us a break?” If I Had Legs, I’d Kick You inspires viewers to have a stronger mindset…even in times when it seems there are too many mental challenges to face.

There is a point in the film in which questionable choices occur, and Linda thinks about doing drugs to cope with her anxiety. However, that also has consequences. The main conflict in this matter is who will be impacted by this behavior. Clearly, it won’t just impact Linda, but also her daughter’s illness and safety. Despite the troubling aspects explored in If I Had Legs, I’d Kick You, the story makes viewers think and leaves them with an important message. Specifically, if you’re going through hell,you’ve got to just keep going. Three-and-a-half out of four stars for If I Had Legs, I’d Kick You.

 

Okie Review-60th Chicago International Film Festival


The film is a portrait of writer’s block and its struggle. It is a drama that hits close to home (for me) because I grew up in Illinois. Directed by Kate Cobb, she brings her audience to a world of detrimental stress in the life of a writer. Okie is artistic with a vast landscape of a soul-focused direction.

The film’s main character is Louie (played by Scott Michael Foster). Louie feels that reality is hitting him hard. He has a bad past with a deceased parent. Louie is on a journey back to his home around De Kalb, Illinois. The frustrations contain a sense of tension (based on Louie’s reputation as a writer).

What is intriguing about Okie is its continuing purpose of getting through hurdles. Louie is the one dealing with them. Louie has success from dishonesty and lies. The many old folks around him do not forget that. More frustrations unfold, and Okie is a journey that contains harsh pasts, connecting again (with others), and common grounds complex.

Okie is a blur written thoroughly (because its main character is in one throughout the film). Its writing and portrait of aggravation take the cake cinematically. Once one event goes wrong, another one does after. Okie is full of surprises on the realistic levels of life challenges. Three out of four stars for Okie.

Vermiglio Review-60th Chicago International Film Festival


The film is a subtle portrait of a historic period. The 1940s setting of dynamics is moving continuously. Written and directed by Maura Delpero, Vermiglio is the title of its home. It is a film about a mountainous village (that is secluded) that brings in a breathtaking direction of an array of individuals. It is through education, love, and war. Those many aspects have the presence of quality in Vermiglio.

The film is a relationship with angles of frustration. Its characters (who are in love) are Pietro (played by Giuseppe De Domenico) and Lucia (played by Martina Scrinzi). Pietro is a soldier who is trying to put the war behind him. Lucia is the daughter of a schoolmaster, Cesare (played by Tommaso Ragno). Cesare is one with high expectations. Those who are not motivated make Cesare think otherwise.

With Cesare and his high expectations, approaches to finding love are a subject of curiosity. Quiet pacing (in the film) loops in minds to think deeply. It is a tail of surrealism. Vermiglio dives deep into its odyssey of finding the ability to accept.

The continuity of Lucia and Pietro is what stands as audacious in Vermiglio. The bond of their love is where the writing weaves heavily on (from many angles). Vermiglio is a breathtaking masterpiece. The emotions swarm with curiosity. Three-and-a-half of four stars.