Tag Archives: Film reviews

Freakier Friday Review


Twenty-two years after the release of Freaky Friday, a body switch comedy about an uptight mother, Tess, and her free spirited daughter Anna, comes its questionably necessary sequel Freakier Friday.   This time around, both Tess and Anna are parents, offering a new form of chaos.   Directed by Nisha Ganatra (Deli Boys), this sequel provides double the  mayhem, causing  fans who thought they had seen  the worst of Anna and Tess, to reconsider. The body switching,  once again leads to all forms of  humorous hijinks but ultimately comes across in a predictable manner. 

Lindsay Lohan (Our Little Secret, Mean Girls) is back as Anna, now a mother, and Jamie Lee Curtis (Halloween, The Bear) once again returns  as Tess, now a grandmother. Both have come a long way with a stronger bond  since the events of the first film. The primary  problem the duo  have to tackle involves Anna’s stepdaughter Harper, played by Julie Butters (Queen of Bones), unfortunately not a lot of context is provided in Harper’s upbringing. The story circles Anna, who is about to marry the love of her life Eric,  played by Manny Jacinto (The Good Place). When Eric’s daughter Lily is added to the mix, the body comedy ensues with the addition of the new parent / child combos.  Just when the worst was thought to be over, things in the world of Freakier Friday  get a whole lot more stressful. Especially because Harper and Lily are enemies at school and bound to be stepsisters.

Nisha Ganatra’s  film has its  funny moments, however  everything is shrouded  by a layer of predictability. This can be expected because there is only so much one can do to refresh a Freaky Friday movie. A majority of the film revolves around the tips and  turns centered around the mothers and the daughters as they learn to navigate the uncharted territory of their unexpected switch. Even though the plot twists are predictable,  they are not without  a certain level of charm. What does the trick for Freakier Friday is the context of ageism. Because the older characters tend to thrive in  younger bodies with the switch. The writing and setup is keen enough to  build laughs and momentum. Many of the comedic gags worked, but the pacing and repetitiveness are unavoidable. Rather than cover valuable new ground, Freakier Friday  works as evidence  that returning to the lives of Tess and Anna is a positive reminder  of the success of  the first film.

Freakier Friday offers a few memorable moments, but in the end, a plot that is painfully recycled. There  may be temporary joy for families to laugh with, as the film  benefits by having both Lohan and Curtis back, but otherwise the presentation will only make viewers yearn for the original. Two out of four stars.

Cloud Review


When it comes to the mind of director Kiyoshi Kurosawa, his landscape of filmmaking is destined to create tension. His writing carries an irreparable, yet compelling force in Cloud. In this film, risks and falsifications may look profitable on one end, but dishonesty on the other end leads to complications andchaos. There is a vast amount of damage that occurs in Cloud, and it is surreal. Vibrant and engrossing, the setting in Japan creates a landscape of uncharted territory in urban and rural areas.

The film’s main character is Ryosuke Yoshii (Masaki Suda) who sells goods online but pushes himself to the limit. He quits his day job at a factory to create his operation selling and reselling items. With encouragement from a friend named Muraoka (Masataka Kubota), the idea is promising for Ryosuke.  However, the risks posed are greater than audiences will expect because Ryosuke chooses a deserted mountain setting for his operations. He brings his girlfriend Akiko (Kotone Furukawa), and hires an assistant named Sano (Daiken Okudaira). The more fake goods Ryosuke distributes, the more he profits. But his other gain is negative, as he builds a following of those he has scammed.

The risk factors and political landscape in the film create vast tension and uncertainty. The story is a provocative portrait of the consequences of dishonesty. Because Ryosuke has dangerous people trying to track him down, the desperation to make profits becomes more critical. Kurosawa’s directing displays artistry in an environment that seems like an overwhelming trap of realistic excitement. No one can weather the consequences in a more precise way than Kurosawa does with Cloud.

Ryosuke’s operations create a pattern of rapidly flowing mental suspense. Cloud has an exhilarating pattern which remains subtle while creating visual moving parts. When business for Ryosuke continues to struggle, he then looks for different scams to pursue via the items he purchases to resell. Kurosawa is a master at portraying anxiety-provoking matters and frustrating realistic hurdles in Cloud. 

The value of profit is a life and death matter in Cloud. The context is both believable because profits lead to making bank and yet misdirected in terms of unexpected outcomes. Eventually Ryosuke finds himself hitting a breaking point and Cloud throttles with fears. The fluorescent cinematography loops in illusions tied to the film’s continually changing operations. Kurosawa knows how to make hearts beat with suspense charging throughout the movie.

Cloud is one of the most thrilling, yet experimental arthouse thrillers I have seen. The business of selling souvenirs and fake items in Japan carry the weight of suspense which leads tofilmmaking at its finest. This film is intended for the big screen experience to fully capture the realistic and unforgettable series of wrongdoings. In Chicago, this movie is meant to be seen at Siskel Film Center which will be showing it through August 7th. Don’t miss this opportunity to experience an irreparable ride that will leave a bullet train of consequences. Three-and-a-half out of four stars for Cloud.

Together Review


When it comes to terror and having fragments that create elements making a scene feel even more creepy, Together captures that aspect and weaves it thoroughly. This film is written and directed by Michael Shanks and stars Dave Franco and Alison Brie. Franco and Brie are also the producers, the leads, and are married in real life. This is by far one of the most daring films that they have made as a couple. When connection and bonding are already in a blur, there is a force that makes disconnect impossible. This is especially true in a forest setting where a change is intended to happen.

The couple is Tim and Millie (Franco and Brie). They move out to a wooded area outside of a city setting for a change of pace.Tim is a struggling musician, and Millie is a teacher. They have underlying conflicts where resolution feels or seems complicated. Millie feels that the move is a way of restoring them. Once they get there, weird events begin to happen. Tim begins to lose his mind with anxiety and sees imagery of dark souls and moving parts. Above all that, Tim and Millie find themselves stuck with each other. The force to keep them together is harrowing and within their new home lies a key to breaking through that barrier.

The essence of an illusion and a strange upbringing with an immersive tone is where Together has that terror and classiness in its film making. The problem around the couple is one bound to be unbreakable, especially with the home bringing in so many moments of creepy attachments. At the same time, viewers will ask themselves why this is all happening. Chemistry and writing and mixed messages spiraling through the characterizations is where immersive components find a new tone of disturbing material.

Together has aspects where the weird moving parts of Tim and Millie spiral into grotesque matters. No spoilers, but I will say this is not a film to watch on a full stomach. Mostly because its glamourization is in the depths of the attachments finding themselves in rather graphic depictions. Together grapples with a relationship becoming more challenging with physical moments added on top of it. Almost like a special on the menu, but the downside is there is no sending anything back.

An above average terror ride where mentality is focused on in great depth. Stunning scenery and unexpected surprises with mixed characterizations from the performances of Franco and Brie. Freaky and at moments disgusting, but one that is bound to create memories for constructing an aspect that is different from any other horror film. Two-and-a-half out of four stars for Together.