Tag Archives: Focus Features

The Bikeriders Review


Motorcycles are dangerous. Motorcycles form a gang. Does it have a beneficial factor? The Bikeriders go down a road of a blur along this aspect. Written and directed by Jeff Nichols, The Bikeriders feels like a mafia atmosphere. The only difference is that it is a gang that rides motorcycles. This direction is based on the 1967 photography book (the book carries the same name as the film) by Danny Lyon. That is where the fascination for the film came from. That would explain why the film feels more like a surreal journey than a biopic. It contains more along the lines of personality dangers over motorcycle adventures. That approach is where the line is blurred.

Austin Butler plays Benny. Benny loves to ride his motorcycle into paradise like a king. He also loves his wife, Kathy (played by Jodie Comer). Benny has loyalty. His mentor is Johnny (played by Tom Hardy). Johnny is the king of the motorcycle crew. They call themselves the Vandals. As Benny goes deeper, Kathy feels there are more detrimental aspects to come around in her life. With Benny always being in love with his motorcycles and the crew, how good of an influence is Johnny? The actions of Benny have consequences, and it does so for Kathy as well. If Benny cannot ride, he will feel incomplete. Is that a road that Kathy wants to go down with Benny?

The tension is there, but the presentation is mediocre. The film transitions to Kathy telling a story with a journalist throughout the film. She goes into detail about the activities she took part in with Benny. She talks about how the gang has had its share of crazy scenarios. This approach delivers an appreciation of the emphasis of the film. Its delivery feels like a sob story direction.

Being on a motorcycle is what makes Benny feel like he is truly alive. Having Johnny by his side is that layer that keeps him going. He disregards his actions just for Johnny repeatedly. When it comes to the subject of love, it seems Benny cares more about anything to do with motorcycles than Kathy alone.

The Bikeriders is a powerhouse dynamic with superb scenery. Its artistry with motorcycles and its focus on the Midwest carries weight in the film’s continuity. It just does not fulfill the spectacular expectations that some audiences may expect. Two-and-a-half out of four stars.

Back to Black Review


The film adaptation of Amy Winehouse’s story is unsettling.While the film about her life seemed compelling, it spiraled downhill just like her life and left me with mixed feelings. Back to Black is written by Sam Taylor-Johnson and I had faith in her ability to direct this adaptation. Given her direction of Nowhere Boy in 2009, I felt Taylor-Johnson had the track record to make this type of movie a success. Back to Black is interesting, yet somewhat inconsistent. It is a deep and thorough look into the complicated life of Winehouse. The pacing is what causes it to not exactly hit the mark.

Marisa Abela plays Amy. She has the voice, the attitude, and the personality that sends electricity through the screen. Eddie Marsen plays Mitch, Amy’s father, who always looks out for his daughter. Jack O’Connell plays Blake, Amy’s husband, and the love of Amy’s life. Amy has people in her life who provide much support. Her life, however, is condemned because it is fueled by pressure, attention, and alcohol and drug abuse. Amy’s mentality fluctuates with the many hurdles of her instability.

The beginning of Back to Black features the happy moments of Amy’s life. This approach takes away the realistic point of view that the film could have had and jumps quickly to fame. The background of the Winehouse family is explored with in-depth writing, but Amy’s drug use is the hidden secret in Back to Black.

The pacing is what caused my mind to wander during the film.There was so much of the film focused on Amy’s musical fameand accomplishments, and then the spiral down to personal tragedies. The story picks itself up when her relapse into drug abuse begins to hover over her head. When that happens, Back to Black feels like an overwhelming array of overly done dramatics which does not work in the film’s favor.

The style of filmmaking does not do the story justice and is not as captivating as it could be. Amy says, “Music is my rehab.” Those words prove she was in denial about her addictions. Why make her addictions the primary focus?  The story could have had more layers by also focusing on art and empathy. Amy was such a deep character and reflecting that in the film’s writing could have led to an improved result.

My level of respect for the film was boosted by how managed to capture the reality of who Amy was. While she was growing popular, she was throwing it away. The movie painted a clear picture of her journey with addiction. People love Amy for her music but find it harder to accept the conflicts she fought within herself. While her story has some happiness, the downward spiral of sadness is pervasive.

Back to Black does reveal the extreme difficulty people face when fighting to overcome addictions. It also shows how fame becoming someone’s new normal can have negative consequences. The themes of addiction and fame are authentic in Back to Black, but I still give the film just two out of four stars. 

Lisa Frankenstein Review


From the mind of Robin Williams’ daughter Zelda Williams comes a unique and heartfelt romantic comedy blended with horror. A flick that is fun and is twisted, perfect for mature audiences to get a taste of 1980s jam with science fiction thrown in. A film where a Frankenstein creature is helping a girl who is trying to find connection in her life. That film is Lisa Frankenstein.

The plot of Lisa Frankenstein gears on Lisa (played by Kathryn Newton), a high-school teen in Louisiana who lost her mother at a young age. It’s 1989 and Lisa has been adopted by a family. Her adoptive parents are Janet and Dale (played by Carla Gugino and Joe Chrest), and their daughter is Taffy (played by Liza Soberano). Lisa feels hatred from her adoptive family, but she’s just trying to live her best life. She is seeking attention and popularity, but she spends her time by a graveyard because she has developed a crush on a corpse there. And then a wild dream comes true—the corpse comes to life! The monster is called The Creature (played by Cole Sprouse), and Lisa is terrified at first. But then she realizes that The Creature has feelings like she does. Together, they build a bond and go on a bizarre journey to find happiness. Lisa’s new attachment to The Creature is a ride of unexpected surprises that will make audiences laugh out loud, and a lot.

From my perspective, Lisa Frankenstein is like Risky Business meets Young Frankenstein. It’s over-the-top and frequently cheesy, but it had me sold. There is a 1980s jam that flows smoothly throughout the many adventures of Lisa and The Creature. She uses him for revenge, or to make her feel special. It is both a comedy and horror film where hearts are strong, and it will give audiences an adrenaline escape that keeps finding its right connections. It does go awry at times, as The Creature kills some folks out of the blue, but Lisa is invigorated by The Creature’s mission of helping her find happiness.

Lisa Frankenstein may seem predictable, and on some levels it is, but Williams’ directing will have its viewers pulling for a film that tries hard to find its funny, just like her father Robin always inspired his audience to find joyful moments in the movies and the arts. The story of a Frankenstein with a twist—a big heart—makes for a screenplay where connection and empathy matter, as does feeling connected.

There is a lot of mayhem around this monster. He doesn’t speak, and Sprouse plays the role very well, being in tune with the silence and showing through his actions the mind of a creature trying to adapt to a world he has never seen before. But does Lisa truly love The Creature? Catch Lisa Frankenstein and find out. It is a fun and tasteful experience; a journey of new adventures for both Lisa and The Creature in the year 1989. Three out of four stars for Lisa Frankenstein.