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The Mother Review


The role of overly protective mother suits Jennifer Lopez well. In 2002, she played a mother trying to protect herself and her child from her abusive husband in Enough. In 2015, she played a mother trying to protect herself from a psycho student in The Boy Next Door (2015). In The Mother, she plays the parent who has a past that impacts her own child. The name of Lopez’s character is simply Mother.

This film opens in a crime investigation and the situation has gotten ugly. She has spent much of her life on the run trying to escape from her past involvement with drug cartels and dangerous enemies. Mother keeps getting caught in situations where her troubles are linked to her past.  Mother can’t even see her daughter Zoey (played by Lucy Paez) due to having legal troubles which pose a risk to her own daughter.  Both Mother and Zoey are in harm’s way and the situations do not get any easier.

Mother has lost custody of Zoey. Despite Mother’s past, she will do all it takes to protect her daughter.  Because drug cartels keep impacting Mother’s life, she has adapted to being aware of her surroundings and fighting like her life depends on it. The film transitions to Mother’s harsh past and Lopez gives a stellar performance of teaching a child how to survive. However, the transition lacks focus, and The Mother begins to feature many catastrophes with lots of shooting action.

Unfortunately, the featured scenarios led to boredom in my opinion. As soon as Mother’s main objective was to ensure her daughter knows how to survive, I found that there was no meaningful clarification to how exactly this connects to Mother’s past.  In the beginning of the movie, there are backstories of Mother being a veteran and also involved in various crime scenarios. Then, she seems to be a criminal who is targeted by the worst enemies. The film’s algorithm which would allow it to find its redemption by having Mother and daughter survive is off base. I thought to myself that the role of Lopez was a bit like Liam Neeson’s role in Taken (2009). The Mother is similar to Taken in terms of fighting for the ones we love most. Disappointingly, the direction is lacking in quality that results in this story being a predictable setup with obvious outcomes.

On a positive note, The Mother is watchable because Lopez delivers a prestige performance. As she teaches her daughter to fight, she tells her to use her hate and frustration to help her live. The Mother fully explores that idea. The film also displays how the present is more important than the past. Mother’s previous issues are not worth going back to. In The Mother, Zoey is the priority of the story, but the film suffers due to the lack of structure and poor writing. Still, thanks to Lopez’s strong acting skills, it is not a complete failure. Two and a half stars for The Mother.

Luther: The Fallen Sun Review


There are many detective thrillers that the world loves. Many of these movies involve politics, corrupt governments or businesses, and people who want “payback”—for those who betrayed them. There are some, however, who know how to plot their comebacks with an even more punishing effect. When there is someone like John Luther (played by Idris Elba), who many know from the series Luther, Luther can cause irreparable consequences when he is seeking redemption. There is a lot of redemption in Luther: The Fallen Sun.

In this film, Luther is in prison. Disgraced and disgruntled, his anger feeds the destruction that is to come when he makes it out of prison. With the detective’s anger built up inside, he does what he can to remain cool as he spends his days in prison. His tactics come into play sooner because there is a serial killer using all kinds of tactics to label his targets and continue a rapid killing spree. When a killer is using sextortion and blackmailing skills to get what he wants, this is the type of sadistic behavior that Luther is bound to put an end to. The killer is David Robey (played by Andy Serkis). As the strange and dangerous deaths spread through London, Luther breaks out of prison to track down Robey. Luther has assistance, including Odette Raine (played by Cynthia Erivo), Martin Schrenk (played by Dermot Crowley), and Corinne Aldrich (played by Hattie Morahan). The film is full of codes, twists, and suspects that are all good tracks for Luther to take down Robey, but it is deadly. Robey is smarter than Luther thinks, but is he as strong as Luther?

Technology is used in Luther: The Fallen Sun to step up its terror and suspense. Unfortunately, I still felt like the film was just an extended episode of the TV series. It was invigorating in some moments, but the twists seemed repetitive. To an extent, however, repetition is what keeps fans invigorated in both the series Luther and the movie. While the technological aspects are there, they don’t really heighten the experience of having this on the big screen. It felt almost like TV but just a little more suspenseful given a heavier trail of deadly situations.

The writing is almost like someone had overcome writer’s block, or just jumped back into writing after a hiatus. The film starting with Luther in jail and then jumping out to catch a killer is somewhat shallow. There isn’t much evidence to recap why the film takes this approach. Although the TV series came to an end back in 2019, I was surprised that the anticipation and excitement did not hold up in this movie. A recap for the audience would benefit this film. Especially given that some viewers may have watched the series, but others did not. There is no clear structure for this movie’s introduction. In short, the writing could have been stronger to give more emphasis and a more elaborate picture of all the events that happened before this film.

To recap, this thriller is visually stunning. The story flows for vengeance and violence. The story navigates towards trying to blockbuster, but it will not feel like one. The lighting and cinematography are too much like the series. While that is alright, there is no need to push for big picture distribution if the movie is not of that quality. I love British crime series, but Luther: The Fallen Sun struggled to speak to me. Enticing in some moments, but overall, a blur of many catastrophes. Two stars.

White Noise Review


White Noise is a film directed by Noah Baumbach. It is one of his first films that is a book adaptation. It is much different than what audiences are used to from his previous projects. The film begins with actor Don Cheadle doing a lecture on cinema arts. Baumbach is known to start his films with characters that have intellectual mindsets. The beginning of White Noise also showcases the traits of characters related to some of Baumbach’s previous projects. Baumbach always knows how to make the smart characters problematic in his films. Adam Driver plays a college professor and is the king of strong words in White Noise. This is one of the film’s lighthearted features which plays into the quirks and frustrations of the characters in this dark comedy about an apocalypse.

White Noise has that classic family vibe in a bizarre way. The family is quirky and their dynamic is off. The town the movie is set in is retro. Baumbach’s approach to sci-fi adds more than enough detail. His setting is saturated and despite its comical scenery, it fits the mediocre apocalypse that is the center of the film.

White Noise takes place around a contemporary American family setting. The audience is introduced to Jack Gladney and his wife Babette (played by Adam Driver and Greta Gerwig). Jack’s career as a professor in addition to his responsibilities as afather become problematic. Jack teaches theoretical types of courses most of which discuss history and Hitler. His colleague,Murray Siskind (played by Don Cheadle), teaches the same types of courses. Their theories of voices and communications are subjects of debate between them, and their strong revelations grow into an apocalypse.

The film reveals that the town is at risk of toxins. A train disaster marks the start, but despite the severity of the situation, Jack and Babette act like their children should not be concerned for their safety. White Noise is presented in Baumbach’s interesting mode of characterizations. He does not follow a serious approach (as many would assume). The clouds set the problems in motion and the danger warning is “Cloud of deadly chemicals.”However, there is more danger than just the environment being at risk in this film.

Jack and Babette evaluate the situation with their children and try to remain subdued. White Noise is a journey of a family adapting to a natural disaster. In some scenes, the conflicts are mediocre at best. The crazy and entertaining scenes are when additional life-problems evolve after discovering the dangers of the toxic events.

With all the silly tangents in White Noise, the movie hasBaumbach’s signature style. That style includes the family sticking together, no matter how challenging their circumstances may be. That reminded me of his previous films like The Squid and the Whale (2005) and Marriage Story (2019). Of course, those were more serious films. This time around, audiences canexpect to laugh more because the responses to shocking discoveries are not so upsetting.

White Noise does have some bigger conflicts. Its quirkiness, however, continues throughout the film. This could be an end-of-the-world scenario as Jack and Murray even tie their theories to the apocalypse. Do their theories mean anything positive? White Noise is a film of revelations all due to one chaotic disaster. It is not great but still offers an enjoyable time. Three stars for White Noise.