Category Archives: Film reviews

Lurker Review


Making connections in the music industry is explored in a deeply immersive way in Lurker. This film comes from the mind of director writer, producer, and director Alex Russell (producer of The Bear and Beef). A film where obsession hits a deadly path that is hard to follow but just keeps going. An odyssey of fame and popularity that seeks growth within the depths of the film’s writing and characterizations. The story is a a stunning portrait of favoritism that is mind-boggling with competition. The music industry creates an environment in Lurker where the competition and envy feel surreal. 

The plot of the film focuses on a boy named Matthew, played by Theodore Pellerin. Matthew is a regular retail store employee in California who has a solitary life yet fancies his creative side when he is able. His life changes instantly when he becomes part of a crew for an artist that is on his way to fame. That artist is Oliver, played by Archie Madekwe. Matthew finds himself in the mix while helping to shoot footage and hanging out withOliver’s cool gang. However, plateaus are encountered because fame becomes everything for both Matthew and Oliver. At the same time, the popularity Matthew seeks is what he utilizes to his advantage. This leads to turmoil that becomes life-threatening.

Russell’s directing features layers of competition that keep the portrait of trial-and-error in focus during Lurker. I thought a lot about how the series The Bear showcases competitive moments in the kitchen with culinary stuff. The difference is the industry. Every small measure seems to be taken extra seriously in the music industry. Russell’s artistic eye creates a silent obsession for Matthew that grows dangerously in Lurker.

The film feels mentally disturbing. It is not very violent, but it captures the stressors through its characterizations of disconnect. When Matthew starts feeling unwanted within the team, thingsspiral. Russell’s cinematography fuels the emotion sparked byan outsider wanting more of the credit success in the music industry. The common ground in this film are the conflicts andthe dynamics required to keep fame and popularity on the rise.

What audiences will feel is the frustration between Matthew and Oliver. Matthew wants to feel cool and connected. Oliver wants to keep his fame on the horizon. Deep down the mental struggles and stressors of human values are at the core. Fame and agreements are the central flaws, but Matthew’s loneliness fuels the fire. The high life that Matthew never anticipated to have a mess with his choices. Matthew mixed feelings about his reputation because in his mind the generosity coming towards him feels fake.

With music, friends, and connections, desperation is at the center of Lurker. Matthew’s choices of Matthew appear to be irreparable, but at the same time his creative value is at the core of his choices. The film has a vivid and compelling vibe. Lurker is an intriguing portrait of how reality can be seen through the eyes of an artist. Three-and-a-half out of four stars.

Honey Don’t! Review


Actresses Margaret Qualley and Aubrey Plaza are a hurricane of fun and mysterious characterizations. Honey Don’t! is a unique crime thriller and dark comedy. This film feels experimental-because it pushes all kinds of limits while also finding humor in moments that should not be so funny. Directed by Ethan Coen, horrid behaviors thrive in an immersive way. It is like Fargo with some hidden gems, but in the end is unable to fulfill its potential brilliance.

The film focuses on Honey O’Donahue (Qualley), a lesbian detective making all kinds of eerie choices while also navigating weird crimes. Many of the issues are entangled with a church run by the mysterious Reverend Drew Devlin (played by Chris Evans). He is a reverend up to all kinds of shady activities when he is off duty. With murders and various crimes occurring, Honey’s mind is boggled.  In addition, she is busy trying to find love for a colleague, MG Falcone (Plaza). The two establish a secret. loving relationship. At the same time, the small-town that Honey patrols remain at odds given the murders and the shady Reverend Devlin. As the story progresses, the circumstances surrounding the unexplained crimes get even messier.

It is a film in which all the characters are two-sided. The elements needed to explore trust in relationships are perfect for this set of characters, but the execution falls short. This is likely due to how Ethan writes his scripts which normally entailtragedy and sad endings. At other times, Ethan’s scripts leave his viewers twisted. There is much that is twisted in Honey Don’t!, including Honey’s bad choices. Not one of the characters is up to par in this film. However, Honey Don’t! is vibrant with interesting layers of tragedy that continue to make attempts to get to the truth. Unfortunately, things fall apart quite early, which has an impact on the film’s overall enjoyability.

The storyline veers away from the crime scenarios to try to focus more on the risky behaviors in pursuit of adding somejoyfulness in the film. This was a turn off for me because I was expecting lots of laughs from cleverness since it is written by one of the Coen brothers. I did not get much of that but instead got a whole lot of intimate moments that seemed unwritten. The performances were magnificent, but the connection to the plot was limited. In the end, the film fell short of its potential.  

Honey Don’t! became increasingly strange as it went on due to the detective wanting her own desires to be fulfilled. The sameissue applies to the Reverend. The roles of superiority should befunny and attention-grabbing, but their characterizations were written poorly. Also, there were too many random ideas that fell in and out of place which were equally flawed because their outcomes were predictable. This is far from my favorite film byEthan Coen, but at least the writing was effective in generating some momentum. Two out of four stars for Honey Don’t!

 

East of Wall Review


East of Wall is a debut film from up and coming director Kate Beecroft.  Her film is one that has a heavy heart, while jumping through many hurdles. It presents the real frustrations connected to being a widow, running a ranch, and also dealing with legalities and debts. The character is Tabatha Zimiga (her name in real-life and in the movie), and she is trying to be a responsible parent to her adopted daughter Porshia Zimiga (also using her real  name) and she is taking on the responsibility of other children that do not belong to her. Despite a complicated dynamic, doors are open in an enclosed environment. There is a chance for her to make a better income, if she is willing to change her lifestyle. East of Wall carries a heavy tolerance, because Tabatha keeps on working to be a caregiver for those she cares about. It is breathtaking in the amount of sacrifice displayed through the performance of Tabatha Zimiga. Zimiga  plays a mom that is devoted to having a heart and keeping what her gut tells her to. That is to keep her land, but also she must consider a way to pay off the debts she builds for herself. She does not have it in her to exclude those causing an impact in her life. On a vast land in South Dakota, the landscape of hardship and making ends meet makes East of Wall feel precious in its form of motherhood and parenthood.  

After the loss of her husband, Tabatha, a horse trainer, is forced to face  the family’s many debts in addition to her grief. Since she is the owner of a ranch, Tabatha extends her heart to take care of those that are close to her, even though it is difficult at times because Porshia is rebellious and precocious. With the many horses thriving on her land, a business man named Roy Waters offers to buy the land from Tabatha. Waters  is played by Scoot McNairy (Speak No Evil, Blood for Dust) in a bold and egotistical performance. All around the crazy chaos and mayhem, there is a chance for Tabatha to make a steady income, but deep-down Tabatha’s thoughts are the driving force of the film. 

The film delivers that realistic sense of choices that are hard to make. Especially around frequent moments of teenagers doing illegal things, and Tabatha fighting legal battles for kids that are not her own. This feels like a lot, especially when compounded with the grief Tabatha feels after the death of her husband. East of Wall creates a beautiful sense of what a portrait of hardship is and what it mentally takes to keep fighting. The writing and continuity flows with Tabatha fighting to keep her heart strong, which requires a certain amount of discipline. That is even a struggle, but owning a ranch with many acres and debt on top of it is one that adds to the burdensome yet poetic story of East of Wall. 

While East of Wall  has its flaws,  its authenticity is stunning. There are times where protagonist Tabatha’s characterization may not make sense, making the impact of debut director Kate Beecroft all the more significant. The thematic drum beat of perseverance permeates Beecroft’s debut film, one that is worthy of note. Two-and-a-half out of four stars.

Review also available on MovieArcher! Link is below!

https://www.moviearcher.com/2025-reviews/east-of-wall