Tag Archives: Sony pictures classics

The Only Living Pickpocket in New York


This film is quiet and intriguing with New York city vibes written all over it. There is smooth jazz that plays at the start of the film. It is centered around stealing and making profits, while also navigating a life-challenging scenario. The film is genuine. The Only Living Pickpocket is different than what I am used to with a setting in New York. I usually expect to see something with a lot of crime and suspense—those two elements are in the film, just presented so silently. Written and directed by Noah Segan, The Only Living Pickpocket in New York is one-of-a-kind.

 

The film’s main character is Harry, played by John Turturro. He is someone that has many ways of stealing things and selling them. He does this by watching the moves of everyone around him. His motivation in doing this is to help him be able to care for his dying wife, Rosie, played by Karina Arroyave. However, he steals an item from a young punk named Dylan, played by Wil Price, and this particular theft scenario goes awry. For Harry, it becomes a life-and-death situation. If he does not retrieve the missing item to give back to Dylan, his wife will be in danger.

 

I love how the film presents negative deeds in the context of normalcy. Harry goes down to a pawnshop regularly. The man running the shop is Ben, played by Steve Buscemi. They negotiate values, worths, expenses, and many aspects of what items can be sold for. Harry needs to extract  the highest value possible from every item. At the same time though, his timing becomes limited as the life of his wife remains in balance due to one of his pickpocketing schemes.

 

As Harry runs through the streets of the city, the film is highly cinematic with New York moments. I truly value the depths of the subway systems, the moments of people watching, the hustle of a busy day–all scenes that convey times for a perfect pickpocket mission. It can be one of success or one of failure, but regardless, there is bound to be an intriguing outcome. There are moments when Harry questions his choices. They come around a lot when his wife is in peril, with the punk attitude of Dylan playing into that as well. 

 

Although truly surreal in its approach, I will say The Only Pickpocket Living in New York is a moderate classic. The writing is a bit rushed. The premise though is worthy of a masterclass that could have had more to it. Overall, I found myself in a spellbound throughout most of the film. Turturro and Buscemi deliver performances that are mind-boggling. They both convey underworld New Yorker attitudes of greed and wonders. Turturro though, steals the film. The Only Pickpocket Living in New York had me sold for a majority of the eighty-eight minuteduration. Three out of four stars.

 

A Private Life Review


This is a psychological thriller that is very different for Jodie Foster. At the same time, however, she still displays an audacious attitude in this film. Directed by Rebecca Zlotowski, this is A Private Life, an intense drama that explores the lines between a medical professional and confidentiality. When themistaken words and different theories go off the rails, the story goes down a trail looking for missing pieces. Foster’s characteris the one trying to solve the puzzle. A Private Life has intriguing elements woven into the film but relies on clever egos to make it work. 

Foster plays Lilian Steiner, a psychiatrist who speaks French in her practice in France. A patient of hers has died, and her name is Paula Cohen-Solal (Virginie Efira). Lilian’s mind races with many different thoughts about the potential cause of Paula’s death. Because she might have been murdered, Lilian tries to investigate along with her former spouse Gabriel Haddad (Daniel Auteuil). She also gets technological assistance from her estranged son, Julien Haddad-Park (Vincent Lacoste). Lilian believes that the ones to blame for Paula’s death are her husband, Simon Cohen-Solal and her daughter, Valerie Cohen-Solal. Overall, it is not easy to figure out the various moving parts.

The film is innovative in how it showcases Lilian’s investigativework. She has her own cassette tapes to record her sessions. When she begins to investigate Paula’s death, she gets strange phone calls and finds herself in a scenario where her office is ransacked. Suspense is frequently present in A Private Life. However, can Lilian solve this crime without having her license revoked?

There is no easy way to evaluate how good the film is, but I found it to be neutral. It maintains a melancholy vibe as a quiet thriller. With the song, Psycho Killer by Talking Heads, playing, the silent investigation is woven into the. Not a mesmerizing or spellbinding movie, but still carefully put together. Fortunately, Foster’s fearless attitude stands out.

A Private Life is clever but lacks in some key moments. While there was positive intent, the film failed to hold up well due to the array of confusing tangents in the case of a deceased woman.A Private Life endeavored to find a route, but never quite gets there. Two-and-a-half out of four stars.

East of Wall Review


East of Wall is a debut film from up and coming director Kate Beecroft.  Her film is one that has a heavy heart, while jumping through many hurdles. It presents the real frustrations connected to being a widow, running a ranch, and also dealing with legalities and debts. The character is Tabatha Zimiga (her name in real-life and in the movie), and she is trying to be a responsible parent to her adopted daughter Porshia Zimiga (also using her real  name) and she is taking on the responsibility of other children that do not belong to her. Despite a complicated dynamic, doors are open in an enclosed environment. There is a chance for her to make a better income, if she is willing to change her lifestyle. East of Wall carries a heavy tolerance, because Tabatha keeps on working to be a caregiver for those she cares about. It is breathtaking in the amount of sacrifice displayed through the performance of Tabatha Zimiga. Zimiga  plays a mom that is devoted to having a heart and keeping what her gut tells her to. That is to keep her land, but also she must consider a way to pay off the debts she builds for herself. She does not have it in her to exclude those causing an impact in her life. On a vast land in South Dakota, the landscape of hardship and making ends meet makes East of Wall feel precious in its form of motherhood and parenthood.  

After the loss of her husband, Tabatha, a horse trainer, is forced to face  the family’s many debts in addition to her grief. Since she is the owner of a ranch, Tabatha extends her heart to take care of those that are close to her, even though it is difficult at times because Porshia is rebellious and precocious. With the many horses thriving on her land, a business man named Roy Waters offers to buy the land from Tabatha. Waters  is played by Scoot McNairy (Speak No Evil, Blood for Dust) in a bold and egotistical performance. All around the crazy chaos and mayhem, there is a chance for Tabatha to make a steady income, but deep-down Tabatha’s thoughts are the driving force of the film. 

The film delivers that realistic sense of choices that are hard to make. Especially around frequent moments of teenagers doing illegal things, and Tabatha fighting legal battles for kids that are not her own. This feels like a lot, especially when compounded with the grief Tabatha feels after the death of her husband. East of Wall creates a beautiful sense of what a portrait of hardship is and what it mentally takes to keep fighting. The writing and continuity flows with Tabatha fighting to keep her heart strong, which requires a certain amount of discipline. That is even a struggle, but owning a ranch with many acres and debt on top of it is one that adds to the burdensome yet poetic story of East of Wall. 

While East of Wall  has its flaws,  its authenticity is stunning. There are times where protagonist Tabatha’s characterization may not make sense, making the impact of debut director Kate Beecroft all the more significant. The thematic drum beat of perseverance permeates Beecroft’s debut film, one that is worthy of note. Two-and-a-half out of four stars.

Review also available on MovieArcher! Link is below!

https://www.moviearcher.com/2025-reviews/east-of-wall