Category Archives: Film reviews

Sanctuary Review


I had a hard time deciding what I thought of Sanctuary. A film from independent film company Neon is usually artistically brilliant, with twisted scenarios. Sanctuary, though, seems to be more predictability over artistry. It does have a twisted outlook, but the film is more like a play with a lot of dramatic irony, rather than the dark comedy that it is billed as.

Sanctuary’s two characters are Hal and Rebecca. Hal is played by Christopher Abbott and Margaret Qualley is Rebecca. It is a dominatrix scenario, with Hal being an extremely wealthy client who arranges the meets with Rebecca. He believes that aside from his relationship with Rebecca his life is a joke and not exciting. His bizarre, sexual escapades with Rebecca is to help him escape his mundane life. However, when Hal decides that he wants to end Rebecca’s services, the film takes an ominous turn. Rebecca makes Hal believe that she will ruin his life by blackmailing or exposing his many dark secrets. All this turmoil Rebecca creates is where Sanctuary goes downhill for Hal, but creates excitement for Rebecca.

The sexual escapade of Sanctuary is where it becomes predictable. Hal may be getting his desires fulfilled, but is there more to why he has these desires? Rebecca’s sexual escapades with Hal is to her advantage, but is it really benefiting her? The performances of Abbott and Qualley just seem to lack the characterizations for a believable trap. Rebecca really doesn’t sell her claim to own Hal by her threats to destroy his whole life based on his choices and experiences with her.

The title of the film Sanctuary comes from the safe word that Hal and Rebecca develop to let the other one know that the escapade is going too far. Ironically, though, no one is “safe” in Sanctuary. Hal and Rebecca have built a relationship that causes both of them to have all kinds of weird and obsessive thinking.

It seemed to me that the tensions between Hal and Rebecca was more about a clash of egos rather sex. There are no romantic ties or connection between Hal and Rebecca in Sanctuary. There is just an array of personal flaws, bizarre settings, and scandalous realizations. The focus of Sanctuary seems to be on the gaslighting between Hal and Rebecca. Rebecca’s way of gaslighting is one that remains quiet, yet effective. Hal on the other hand cries with fear and anxiety to manipulate Rebecca.

In my view Sanctuary is a very poorly written dark comedy. Is “sanctuary” truly a word to ensure safety in this film? Hardly. The misrepresentations of this film takes it in an ambiguous direction. The film lacks ambition or any form of artistic direction. The artistry certainly can’t be found in the the gaudy red lighting that surrounds the apartment of Hal. Sanctuary was just not a very satisfying experience. Two and a half stars for Sanctuary.

Past Lives Review


Friends are important, especially the ones we hold onto for many years. Past Lives is one of the best films on friendship I’ve seen. It shows how keeping the friends we have known for a long time reminds us of what to be grateful for in life. Director Celine Song makes her directorial debut with Past Lives, and it is a monumental achievement. The film is strong in portraying connections and memories, but also demonstrates how the past can play a positive part in the present world among close friends. It is a portrait that sends a message to be welcoming to those who have positive value to offer the world.

Past Lives gears on Nora (played by Greta Lee) and Hae Sung (played by Teo Yoo). They are childhood friends who have been out of touch though for ages. In their younger days, Nora’s family emigrated from South Korea. Two decades pass, and they find each other online. They begin to socialize more again and touch base frequently. Nora is married and her husband is Arthur (played by John Magaro). Arthur does not display any jealousy and is not against Nora reconnecting with Hae Sung. Hae Sung comes to visit Arthur and Nora in the United States. Both Nora and Hae Sung relive the many fascinations of their younger days and reconnect over what brought them joy. The powerful bond of friendship is still within their hearts.

Past Lives is one of the most beautiful films I have seen in terms of friends being there for each other. Nora and Hae Sung are on this journey of figuring out the curve balls life threw at them and how their cultures are different and intertwined. Arthur sees those elements as well. The powerful example illustrated in Past Lives comes in the long discussions and the realizations of how life has turned out for Nora and Hae Sung. While they are in their own universes, the message that is conveyed is to always keep the ones we care about in our hearts and be there for each other whenever we can.

The movie includes conversations regarding diversity and the director allows them to explore interesting territory. The discussions between Nora and Hae Sung do not serve any negative purpose. It is simply about them remaining friends and realizing they truly have not left each other. Their separation happened way before they were old enough to potentially fall in love.  They still have the heart for their friendships and find meaningful connection again many years later.

Again, this film is a masterpiece. The story is riveting, the goal is moving, and the film itself is a revelation of love among friends. Past Lives makes its audience feel the love that surrounds Nora and Hae Sung. It also makes them feel the love between Nora and her husband, Arthur. Past Lives opens the door to great possibilities by using fascinating elements in memorable cinematic moments. Four stars for Past Lives.

The Mother Review


The role of overly protective mother suits Jennifer Lopez well. In 2002, she played a mother trying to protect herself and her child from her abusive husband in Enough. In 2015, she played a mother trying to protect herself from a psycho student in The Boy Next Door (2015). In The Mother, she plays the parent who has a past that impacts her own child. The name of Lopez’s character is simply Mother.

This film opens in a crime investigation and the situation has gotten ugly. She has spent much of her life on the run trying to escape from her past involvement with drug cartels and dangerous enemies. Mother keeps getting caught in situations where her troubles are linked to her past.  Mother can’t even see her daughter Zoey (played by Lucy Paez) due to having legal troubles which pose a risk to her own daughter.  Both Mother and Zoey are in harm’s way and the situations do not get any easier.

Mother has lost custody of Zoey. Despite Mother’s past, she will do all it takes to protect her daughter.  Because drug cartels keep impacting Mother’s life, she has adapted to being aware of her surroundings and fighting like her life depends on it. The film transitions to Mother’s harsh past and Lopez gives a stellar performance of teaching a child how to survive. However, the transition lacks focus, and The Mother begins to feature many catastrophes with lots of shooting action.

Unfortunately, the featured scenarios led to boredom in my opinion. As soon as Mother’s main objective was to ensure her daughter knows how to survive, I found that there was no meaningful clarification to how exactly this connects to Mother’s past.  In the beginning of the movie, there are backstories of Mother being a veteran and also involved in various crime scenarios. Then, she seems to be a criminal who is targeted by the worst enemies. The film’s algorithm which would allow it to find its redemption by having Mother and daughter survive is off base. I thought to myself that the role of Lopez was a bit like Liam Neeson’s role in Taken (2009). The Mother is similar to Taken in terms of fighting for the ones we love most. Disappointingly, the direction is lacking in quality that results in this story being a predictable setup with obvious outcomes.

On a positive note, The Mother is watchable because Lopez delivers a prestige performance. As she teaches her daughter to fight, she tells her to use her hate and frustration to help her live. The Mother fully explores that idea. The film also displays how the present is more important than the past. Mother’s previous issues are not worth going back to. In The Mother, Zoey is the priority of the story, but the film suffers due to the lack of structure and poor writing. Still, thanks to Lopez’s strong acting skills, it is not a complete failure. Two and a half stars for The Mother.