Tag Archives: Film reviews

How to Have Sex Review


This film’s theme is escapism where the goal is to live life to the fullest. The writing is poetic and the cinematography blends the emotions on three teenage girls’ surreal journey. How to Have Sex is a powerful and exhilarating adventure on a grand level. Director Molly Walker brings her audience into an audacious world of teenagers. The non-stop partying starts in the film’s introduction and barely ever stops. Despite the challenging obstacles portrayed in the movie, the realism is effective. How to Have Sex reminds audiences of what it’s like to be young and go on new adventures. The various adventures in How to Have Sex leads to slippery slopes and many mesmerizing revelations.

The three girls are Tara (played by Mia McKenna-Bruce), Skye (played by Laura Peake), and Em (played by Enva Lewis). They are best friends having a summer getaway at a hotel in Greece. They are the life of the party because they party like there is no tomorrow, drink like crazy, and always seek connections. They meet two boys, Badger (played by Shaun Thomas) and Paddy (played by Samuel Bottomley). Badger and Paddy become guides for the girls to help them keep the party going. They bring them to more parties, participate in all kinds of drinking activities, and together build a sense of connection. The concernis how much everyone parties and how much their judgment is impacted.

Tara finds herself in the most turmoil. She feels disconnected from reality and lacking in accomplishment. She uses the partying to cope with her own mental issues. Tara’s emotional journey is featured in How to Have Sex, but it is not just a sexual ride like many would assume based on the film’s title. It is, however, a representation of teenage life which is a time when many search for connection.

Youthful vibes flow freely in How to Have Sex. While exploring sexual curiosities and feelings of disconnection in the film, there are moments in which it may seem that the boys take advantage of the girls. Some behaviors have a more profound impact on others, especially Tara who is most fragile. Boundaries are a struggle for her.

The film is a portrait of adolescents seeking fulfillment. There is still a sense of innocence in How to Have Sex. The excessive partying leads to mental burnout, but that does not stop these wild teenagers from enjoying this time in their lives. Their impaired judgment leads to big questions. Do they know what they are doing? Is there a sense of happiness that is going unfulfilled? Do they feel that life is short? How to Have Sex is a journey of desperation and loneliness.

There are different moments when Tara, Sky, and Em face frustration. Each individual questions how their trip is going in different scenes of the film. Nevertheless, they just keep going to the parties as a coping mechanism. The writing makes it clear that the party scene is the place where the film’s characters can be built.

The constant partying provides the fuel in How to Have Sex. While there is plenty of talk about the girls wanting to lose their virginity, that is not the primary focus of the story. The film effectively offers a realistic look at the lives of teenage girls and shines faithfully as an artistic masterpiece. Three and a half out of four stars for How to Have Sex.

Lisa Frankenstein Review


From the mind of Robin Williams’ daughter Zelda Williams comes a unique and heartfelt romantic comedy blended with horror. A flick that is fun and is twisted, perfect for mature audiences to get a taste of 1980s jam with science fiction thrown in. A film where a Frankenstein creature is helping a girl who is trying to find connection in her life. That film is Lisa Frankenstein.

The plot of Lisa Frankenstein gears on Lisa (played by Kathryn Newton), a high-school teen in Louisiana who lost her mother at a young age. It’s 1989 and Lisa has been adopted by a family. Her adoptive parents are Janet and Dale (played by Carla Gugino and Joe Chrest), and their daughter is Taffy (played by Liza Soberano). Lisa feels hatred from her adoptive family, but she’s just trying to live her best life. She is seeking attention and popularity, but she spends her time by a graveyard because she has developed a crush on a corpse there. And then a wild dream comes true—the corpse comes to life! The monster is called The Creature (played by Cole Sprouse), and Lisa is terrified at first. But then she realizes that The Creature has feelings like she does. Together, they build a bond and go on a bizarre journey to find happiness. Lisa’s new attachment to The Creature is a ride of unexpected surprises that will make audiences laugh out loud, and a lot.

From my perspective, Lisa Frankenstein is like Risky Business meets Young Frankenstein. It’s over-the-top and frequently cheesy, but it had me sold. There is a 1980s jam that flows smoothly throughout the many adventures of Lisa and The Creature. She uses him for revenge, or to make her feel special. It is both a comedy and horror film where hearts are strong, and it will give audiences an adrenaline escape that keeps finding its right connections. It does go awry at times, as The Creature kills some folks out of the blue, but Lisa is invigorated by The Creature’s mission of helping her find happiness.

Lisa Frankenstein may seem predictable, and on some levels it is, but Williams’ directing will have its viewers pulling for a film that tries hard to find its funny, just like her father Robin always inspired his audience to find joyful moments in the movies and the arts. The story of a Frankenstein with a twist—a big heart—makes for a screenplay where connection and empathy matter, as does feeling connected.

There is a lot of mayhem around this monster. He doesn’t speak, and Sprouse plays the role very well, being in tune with the silence and showing through his actions the mind of a creature trying to adapt to a world he has never seen before. But does Lisa truly love The Creature? Catch Lisa Frankenstein and find out. It is a fun and tasteful experience; a journey of new adventures for both Lisa and The Creature in the year 1989. Three out of four stars for Lisa Frankenstein.

Fitting In Review


Fitting In opens with an introductory quote by author Simone deBeauvoir, “Your body is not a thing but a situation.” Written and directed by Molly McGlynn, this film is a semi-autobiographical exploration of her struggles and frustrations with a unique medical condition. The story portrays her adolescent mind trying to come to terms with the fact that her body is different from other “normal” teens while facing the temptations of risqué behavior. Fitting In covers lots of heavy ground around a sensitive subject matter.

The film centers on Lindy, played by Maddie Ziegler. She is a teenage girl that is curious about boys, connection, and popularity in the beginning scenes of the film. Lindy is an athlete and hangs out with her friend Vivian, played by Djouliet Amara, and is also close to a boy named Adam, played by D’Pharaoh Woon-A-Tai. Lindy’s close group of friends are fascinated by typical subjects faced when growing up, with sex being the primary focus. Lindy’s mother, Rita, is played by Emily Hampshire. She is a single mom that works as a counselor and Lindy is not close with her. The storyline is an explicit dive into Lindy’s sexual curiosity as she experiences crushes, sexting, and off-the-wall curiosities. of sexting, crushes, and curiosities. Lindy faces a hard awakening when she goes to a doctor and is informed that she has a rare reproductive condition that willaffect her sex life and ability to have children. This diagnosis creates a major crisis which becomes the central conflict of the film.

I enjoyed the relationship and connection between Lindy and her mother. Lindy’s mom tries to be there for her daughter as Lindy just wants her body to change. Lindy’s condition is incurable which is hard for her to accept. Lindy’s becomes angry at her situation and releases it in various places including track practice and experimenting with drugs. She is determined to feel connected no matter the consequences. Fitting In delivers a representation of how hard it can be for those to accept that there is an error with their anatomy. Lindy screams, “I am not normal!” Lindy’s mother asks her, “When did I become your enemy?” Fitting In paints a picture of the frustrations encountered in fulfilling desires when there is no sense of normalcy. I felt that the movie was more graphic in parts than it needed to be.

This is not a teen flick comedy. It is a hard R film that takes a realistic look through the core of its writing and portrayal of in-depth emotional patterns. The exploration of truth and curiosity is honest in Fitting In. The difficult part for Lindy is that she feels her poor choices are excused because of her disorder. Despite the sensitive topic of Fitting In, it is a real movie based on scenarios which can happen in an adolescent’s life. Fortunately in Lindy’s case, there is hope for a better resolution and a comfort to her sadness. Three stars for Fitting In.