Tag Archives: IFC Shudder

Faces of Death Review


Grisly murders have a way of catching the attention of audiences, especially those who can handle gory scenes. Violence sells, but one must take into consideration what appears real and what seems fake. Faces of Death loops in popularity and context which combine in a horrid nightmare. The graphics are mesmerizing, yet the characterizations are somewhat sloppy at times. It is technically a remake of the film Faces of Death from 1978. The twist, however, is the murderer finds inspiration from that 1978 flick. The narration in the film fuels his rage. The aggressiveness in the story is eerie, but the film relies on oozing violence to appear realistic. In the end, I found it more funny than spooky. 

The film focuses on a lady named Margot, played by Barbie Ferreira. She has a day job moderating content online. She is also getting over a horrid event involving a train accident. So, disturbing imagery comes to her attention frequently since her brain is wired to notice when something looks wrong. She begins to moderate videos by a man named Arthur, played by Dacre Montgomery. Arthur is a man who has a normal life with a day job, but outside of work, he tracks down victims to broadcast them in his murder videos. His numbers, his fanbase, and the 1978 version of Faces of Death is his inspiration. Margot begins to utilize technology to track him down.

There is a vengeance that is greedy in Faces of Death. The film’s writing provides context that shows how human errors lead to increased determination. This is achieved through the characterizations of both Margot (the hero) and Arthur (the antagonist). When Margot feels no one is helping her, she abuses technology. When Arthur feels his vengeance is not enough, he continues to find more disturbing tactics for demolishment. There is more fuel for danger and treachery than meets the eye in Faces of Death.

Unfortunately, the film is a bit sloppy. Arthur as a murderer does not fit the bill well although Margot fits the hero role very well. I felt more terror from seeing Margot tracking down Arthur, than Arthur in his killing mode. Faces of Death is like a horror of reversed psychology where the writing does not have the characterizations properly in tune. Both characters have egotistical minds that work differently. There is so much running, and so much hurting. The film’s writer didn’t seem to know when to throw in the towel. The oozing graphics grow as do the numbers of Arthur’s crazy social media followers. There is no stopping his trends.

This is a B-/C+ horror remake primarily because the seriousness lacked. The characters were intermittently off key as they came in and out of tune. While the violence was great, the characters did not roll well with it in my opinion. Perhaps audiences will appreciate the context and rank it higher than the disturbing elements. Overall, though, this is a films that I can only give two-and-a-half out of four stars.

The Plague Review


This is one of those twisted and real movies that displays social pressure from an adolescent point of view. The setting is in a place where anxiety is provoked and at the same time horrific moments come around. Written and directed by Charlie Polinger, this is The Plague. A film set at a water polo campwhere there may be roughness in the water, but also poolside as well. Suspense lingers in many forms. I found this film to be one of enrichment, because fitting in never comes easy for tweens.

The film’s main character is Ben, played by Everett Blunck. His enrollment in a water polo camp seems promising at first. It is run by a swim coach named Daddy Wags, played by Joel Edgerton. The camp though, has some rowdy kids on its roster.Ben fits in at first but then realizes that the social pressure comes around easily. The title of the film speaks for itself, because once everyone shouts that someone has “THE PLAGUE” it labels the individual as an outcast.

The film spirals with confusion and tension, as Ben finds himself at odds with fellow camp attendees. The one who he finds himself to be in the most confrontations with is Jake, played by Kayo Martin. The direction of Polinger displays a young force of rebelliousness among early adolescents. A creative tone is set for a film of psychological drama and a thriller that dazzles incessantly. The Plague keeps the momentum of the darkness strolling back and forth.

The Plague continues down the path of keeping popularity to be the strong suit, and that is where the camp begins to find itself in disarray. It is also where elements of the severeness of disconnect and social anxiety become overwhelming. The Plague is not an easy watch; it is one that may require a strong stomach in some moments—especially with the actions taken to  ostracize victimized campers. Polinger creates a new age of bullying…one where consequences are heavier for all parties.

The Plague is surreal with its tone. I adore how much the popularity vibe carries the weight in the camp setting. I also appreciate how it displays the impact of the pressure on those trying to be bigger people. Its portrayal of those who tend to be introverts is accurate, as some settings do not feel so promising for young minds. With the setting of a camp and many bodies jumping in a swimming pool, a multitude of scenarios can be played out.

 The Plague is a thriller that captured my eyes with a look at society in a new light. I was not dazzled, but I kept finding myself enthralled and curious as to how much damage can come around just from feelings of rejection. For the main character Ben, there is a lot more karma than the audience can anticipate in The Plague. Three out of four stars for this one.