Primetime Review


Written by Ajon Singh, based on the article by Luke Dittrich, and directed by Lance Oppenheim, this is Primetime. The film is based on events that occurred in 2006 with Chris Hansen, who did what he could to make television history with To Catch a Predator. The story begins with lots of surveillance, and then lots of revelations. Primetime is a magnificent and daring rollercoaster ride. Robert Pattinson plays Chris Hansen, and he is spectacular. The moving parts in his performance explore the tension between reality and career choices. His character blurs the lines creating a world of unexpected possibilities. Primetime brought me back to the era of TV shows when most people tuned into programming like Lost and Grey’s Anatomy at night. 

In Primetime, Chris Hansen finds himself in a position to be on top with his TV series To Catch a Predator. This show involves a sting operation where he lures grown-ups who chat with minors online and then busts them. His tactics generate all kinds of buzz—some good and some bad. What it comes down to is trying to keep up with the popularity of Lost. The competition element leads to a bumpy ride for Primetime because every move poses a risk. There are risks for the show as well as for Chris given the choices he makes. An assistant named Andie Bender (Merritt Wever) goes out of her way to skyrocket the budget. This leads to Chris having to hire an actor to pose for the show. That character is Dan Plumb (Skyler Gisondo). Chris calls him “Decoy Dan” because of how he is the first person in a shot before Chris comes in. 

To provide some context to the show’s format, Chris and his team find predators, give them an address, and then the camera crew waits…from there Chris takes the show over. He exposes his victims, tells them what they did wrong, and televises it. The pursuit of finding people who make bad choices is written in a vivid and enticing way. Pattinson displays an egotistical manner in his performance. His character is hungry for the views needed to keep his fame afloat, but he has some personal issues as well.

As part of the NBC network (he was a correspondent for Dateline NBC), Chris’ personal issues have an impact on him. While he is playing someone trying to catch bad guys to gain popularity, his own choices catch up with him. There are moments in which infidelity, lies, and deceit come into play in his own life. These behaviors could ruin his career. So, while he is doing all he can to market To Catch a Predator, the pressure is intense. Chris is put in a mind-boggling position where he must be willing to risk his career or his team. Pattinson is outstanding playing the monster of success. Many pressures are thrown his way, and turn into a scattered puzzle that makes viewers want more. What spoke to me was how his problems kept growing. It felt like a boiling pot that made me ache for more to be enthralled by. Oppenheim knows how to harness the unique tones of the era in Primetime.

There is a scene when Chris says, “The whale is coming,”  This comment causes viewers to ponder the amount of power of a TV network. In pursuit of fame, there are always unforeseen consequences. Given the shady subject matter of Chris’ show, not everyone in this era was a fan. In the end, Pattinson’s portrayal of Hansen in an industry-driven true story is unforgettable. Four out of four stars for Primetime.

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