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Film reviews

Conclave Review

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The term “conclave” refers to an assembly or gathering, especially one with specific power or influence. In Edward Berger’s film Conclave, the dynamics of political theories combined with religion and faith collide poetically. It is a powerful examination of the moving parts in the quest to find a new pope, with an ensemble cast that includes Ralph Fiennes (as Lawrence), Stanley Tucci (as Bellini), John Lithgow (as Tremblay), and Isabelle Rossellini (as Sister Agnes). The interactions of the cast are relentless and invigorating. Conclavecreates a curiosity about where the lines are drawn when selecting one who can lead the Catholic Church. The foundation of consideration reaches a point where established hierarchy and degree of faith challenge this important process.

The plot of the film begins with a deceased pope. The death is quiet and assumed to be unexpected. Over a hundred cardinals from around the world gather for a vote on the new pope. Lawrence is leading the “conclave” process. He keeps Bellini and Tremblay close. Despite their loyalty, they do not always see eye-to-eye. The Vatican halls are where new evidence will evolve, lies will be unfolded, and seniority and beliefs will interfere. Tremblay is subtle, yet frequently questioned by Lawrence. Lawrence privately believes that choices and secrets are in tune with the close relationship Tremblay had with the deceased Pope.

The rumors which are circulating take a major toll on the voting process. Conclave is a fascinating study of the cardinals’ minds as they present their own unique approaches to faith. For Lawrence, however, going by the book and following protocols speaks more to him than the faiths of the other cardinals. Fiennes’ performance as he develops a harsh reputation is where Conclave delivers a massive achievement in terms of characterizations. How far does one go to achieve the ruling of a new pope? What is the logic behind choosing who deserves to hold this position known to the entire world?

Conclave is an audacious thrill ride of the pressure, solidarity, and background of the political theories surrounding the votes throughout the process. The person who truly questions the choice of Lawrence is Sister Agnes and her extreme frustration shows in Rossellini glowing eyes. The real boxing match in this story is in the capable hands of Fiennes, Tucci, and Lithgow. They deliver powerhouse performances which showcase how faith in humanity and deep loyalty discover their shining presence. The movie is captivating in the way it explores the subjects of faith and worship and the role they play for the votes to count. The political issues related to hierarchy of authority, years of practice, and personal backgrounds are also intriguing.  With hundreds of cardinals, there are a lot of analytics to consider during the conclave. It is a riveting and unforgettable portrait of the critical choices involved when the Vatican must select a new pope who will shine a light of authentic power. This is one of the most monumental and visually outstanding films of 2024. Four out of four stars for Conclave.

Film reviews

The Menu Review

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As a foodie, The Menu spoke to me on many levels. The subjects of food operations and related quality factors appealed to my taste. With Ralph Fiennes as the lead chef, I knew I was in for a treat. Again, he displayed the demonic attitude he often possesses in his roles. Given Fiennes’ performance, I would refer to The Menu as a film where Voldemort (from Harry Potter) opened a kitchen.

The Menu is stunning in its chronological order of events. The different courses and the high-class guests are one intriguing factor of the film. The continuation of courses is another factor. The courses are not the only interesting feature, because there are some dangerous consequences that come along in the restaurant as well. Audiences are in for some surprises as they embark on this wild food adventure.

The film begins with a couple, Tyler, and Margot (Nicholas Hoult and Anya Taylor-Joy). They travel to a high-end restaurant on a deserted island. Ralph Fiennes is Chef Slovik; opinionated, creative, passionate, and evil. The tale of food begins with an array of fancy dishes. However, as the night goes on, the Slovik’s attitude starts to deteriorate. As Slovik senses rudeness from his guests, he starts to make the restaurant experience go awry. The food choices start to be low-quality, the atmosphere becomes more harrowing, and there are more horrific surprises. Tyler, Margot, and everyone else in the restaurant may be at risk for something much more shocking than they have expected. The question is whether they can leave the restaurant safely.

As the more the film progresses, Fiennes’ performance is increasingly demonic. In the film, his character takes pride in his kitchen. When he sees his guests showing no appreciation (in his own mind), then the lavish experience takes a turn for the worse. Fiennes is fabulous when he is in his egotistical mode which is why I loved The Menu. Fiennes is simply fantastic playing the chef who must have his way like an evil king.

The Menu is anxiety-provoking with layers of dark comedy. Theaudience can sense that the experience is shady. Fiennes’ acting ability torments the viewers with invigorating madness. I found the film to be spectacular and stunning in large part due to the competition for respect in the kitchen which is especially challenging to receive in The Menu.

Is the restaurant experience harrowing? How much can go wrong? Did Tyler and Margot make a mistake? The Menu has those answers. It also has more witty and unexpected surprises which make this film the wild and twisted adventure of the Thanksgiving season. Three and a half stars for The Menu.